music clip of the day

jazz/blues/rock/classical/gospel/more

Category: guitar

Monday, 4/11/11

energy + delicacy = kinetic beauty

Rashied Ali, drums
Don Cherry, pocket trumpet
James Blood Ulmer, guitar

Live (TV broadcast, Sweden), 1978

Vodpod videos no longer available.

More Don Cherry? Here.

I interviewed Rashied in 2008 just before he died, and he showed me this clip on his Mac. He was psyched that it was up on YouTube.

—YouTube comment

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lagniappe

art beat

Paul Cezanne, Study of Trees (c. 1904)
Arthur M. Sackler Museum, Harvard University, Cambridge, Massachusetts


Friday, 4/8/11

two takes

“Will You Love Me Tomorrow” (Gerry Goffin & Carole King)

This could go wrong in so many ways. But it doesn’t.

Bryan Ferry, live, TV broadcast (Later with Jools Holland, BBC), 1993

Vodpod videos no longer available.

*****

The Shirelles, 1960

Vodpod videos no longer available.

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lagniappe

sight seen

In Cambridge, Massachusetts, sitting on a brick sidewalk in Harvard Square, a panhandler with a large sign:

I HAVE A
DREAM
OF A
CHEESEBURGER

Hold the Pickle

Wednesday, 4/6/11

I’m surprised that I got this old and know so little.

—Terry Riley

Terry Riley, talking and playing, California, 2010

Vodpod videos no longer available.

*****

In C (excerpt), Terry Riley, 1964

Take 1

Terry Riley, Center of Creative and Performing Arts (SUNY-Buffalo), 1968

Vodpod videos no longer available.

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Take 2

Ars Nova, Percurama Percussion Ensemble, Paul Hillier (cond.), 2007

Vodpod videos no longer available.

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lagniappe

art beat: yesterday at Boston’s Museum of Fine Arts

Hiroshige, The City Flourishing, Tanabata Festival (1857)


Sunday, 4/3/11

We’ve always believed in singing, in expressing ourselves.

***

Sometimes a song . . . is just as great as a sermon.

***

A hurricane starts off slowly . . . and when she gets a certain speed, that’s when she’s dangerous. Most preachers . . . get their power going up . . . . [M]ost of my power is given by coming down, down, after I’ve gone up.

—Rev. Johnny L. Jones

Rev. Johnny L. Jones, live, Atlanta
The Hurricane That Hit Atlanta (Dust-To-Digital 2010)

Vodpod videos no longer available.

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lagniappe

musical thoughts

. . . music heard so deeply
That it is not heard at all, but you are the music
While the music lasts.

—T.S. Eliot, “The Dry Salvages” (Four Quartets)

Friday, 4/1/11

I could listen to this—just the drum track, even—all day.

Booker T. Jones with The Roots, “Everything Is Everything”
Live (recording studio), The Road From Memphis (5/11 release)

Vodpod videos no longer available.

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lagniappe

reading table

spring peace—
after rain a gang war
garden sparrows

—Kobayashi Issa, 1795 (trans. David G. Lanoue)

(Want to improve your life immeasurably? For free? Without side effects? Sign up for Issa Haiku-a-Day. Your inbox never had it so good).

*****

Alcove

Is it possible that spring could be
once more approaching? We forget each time
what a mindless business it is, porous like sleep,
adrift on the horizon, refusing to take sides, “mugwump
of the final hour,” lest an agenda—horrors!—be imputed to it,
and the whole point of its being spring collapse
like a hole dug in sand. It’s breathy, though,
you have to say that for it.

And should further seasons coagulate
into years, like spilled, dried paint, why,
who’s to say we weren’t provident? We indeed
looked out for others as though they mattered, and they,
catching the spirit, came home with us, spent the night
in an alcove from which their breathing could be heard clearly.
But it’s not over yet. Terrible incidents happen
daily. That’s how we get around obstacles.

—John Ashbery (Planisphere [2009])

Thursday, 3/31/11

basement jukebox*
(an occasional series)

Fontella Bass, “Rescue Me” (1965)

Vodpod videos no longer available.

*****

Tyrone Davis, “Can I Change My Mind” (1969)

Vodpod videos no longer available.

*****

Otis Clay, “The Only Way Is Up” (1980)

Vodpod videos no longer available.

*When I was a little boy, a big bright shiny jukebox lit up our basement. Daily it granted our wishes, communicated with just the touch of a finger, for “Wake Up, Little Susie” (Everly Brothers) and “The Battle of New Orleans” (Johnny Horton) and “(The Man Who Shot) Liberty Valance” (Gene Pitney). It taught me something I’ve never forgotten—music is magic.

Monday, 3/28/11

four takes

“Everybody Needs Love” (Eddie Hinton)

Drive-By Truckers, live, Ashland, North Carolina, 2010

Vodpod videos no longer available.

*****

Eddie Hinton, live, c. 1982

Vodpod videos no longer available.

*****

Eddie Hinton, recording, 1982

Vodpod videos no longer available.

*****

Drive-By Truckers, live (TV broadcast [Conan]), 3/8/11

Vodpod videos no longer available.

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lagniappe

overheard

Sunday morning, on a plane from Chicago to Boston, a young girl in the row in front of me:

I just don’t get how air is bumpy.

