music clip of the day

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Category: guitar

Saturday, 7/16/11

what’s new
(an occasional series)

James Blake, “The Wilhelm Scream,” Late Night with Jimmy Fallon, 7/14/11

Vodpod videos no longer available.

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 favorites
(an occasional series)
Hearing JB brought this MCOTD fave to mind (originally posted 11/23/09).

Here’s Arthur Russell, the “seminal avant-garde composer, singer-songwriter, cellist and disco producerwho died in 1992 at the age of 40 (of AIDS-related complications)  and is the subject of both a recent documentary, Wild Combination, and a new book, Hold On To Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992

Arthur Russell

“Get Around To It”

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“You And Me Both”

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“This Is How We Walk on the Moon”

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“That’s Us/Wild Combination”

(Yeah, the fact that I’m posting four tracks by this guy shows how much his music, which I just encountered recently, has been getting under my skin.)

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[Russell’s] various distinctions—folkie, art-music songwriter and improviser, dance-club maven—seem incoherent until you hear several of his records. When musicians get angry about being categorized by critics, I usually feel frustrated: readers, after all, want to know what the record sounds like. With Russell, I take the musicians’ angle. Just listen to it and you’ll understand.

—Ben Ratliff, “The Many Faces, and Grooves, of Arthur Russell,” New York Times, 2/29/04

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For Arthur, there was no cachet to being eclectic. Rather, he played across genre because it would have required a colossal and entirely counterproductive effort on his part to stick to one sound. . . . Drifting into an ethereal, gravity-defying zone, Arthur had come to embody the interconnectivity of music.

—Tim Lawrence, Hold On To Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992 (2009).

Friday, 7/8/11

It takes a village, in Fela’s world, to put on a show.

Fela Anikulapo Kuti, October 15, 1938-August 2, 1997

Live, Paris, 1981

Part 1

Vodpod videos no longer available.

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Part 2

Vodpod videos no longer available.

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lagniappe

1938 Born 15 October in Abeokuta, Nigeria to politically active and middle class family.

1958 Sent to London to train as a doctor, but instead enrolled in the Trinity College of Music. Formed Koola Lobitos in 1961.

1969 Took Koola Lobitos to Los Angeles. His political zeal was fired when he befriended radical black activists including Angela Davis.

1971 Kuti renames his band Afrika 70 (and later Eygpt 80), and, newly politicised, he determines to give voice to Nigeria’s underclass.

1974 After he enraged the Nigerian establishment, the army almost destroyed Kuti’s home while trying to arrest him.

1977 In a second government-sanctioned attack, 1,000 soldiers descended on Kuti’s compound. He suffered a fractured skull, arm and leg in the onslaught and his 82-year old mother was thrown from an upstairs window. He left for voluntary exile in Ghana.

1978 Ghanian authorities deported Kuti back to Lagos. On his arrival he married 27 women simultaneously. Divorcing them in 1986, he said: ‘ no man has the right to own a woman’s vagina’.

1979 Founded his own political party MOP (Movement of the People)

1984 Jailed in Nigeria for five years on what was regarded as sham currency smuggling charges, and released in 1986 after a change of government.

1996 Arrested and released on an alleged drug charge.

1997 Died of complications from Aids aged 59.

Peter Culshaw, The Guardian, 8/15/04

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Tuesday, 7/5/11

only rock ’n roll
(an occasional series)

13th Floor Elevators

TV broadcast, 1966

“You’re Gonna Miss Me” (Billboard Hot 100, #55)

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Live, San Francisco (Avalon Ballroom), 1966

“Gloria”

Vodpod videos no longer available.

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“You Really Got Me”

Vodpod videos no longer available.

More of Roky Erickson? Here.

Wednesday, 6/29/11

Certain musicians never let me down. They always lift my spirits.
This guy’s one.

Hamid Drake (drums) & Bindu, live, Finland (Tampere), 2010

Vodpod videos no longer available.

More? Here. And here.

Monday, 6/27/11

Someday, just as I sometimes do with my own father, who’s been gone for over thirty years, my older son Alex, now twenty-three, will recall occasions, after I’m gone, when he and I went out to hear live music together, like, for instance, last night, when we saw this group, from Africa, who are on their first U.S. tour.

Group Doueh, live, England (Bristol), 5/10/11

Vodpod videos no longer available.

More? Here. And here.

