music clip of the day

jazz/blues/rock/classical/gospel/more

Category: hard-to-peg

Tuesday, September 26th

sounds of New York

The Full Salon, “Bish,” “Sriracha Michelada,” live, New York (Silent Barn), 9/7/17

 

Monday, September 25th

Ever heard this instrument before? (Me neither.)

Kazue Sawai (1941-), bass koto, live, Tokyo, 2009

 

**********

lagniappe

reading table

All of old. Nothing else ever. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.

—Samuel Beckett (1906-1989), “Worstword Ho” (1983)

Saturday, September 23rd

mesmerizing

Enno Poppe (1969-), Stoff (2015); Ensemble Dal Niente (Enno Poppe, guest cond.), live, Chicago, 2016

 

**********

lagniappe

found words

I’m above the soil—and I love it.

—Neighbor’s response this morning when I asked how he was doing.

Friday, September 22nd

what’s new

Moses Sumney, “Doomed” (Aromanticism), 2017

 

**********

lagniappe

art beat: yesterday, Art Institute of Chicago

Izumi Masatoshi (1938-), Islands (Shima tachi), 2000

Friday, September 15th

summer in the city

DJ Snake, live, Chicago (Lollapalooza), 8/4/17

 

Thursday, September 14th

more

Kaija Saariaho (1952-), Petals (1988; cello and electronics); Imke Frank (cello) and Gary Berger (live electronics), live, Switzerland (Winterthur), 2011

 

Wednesday, September 13th

another take

John Luther Adams (1953-), The Light Within (2007); Late Music Ensemble, live, England (York), 2015

 

**********

lagniappe

random sights

other day, Chicago (Columbus Park)

Monday, September 11th

It was, I recall, a cloudless morning in Chicago, as it was in New York. I had a hearing scheduled in federal court, but then, after the second plane hit, court was cancelled. We sat in front of the TV, unable to turn away.

William Basinski, “Disintegration Loop 1.1,” 2001

 

**********

lagniappe

reading table

Photograph from September 11
by Wislawa Szymborska (1923-2012; MCOTD Hall of Fame), translated from Polish by Clare Cavanagh and Stanislaw Baranczak

They jumped from the burning floors—
one, two, a few more,
higher, lower.

The photograph halted them in life,
and now keeps them
above the earth toward the earth.

Each is still complete,
with a particular face
and blood well hidden.

There’s enough time
for hair to come loose,
for keys and coins
to fall from pockets.

They’re still within the air’s reach,
within the compass of places
that have just opened.

I can do only two things for them—
describe this flight
and not add a last line.

Saturday, September 9th

Need a break from listening to yourself?

Kaija Saariaho (1952-), Nocturne for solo violin (1994)
Alexi Kenney (violin), live, New York, 2016

 

**********

lagniappe

reading table

John Ashbery (July 28, 1927-September, 3, 2017)

Whatever we’re dealing with catches us
in mid-reconsideration. It’s beautiful,
my lord, just not made to be repeated,
that’s all.

***

It was a moment, what can I say.

—John Ashbery (1927-), “A Breakfast Radish,” “Domani, Dopodomani” (fragments), Breezeway (2015)

Thursday, September 7th

another take

Morton Feldman (1927-1986; MCOTD Hall of Fame), Rothko Chapel (1971); Markus Creed (cond.), SWR Vokalensemble (Vocal Ensemble), et al., live, Germany (Cathedral of Speyer, Schwetzinger), 2017

 

**********

lagniappe

art beat: yesterday, Art Institute of Chicago

Paul Gauguin (1848-1903), Cup Decorated with the Figure of a Bathing Girl, 1887-88 (Gauguin: Artist as Alchemist, through September 10th)

*****

reading table

John Ashbery (July 28, 1927-September, 3, 2017)

What will it all be like in five years’ time
when you try to remember?

—”For John Clare” (fragment)