***

Do people in Boston have accents?

Sunday, 3/27/11

For some folks singing is as vital as breathing.

Five Star Jubilee Singers, Harriman Junction, Tennessee
Live, “I’ve Been Changed,” “Go Down Moses,” “I’m Just Keeping It Real,” “Open the Floodgates to Heaven,” 2008

Vodpod videos no longer available.

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lagniappe

It’s a Friday night in downtown Harriman, and inside the Anointed Praise and Worship Church, the Five Star Jubilee Singers are playing like it’s already Sunday morning.

On drums is Anterrio Ray, 33, an ex-Golden Gloves boxer whose first drum set was a five-gallon bucket and a set of hubcaps. Playing electric bass is Antonio Myers, and that’s his father, Gary Myers, singing four-part harmony with the rest of the band.

They’re an extended family, this nine-member gospel group. When lead vocalist, David Bertram, 60, grabs the microphone, the music kicks in to overdrive. It’s only a rehearsal, but by the third song, Bertram is wiping his brow with a handkerchief.

“With traditional gospel music, you either get saved, or you head for the door,” says vocalist Melinda Bertram, David’s wife. “The Lord is not going to let you just sit there.”

The Five Star Jubilee Singers perform quartet-style harmonies, with electric guitars and drums thrown into the mix. Their style and repertory recall such great black gospel groups as the Swan Silvertones, the Soul Stirrers and the Five Blind Boys of Mississippi. They’ve been playing in and around Harriman for more than 50 years, making them one of the longest-running gospel acts in the region.

During the 1950s, the original Five Star Jubilee Singers won national singing conventions and toured extensively throughout the Southeast.

Today, the group sings at churches and revivals across East Tennessee, for congregations both black and white.

Bertram started singing with the Five Star Jubilee Singers when he was 12 years old. At 18 he moved up North and spent the next 30 years singing professionally with several gospel groups. In 1970, after moving back to Harriman, he convinced the Five Star Jubilee Singers to reunite.

Almost every member of the Five Star Jubilee Singers is related to someone from the original band. Bertram’s older brother, Thurman, was a founding member of the group, as was David Goins. Both these band members are now dead, as is Freeman Goins, David Goins’ younger brother, who died of a heart attack on June 27, 2007, while returning home from a rehearsal.

Every Friday night the band rehearses at the Anointed Praise and Worship Church in Harriman. Arlene Goins, 68, plays electric guitar, and so does her son, William Wright, 42. Including the bass, the Five Star Jubilee Singers have four electric guitars, the newest player being John Dye, of Clinton, Tenn., who joined the group as a rock guitarist.

***

“Our main thing is to get people to come to Jesus,” added David. “I’m going to do this till I lay down. I’m going to sing till He calls me.”

Morgan Simmons, Knoxville News Sentinel, 3/26/08

Saturday, 3/26/11

The notes are easy enough to replicate—the touch impossible.

Pinetop Perkins (piano, vocals), July 7, 1913-March 21, 2011

“Grindin’ Man” (with Willie “Big Eyes” Smith, harmonica), live, New Jersey (New Brunswick), 2008

Vodpod videos no longer available.

*****

“How Long Blues,” live

Vodpod videos no longer available.

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lagniappe

He was one of the last great Mississippi Bluesmen. He had such a distinctive voice, and he sure could play the piano. He will be missed not only by me, but by lovers of music all over the world.

B.B. King

*****

If you don’t want to die, don’t be born.

Red Paden, owner of Red’s Blues Club, Clarksdale, Mississippi

*****

my back pages

Many years ago I had the pleasure of working with him, co-producing his tracks on Living Chicago Blues, Vol. 2 (Alligator 1978). Warm, amiable, unassuming—he was easy to like.

*****

listening room: what’s playing

• Ornette Coleman, Town Hall 1962

• Mos Def, The Ecstatic

Lupe Fiasco, Lasers

Steve Reich, Double Sextet, 2×5

Rudresh Mahanthappa & Bunky Green, Apex

Nneka, Concrete Jungle

Theo Parrish, Sound Sculptures, Vol. 1

Powerhouse Gospel On Independent Labels, 1946-1959

WFMU-FM: Sinner’s Crossroads (Kevin Nutt), Mudd Up! (DJ/rupture)

WKCR-FM: Bird Flight (Phil Schapp), Jazz Alternatives (various), Out To Lunch (various), Western Swing Festival (various)

Friday, 3/25/11

Western Swing Festival

Beginning on Friday, March 25th at 8:00 a.m. . . . [we] will honor the legacy of Western Swing with 64 hours of continuous programming, running until midnight on Sunday, March 27th (this will preempt all regularly scheduled programming). We will explore the genre’s entire history, from its roots in the 1920s and 1930s to bands still performing today. The festival will also include live performances and interviews with several Western Swing experts. Grab your ten-gallon hat, lace up those dancin’ boots, and come swing with us!

WKCR-FM (broadcasting from Columbia University)

Bob Wills and His Texas Playboys

“I Hear Ya Talkin'”

Vodpod videos no longer available.

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“San Antonio Rose”

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***

“Take Me Back To Tulsa”

Vodpod videos no longer available.