music clip of the day

jazz/blues/rock/classical/gospel/more

Category: guitar

Monday, 10/11/10

Solomon Burke, March 21, 1940-October 10, 2010

Live (TV broadcast), England, 2003

“Everybody Needs Somebody To Love”

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“None Of Us Are Free”

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“Cry To Me,” live, Spain (Vitoria), 2004

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“Don’t Give Up On Me,” live

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lagniappe

The best soul singer of all time.

—Jerry Wexler, Solomon Burke’s producer at Atlantic Records (also produced Ray Charles, Aretha Franklin, Wilson Pickett, et al.)

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Every day I’m on the phone ministering to people. I’ve had so many people say to me, “What should I believe in?” I tell  ’em, “Just believe in what’s real and makes you feel good. Whatever moves you, go there.”

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Every day they had a service [at my grandmother’s House of Prayer for All People], and the music never stopped. There was always a band with two or three trombones, tambourines, cymbals, guitars, pianos. When I speak of music, I get choked up. It was a message to God, something you feel down to your bones and your soul and your heart.

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I’ve learned to forgive Jerry [Wexler] . . . I’m also waiting for my check.

—Solomon Burke (in Charles M. Young, “King Solomon’s Sweet Thunder,” Rolling Stone, 5/27/10)

Friday, 10/8/10

Things going wrong?

You’ve come to the right place.

This’ll make you feel all right.

Them (with Van Morrison), “Mystic Eyes,” “Gloria,” live (TV broadcast), France, 1965

Thursday, 10/7/10

How many tracks this terrific have engendered videos this nutty?

Rosanne Cash, “The Wheel” (1993)

Monday, 10/4/10

Anyone can make English sound like English.

Tom Waits, live, California (Mountain View), 1999

Part 1

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Part 2


Want more? Here.

Sunday, 10/3/10

three takes

You don’t need no baggage, you just get on board.

“People Get Ready”

Curtis Mayfield, live, England (London), 1988

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The Impressions (featuring Curtis Mayfield), 1965

More Curtis Mayfield? Here. Here. Here.

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Al Green, live, Washington, D.C., 1983 (Gospel According to Al Green, 1984)

More Al Green? Here. Here. Here.

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lagniappe

radio gems: gospel

Gospel Memories
WLUW-FM
Chicago, Illinois
Saturday, 10-11 a.m. (CST) (archived shows)

Saturday, 10/2/10

The other night I saw these two bands—both are from Africa—at Chicago’s Logan Square Auditorium.

Kenge, Kenge (Kenya), live, Denmark (Roskilde), 2008

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Khaira Arby (Mali), live, Mali (Festival of the Desert), 2010

“Haidara”

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“Sourgou”

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Scribblings from the show (habit picked up reviewing live jazz for the Chicago Reader):

Kenge Kenge’s bass player at the start of their set: “We’ve been in America for the last three months. This is our last show. And we want to have some fun.”

Drum is king.

As much as I appreciate the musical experiences available via thenet, they’re no substitute for live music. Among the casualties of the technological filtering are bass and drums—this music’s heartbeat.

This stage isn’t a dividing line. It’s porous, readily penetrable in both directions. Those onstage come down and dance; those offstage go up and dance. When everybody’s dancing—onstage, offstage—the performer/audience line dissolves.

African music, live, is a full-body experience: you listen not just with your ears but with your hips, your feet.

If folks aren’t dancing, this music ain’t happening.

Kinetic elegance.

At times the dancers look as if they’re in a trance.

Lightness, buoyancy, drive: this is music that takes you in its arms, lifts you up, carries you away.

Friday, 10/1/10

three takes

He’s the guy who, early in his career, while an arranger and producer for Curtom Records, brought Baby Huey & the Babysitters to the attention of Curtis Mayfield.

“Little Ghetto Boy” (Donny Hathaway)

take 1

John Legend & The Roots

Live (recording studio), 2010

*****

take 2

Live, New York, 9/23/10

Want more of John Legend & The Roots? Here.

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take 3

Donny Hathaway, live, 1972

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lagniappe

Donny Hathaway, “The Ghetto,” live, 1970s

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Donny Hathaway died in 1979 at the age of 33. He was a casualty of mental illness. Afflicted with severe chronic depression and ultimately diagnosed with paranoid schizophrenia, he leapt to his death out of a New York City hotel room.

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Curtis Mayfield on Donny Hathaway:

To see him there in the studio at about 21 years old, directing all these real big session guys like he’d been doing it for years, was a tremendous sight to see. But he always believed in himself. He always believed in his talent. He wasn’t conceited about it, but he knew he could do anything these guys could do and almost certainly better. I’d have loved to sign him as artist, but it wasn’t to be.

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Bassist Christian McBride on Donny Hathaway:

You can tell that he listened to Stravinsky. He listened to Debussy. He was a musician who was the full 360-degree circle.

Thursday, 9/30/10

Mali—one of the poorest countries economically, one of the richest musically.

Amadou & Mariam

Live, Mali (Festival of the Desert), 2010

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“Dimanche A Bamako,” live (with David Gilmour, guitar), England (Islington), 2009

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“Welcome To Mali,” “Africa,” live, South Africa (Johannesburg), 2010

Want more? Here.

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I saw Amadou & Mariam, like Orchestra Baobob, with my son Alex—last year at Chicago’s Park West.

How far away does Africa seem to Alex?

About as far, I think, as South Carolina seemed to me at 23.

Wednesday, 9/29/10

From a small orchestra in Germany to one in Senegal.

Orchestra Baobab, “Utru horas,” live

Here’s a big (23rd) birthday shout-out to my son Alex—with whom I saw these guys a few years ago at Chicago’s (much missed) HotHouse.

Monday, 9/27/10

Something new to sing in the shower.

Felix del Pilar Perez Castro, “Amor Loco,” Soy Cuba (I Am Cuba, 1964)

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lagniappe

Paul Anka, “Crazy Love” (1958)

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mail

In response to yesterday’s clips:

Amen!