what’s new
Oumou Sangaré, “Kamelemba,” 2017
more
Anna Clyne (1980-), Within Her Arms (2008-2009)
Metropolis Ensemble (Andrew Cyr, cond.), live, New York, 2010
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langiappe
musical thoughts
Never underestimate the power of music: the right sounds, heard at the right time, can change your life.
I could listen to these two—he’s long been one of my favorite pianists—all day.
Sara Serpa (1979-, vocal), Ran Blake (1935-, piano), “Night and Day” (C. Porter),
live, New York (Kitano), 2016
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lagniappe
reading table
He thought his head would explode, if the forenoon kept burning into the jungle all around him and the gulls kept screaming and the monkey kept regarding its surroundings carefully, moving its head and black eyes from side to side like someone following the progress of some kind of conversation, some kind of debate, some kind of struggle that the jungle—the morning—the moment—was having with itself.
—Denis Johnson (July 1, 1979-May 24, 2017), Tree of Smoke (National Book Award for Fiction, 2007)
How can something so solid make sounds so liquid?
Morton Feldman (1926-1987; MCOTD Hall of Fame), For Bunita Marcus (1985), excerpts; Marc-André Hamelin (piano), 2017
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lagniappe
art beat: other day, Art Institute of Chicago
Utagawa Hiroshige (1797-1858), Japanese white-eyes on a maple branch1854
In Oslo in December each sound is clear and distinct, or that, at least, is what I imagine.
Transitory Meeting of Minds,* live, Oslo, 12/5/16
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*Dré Hočevar, drums, interaction; Christian Balvig, piano, electronics; Michal Wróblewski, alto saxophone; Jean Dousteyssier, clarinets.
what’s new
Everything Is Recorded, “Close But Not Quite,” featuring Sampha and sampling Curtis Mayfield (“The Makings of You”), 2017
more
John Luther Adams (1953-), In a Treeless Place, Only Snow (1999); Bang on a Can Summer Music Festival, North Adams, Mass., 2016