Tuesday, September 26th
sounds of New York
The Full Salon, “Bish,” “Sriracha Michelada,” live, New York (Silent Barn), 9/7/17
sounds of New York
The Full Salon, “Bish,” “Sriracha Michelada,” live, New York (Silent Barn), 9/7/17
Ever heard this instrument before? (Me neither.)
Kazue Sawai (1941-), bass koto, live, Tokyo, 2009
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lagniappe
reading table
All of old. Nothing else ever. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.
—Samuel Beckett (1906-1989), “Worstword Ho” (1983)
mesmerizing
Enno Poppe (1969-), Stoff (2015); Ensemble Dal Niente (Enno Poppe, guest cond.), live, Chicago, 2016
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lagniappe
found words
I’m above the soil—and I love it.
—Neighbor’s response this morning when I asked how he was doing.
summer in the city
DJ Snake, live, Chicago (Lollapalooza), 8/4/17
more
Kaija Saariaho (1952-), Petals (1988; cello and electronics); Imke Frank (cello) and Gary Berger (live electronics), live, Switzerland (Winterthur), 2011
It was, I recall, a cloudless morning in Chicago, as it was in New York. I had a hearing scheduled in federal court, but then, after the second plane hit, court was cancelled. We sat in front of the TV, unable to turn away.
William Basinski, “Disintegration Loop 1.1,” 2001
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lagniappe
reading table
Photograph from September 11
by Wislawa Szymborska (1923-2012; MCOTD Hall of Fame), translated from Polish by Clare Cavanagh and Stanislaw BaranczakThey jumped from the burning floors—
one, two, a few more,
higher, lower.The photograph halted them in life,
and now keeps them
above the earth toward the earth.Each is still complete,
with a particular face
and blood well hidden.There’s enough time
for hair to come loose,
for keys and coins
to fall from pockets.They’re still within the air’s reach,
within the compass of places
that have just opened.I can do only two things for them—
describe this flight
and not add a last line.
Need a break from listening to yourself?
Kaija Saariaho (1952-), Nocturne for solo violin (1994)
Alexi Kenney (violin), live, New York, 2016
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lagniappe
reading table
John Ashbery (July 28, 1927-September, 3, 2017)
Whatever we’re dealing with catches us
in mid-reconsideration. It’s beautiful,
my lord, just not made to be repeated,
that’s all.***
It was a moment, what can I say.
—John Ashbery (1927-), “A Breakfast Radish,” “Domani, Dopodomani” (fragments), Breezeway (2015)
another take
Morton Feldman (1927-1986; MCOTD Hall of Fame), Rothko Chapel (1971); Markus Creed (cond.), SWR Vokalensemble (Vocal Ensemble), et al., live, Germany (Cathedral of Speyer, Schwetzinger), 2017
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lagniappe
art beat: yesterday, Art Institute of Chicago
Paul Gauguin (1848-1903), Cup Decorated with the Figure of a Bathing Girl, 1887-88 (Gauguin: Artist as Alchemist, through September 10th)
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reading table
John Ashbery (July 28, 1927-September, 3, 2017)
What will it all be like in five years’ time
when you try to remember?—”For John Clare” (fragment)