music clip of the day

jazz/blues/rock/classical/gospel/more

Category: hard-to-peg

Saturday, September 9th

Need a break from listening to yourself?

Kaija Saariaho (1952-), Nocturne for solo violin (1994)
Alexi Kenney (violin), live, New York, 2016

 

**********

lagniappe

reading table

John Ashbery (July 28, 1927-September, 3, 2017)

Whatever we’re dealing with catches us
in mid-reconsideration. It’s beautiful,
my lord, just not made to be repeated,
that’s all.

***

It was a moment, what can I say.

—John Ashbery (1927-), “A Breakfast Radish,” “Domani, Dopodomani” (fragments), Breezeway (2015)

Thursday, September 7th

another take

Morton Feldman (1927-1986; MCOTD Hall of Fame), Rothko Chapel (1971); Markus Creed (cond.), SWR Vokalensemble (Vocal Ensemble), et al., live, Germany (Cathedral of Speyer, Schwetzinger), 2017

 

**********

lagniappe

art beat: yesterday, Art Institute of Chicago

Paul Gauguin (1848-1903), Cup Decorated with the Figure of a Bathing Girl, 1887-88 (Gauguin: Artist as Alchemist, through September 10th)

*****

reading table

John Ashbery (July 28, 1927-September, 3, 2017)

What will it all be like in five years’ time
when you try to remember?

—”For John Clare” (fragment)

Tuesday, September 5th

soundtrack to a dream

John Luther Adams (1953-), The Light Within (2007); Faculty & Fellows, Bang on a Can Summer Music Festival at the Massachusetts Museum of Contemporary Art, North Adams, Mass., 2016

 

**********

lagniappe

reading table

John Ashbery (July 28, 1927-September, 3, 2017)

The bad news is the ship hasn’t arrived;
the good news is it hasn’t left yet.

—He Who Loves And Runs Away (fragment; Planisphere, 2009)

*****

random sights

this morning, Chicago (Columbus Park)

Monday, September 4th

sounds of Amsterdam

Michael Vatcher, percussion (Angels’ Share, sculpture exhibition, Herbert Nouens; Westerpark, Sculpture Park), 2014

 

**********

lagniappe

reading table

John Ashbery, July 28, 1927-September, 3, 2017

Alcove (Planisphere, 2009)

Is it possible that spring could be
once more approaching? We forget each time
what a mindless business it is, porous like sleep,
adrift on the horizon, refusing to take sides, “mugwump
of the final hour,” lest an agenda—horrors!—be imputed to it,
and the whole point of its being spring collapse
like a hole dug in sand. It’s breathy, though,
you have to say that for it.

And should further seasons coagulate
into years, like spilled, dried paint, why,
who’s to say we weren’t provident? We indeed
looked out for others as though they mattered, and they,
catching the spirit, came home with us, spent the night
in an alcove from which their breathing could be heard clearly.
But it’s not over yet. Terrible incidents happen
daily. That’s how we get around obstacles.

Saturday, September 2nd

more

They’re playing tonight.

BassDrumBone (Mark Helias, bass; Gerry Hemingway, drums; Ray Anderson, trombone), “Kinda Garnerish” (R. Anderson), live, New York, 2015

 

**********

lagniappe

reading table

though a poor-soiled
province . . .
such fireflies

—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)

Friday, September 1st

this weekend in Chicago

They’re playing, tomorrow afternoon, at the Chicago Jazz Festival.

Mary Halvorson Octet, “Away with You (No. 55),” live, New York, 2017

 

**********

lagniappe

reading table

The rain is less an atmospheric condition at this point than a kind of state of being, like mourning, that can’t be forgotten unless you’re asleep.

—Matt Pearce, “On the road in Texas, where all the roads look like rivers,” Los Angeles Times, 8/29/17

Wednesday, August 23rd

like nobody else

Peter Evans (trumpet), “Abyss (for Roscoe Mitchell),” 2016

 

Tuesday, August 22nd

not for the faint-hearted

Fire! Orchestra, “Enter,” live, Copenhagen, 2014

 

Monday, August 21st

more

Anna Thorvaldsdottir (1977-), In the Light of Air (2013/2014); International Contemporary Ensemble (ICE), live, New York, 2014

 

**********

lagniappe

musical thoughts

Suppose that, for the rest of your listening life, you had two options. One: You could only listen to things you’d never heard before. Two: You could never listen to anything new. Which would you choose?

Saturday, August 19th

mysterious, adj. Exciting wonder, curiosity, or surprise while baffling efforts to comprehend or identify. E.g., Anna Thorvaldsdottir’s Sequences.

Anna Thorvaldsdottir (1977-), Sequences (bass flute, bass clarinet, baritone saxophone, contrabassoon), 2016; International Contemporary Ensemble (ICE), live, New York, 2016

 

**********

lagniappe

reading table

in the big rain
gushing down
little butterfly

—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)