Christian Wolff (composer, piano, melodica; with Larry Polansky, guitar; Robyn Schulkowsky, vibraphone, miscellaneous percussion; Robert Black, bass; Joey Baron, drums), “Quintet,” live (performance followed by conversation), New York (Roulette), 12/12/09
To these ears, this is just inches shy of insufferable—too cute, too precious, too fey. But those inches make all the difference. As it is, I find it beguiling.
Clare and the Reasons, “Wake Up (You Sleepyhead),” 2009
For those who’re interested in such genealogical details (and are old enough to remember), Clare is the daughter of Geoff Muldaur.
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lagniappe
reading table
Utterly unbelievable, incontrovertibly real: his poems, at their best, have the associative logic of a dream.
An attentive reader/listener—someone I’ve listened to music with for over fifty years (which reduces the pool of possible correspondents to, uh, one)—wrote yesterday to tell me about an amazing bargain: a recording of Morton Feldman’s For Bunita Marcus (last mentioned here, previously featured here) that’s available, in MP3 format, for 89¢.
Sonny Rollins (with Jim Hall, guitar; Bob Crenshaw, bass; Ben Riley, drums), live (TV broadcast), 1962
Part 1 (“The Bridge”)
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Part 2 (“God Bless the Child”)
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Part 3 (“If Ever I Would Leave You”)
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The great tenor saxophonist Sonny Rollinsturns 80 on Tuesday, awash in more than the usual veneration. The MacDowell Colony last month awarded him its Edward MacDowell Medal. This week Abrams is publishing “Saxophone Colossus: A Portrait of Sonny Rollins,” a handsome art book featuring photographs by John Abbott, with an essay by Bob Blumenthal. And Friday night Mr. Rollins will walk onstage at the Beacon Theater.
It won’t be just another Sonny Rollins concert, if there even is such a thing. In addition to his working band, Mr. Rollins has reached out to several guests. The guitarist Jim Hall is the most eagerly anticipated: at 79, he is indisputable jazz royalty himself, and a trusted partner from one of the most celebrated stretches of Mr. Rollins’s career. (Consult the ageless 1962 album “The Bridge.”) Mr. Hall sat in with Mr. Rollins in New England one night this summer. Before that they hadn’t played together since 1991, in a Carnegie Hall concert that also included the gifted young trumpeter Roy Hargrove, now 40, who will rejoin them here.
—Nate Chinen, New York Times, 9/1/10
*****
Interview (2009) (encountering W.E.B. DuBois as a child in Harlem, playing with Bud Powell at nineteen, using drugs, studying yoga in India, aging, etc.)
Lester Young, August 27, 1909-March 15, 1959
(nicknamed “Pres” [or “Prez”] by Billie Holiday, who called him the “president of tenor saxophonists”)
Who else is at once so earthy and so ethereal?
Jammin’ the Blues (1944)
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lagniappe
On Lester Young
B.B. King:
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Lee Kontiz:
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Joe Lovano:
*****
Want more?
One of my favorite radio stations, WKCR-FM (based at Columbia University and available on-line), is celebrating Pres’s birthday in the best possible way—playing his music all day. (Actually, they’re playing his music for 36 hours straight, until the middle of the day tomorrow, when they’ll begin playing the music of Charlie Parker, whose birthday is Sunday, for the next 36 hours.)
The New Yorker (8/16/10) writes of Matisse’s Bathers by a River, which is currently on view, in the exhibit “Matisse: Radical Invention, 1913-1917,” at the Museum of Modern Art: “it consumes at least as much aesthetic energy as it imparts.” Except when it’s on loan elsewhere, this painting hangs at Chicago’s Art Institute. Over the years I’ve seen it dozens (maybe hundreds) of times. Never once, as I looked at it, did it occur to me how much “aesthetic energy” it was “consum[ing].”
music clip of the day 