Sunday, 6/26/11

two takes

The Mighty Clouds of Joy, “I Made A Step,” live

Switzerland (Montreux Jazz Festival), 1981

Vodpod videos no longer available.

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Nashville, 2005

Vodpod videos no longer available.

More? Here. And here.

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lagniappe

Greatest musical intersection in the world?

Chicago’s South Side, W. 36th St. (Honorary Sam Cooke Way, as of this month) and S. Cottage Grove Ave. (Honorary Albertina Walker & The Caravans Drive)

Photo credit: Bob Marovich, The Black Gospel Blog

Friday, 6/24/11

only rock ’n roll
(an occasional series)

Hasil Adkins with SCOTS (Southern Culture on the Skids), “Hubcap Hunch”
Live, Sleazefest, Chapel Hill, North Carolina, 1994

Vodpod videos no longer available.

Sunday, 6/19/11

Gospel, soul, blues—sometimes they seem inseparable.

Willie Banks and The Messengers, live, Mississippi (Jackson), 1990

“Things I Can’t Change”

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“God Is Still In Charge”

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lagniappe

listening room: what’s playing

Talib Kweli, Gutter Rainbows (Javotti Media/3d)

Art Ensemble of Chicago, Full Force (ECM)

Anthony Braxton Quartet, (GTM) 2006 (Important Records)

John Coltrane (with Rashied Ali), Interstellar Space (Impulse!)

The Lester Young/Count Basie Sessions (1936-1940) (Mosaic)

• Various Artists, Ska Bonanza: The Studio One Ska Years (Heartbeat)

Stefan Wolpe: Compositions for Piano (1920-1952), David Holzman, piano (Bridge)

• Ann Southam: Simple Lines of Enquiry, Eve Egoyan, piano (Centrediscs)

Morton Feldman, For Bunita Marcus, Stephane Ginsburgh, piano (Sub Rosa); John Tilbury, piano, Morton Feldman, All Piano (London HALL)

WKCR-FM (broadcasting from Columbia University)
Bird Flight (Phil Schaap, jazz [Charlie Parker])
Traditions in Swing (Phil Schaap, jazz)
Out to Lunch (Various, jazz)
Jazz Profiles (Various, jazz)
Jazz Alternatives (Various, jazz)
Afternoon New Music (Various, classical and hard-to-peg)
Eastern Standard Time (Carter Van Pelt, Jamaican music)
Rag Aur Taal (Various, Indian)
Morning Ragas (Various, Indian)
Amazing Grace (Various, gospel)
Live Constructions (Various, hard-to-peg)

WFMU-FM
Mudd Up! (DJ/Rupture, “new bass and beats”)
Sinner’s Crossroads
(Kevin Nutt, gospel)
—Give The Drummer Some
(Doug Schulkind, sui generis)
Transpacific Sound Paradise (Rob Weisberg, “popular and unpopular music from around the world”)
Daniel Blumin (sui generis)
Airborne Event (Dan Boodah, sui generis)
The Push Bin with Lou (Lou Z., sui generis)

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art beat

One of the great things about having friends is that they invite you to things you’d never get to, or even know about, otherwise—like, for instance, this wonderful exhibit of illustrated architecture books (dating from 1511), something I wouldn’t have gotten to but for my friend Bob Blythe.

Saturday, 6/18/11

Art forms, like animal species, become extinct.

Robert Pete Williams (1914-1980), “Scrap Iron Blues”
Live, Louisiana (Baton Rouge), 1971

Vodpod videos no longer available.

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lagniappe

It’s difficult to approve the banalities of most blues singers after listening to Robert Pete Williams. The blues tradition is frequently cited to explain a singer’s conventionality. We see with Robert Pete Williams, however, the possibilities of the blues. He relies upon none of the cliches, either of music or of lyric, which bluesman after bluesman will invoke. He makes each song unmistakably his own and while at times his genius may seem perverse in its oddness, when he succeeds and each odd element comes together, he will convey a tone of almost unbearable sadness.

—Peter Guralnick, Feel Like Going Home (1971)

Friday, 6/17/11

only rock ’n roll
(an occasional series)

The Dirtbombs, “Stop,” New Jersey (Asbury Lanes, Asbury Park), c. 2007

Vodpod videos no longer available.

Anybody can play in tune.

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lagniappe

reading table

welcoming in loads
of new year’s rain . . .
trashy house

—Kobayashi Issa (1763-1827), trans. David G. Lanoue