music clip of the day

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Category: hard-to-peg

Monday, December 19th

sounds of New York

Eli Keszler & So Percussion, “Archway,” New York, 2013


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lagniappe

reading table

“I shouldn’t have to see the pain, struggle and despair of homeless people to and from my way to work every day.”

—Daniel Duane, “The Tent Cities of San Francisco” (quoting Justin Keller), New York Times, 12/18/16

Thursday, December 8th

One should never underestimate, when living in a world so woeful, the therapeutic benefits, however fleeting, of dumb fun.

Shantel, “Disko Partizani,” 2007

 

Wednesday, December 7th

Sometimes I want to hear something that will quicken my pulse; sometimes I want something that will slow it—like this, for instance, which I heard the other night in Chicago, played by the group for whom it was written (a.pe.ri.od.ic). One sound . . . another . . . another . . .

Jürg Frey (1953-), Fragile Balance (2014), excerpt; Ensemble Grizzana (Jürg Frey, clarinet; Mira Benjamin, violin; Richard Craig, flute; Emma Richards, viola; Philip Thomas, piano; Seth Woods, cello); 2015


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lagniappe

reading table

Winter seclusion—
sitting propped against
the same worn post

—Matsuo Basho (1644-1694), translated from Japanese by Sam Hamill (The Sound of Water: Haiku by Basho, Buson, Issa, and Other Poets)

Saturday, December 3rd

tonight in Chicago

She’ll be playing at Constellation (where I’ll be listening).

Okkyung Lee (cello), live, Netherlands (Nijmegen), 2015


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lagniappe

reading table

On the Anniversary of the Death of Matsuo Basho

Winter rain on moss
soundlessly recalls those
happy bygone days

—Yosa Buson (1716-1784), translated from Japanese by Sam Hamill (The Sound of Water: Haiku by Basho, Buson, Issa, and Other Poets)

Saturday, November 26th

sounds of Christchurch*

Roy Montgomery, “Five Bears,” 2016

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lagniappe

reading table

The way “The Tennessee Waltz”
is about having heard

“The Tennessee Waltz”
before:

an almost floral
nostalgia,

is what we call
beautiful.

—Rae Armantrout (1947-), “Overhearing,” fragment (Veil: New and Selected Poems)

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the beat goes on

2,500 posts—and counting.

*New Zealand.

Friday, November 25th

sounds of Kinshasa*

Baloji with Konono No. 1, “Karibu Ya Bintu,” 2011


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lagniappe

reading table

One needs to keep a clear head when facing pirates in the Amazon.

—Hubert Kinski, 43-year-old Polish explorer, quoted in “‘There’s No Law on the Amazon’: River Pirates Terrorize Ships by Night,” New York Times, 11/18/16

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*Democratic Republic of Congo.

Wednesday, November 23rd

sounds of Glasgow

Richard Youngs, “Back from a World Changing,” 2016

 

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lagniappe

art beat: other day, Art Institute of Chicago

Sally Mann (1951-), Deep South, 1998

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Tuesday, November 22nd

sounds of Chicago

Here’s one of my favorite drummers, leading his own band, playing his own compositions.

Michael Zerang & The Blue Lights, live, Germany (Dortmund), 2015*


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lagniappe

art beat: other day, Art Institute of Chicago

Joseph Cornell (1903-1972), Untitled (Hôtel de la Duchesse-Anne), 1957

rsrc_tn_001091

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*MZ, drums, compositions; Dave Rempis, saxophones; Emil Strandberg, trumpet; John Dikeman, saxophones; Kent Kessler, bass.

Saturday, November 19th

passings

Mose Allison, singer, songwriter, piano player, November 11, 1927-November 15, 2016

Talking, singing, playing (Mississippi Blues Commission, 2015)

 

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Pete Townsend, Georgie Fame, Elvis Costello talking about “Parchman Farm”


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“Parchman Farm” (M. Allison), 1957


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NEA Jazz Masters Tribute, 2013

 

Saturday, November 12th

passings

Leonard Cohen, songwriter, singer, poet, novelist, Zen Buddhist monk
September 21, 1934-November 7, 2016

With Sonny Rollins (tenor saxophone), “Who By Fire,” 1989


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“Closing Time,” 1992


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“Everybody Knows,” 2014


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“You Want It Darker,” 2016


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lagniappe

random sights

yesterday, Oak Park, Ill.

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