One singer’s garbage is another’s gold.
Nina Simone, “Ain’t Got No/I Got Life” (adapted from Hair)
Live, New York (Harlem Cultural Festival), 1969
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lagniappe
yesterday
Listening to the radio, where they were talking about post-war modernist architecture, I learned a new term for people my age: “mid-century.”
Willie Neal Johnson & The Gospel Keynotes
“Just For Me,” live
“Well, all right?” Gospel singers often follow a song, immediately, with a question. This opens a performance up, welcoming anyone who wants to come in, believer or not.
passings
Jerry McCain, singer, songwriter, harmonica player
June 18, 1930-March 28, 2012
These tracks were recorded, in the mid-1950s, as demos in Jerry’s living room in Gadsden, Alabama, using a single microphone and a one-track home tape recorder.
“Geronimo Rock ’n’ Roll”
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“Rock ’n’ Roll Ball”
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“A Cutie Named Judy”
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“Bell In My Heart”
only rock ’n’ roll
The Cramps, live
California State Mental Hospital (Napa), 1978
career plans for the next life
If none of the other things I’ve mentioned pan out (tap dancer, rubboard player, reggae bassist), I might take a stab at playing guitar in a Malian band.
Salif Keita & Band, live, Germany (Leverkusener), 2010
Part 1
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Part 2
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Part 3
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lagniappe
reading table
a glimpse of moon
over my home village . . .
then clouds—Kobayashi Issa, 1807 (translated from Japanese by David G. Lanoue)
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taking a break
I’m going to take a little break—back soon.
only rock ’n’ roll
What’s old is new again.
Alabama Shakes, live
Pegasus Records, Florence, Alabama, 8/21/11
“I Found You”
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“Hold On”
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lagniappe
Just Like Being There (2012)
Music doesn’t care who you are, where you come from, what you know. It asks only that you pay attention.
Stefan Wolpe (1902-1972), Piece in Three Parts for Piano and Sixteen Instruments (1961), Peter Serkin (piano), Chamber Music Society of Lincoln Center (Oliver Knussen, cond.)
More? Here.
Need a lift?
You’ve come to the right place.
Slim and the Victory Aries, live, Paducah, Kentucky, c. 2008
“Alright Now”
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“Shoes”
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lagniappe
musical thoughts
[I]n the African-American gospel tradition, the music is the liturgy. . . . If Jesus spoke in parables because it was hard, otherwise, for him to make clear what he intended, gospel music has a similar form, a parabolic form, as if to suggest: what we want you to know about God is in the shape of this statement, in the experience of singing this music and listening to this music. If you can be transported here, inside the church, by this music, you can be transported out there.
—Rick Moody, “Gospel For Beginners”
Happy (109th) Birthday, Bix!
How many sonic experiences are as dizzying as the one offered this time each year by WKCR-FM (Columbia University)? First there’s 24 hours, straight, of Ornette. The next 24? Bix, Bix, Bix.
Frankie Trumbauer and His Orchestra (feat. Bix Beiderbecke, cornet), “There’ll Come A Time (Wait and See),” 1928
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lagniappe
found words
A distinctive psychiatric hospital
—advertisement, New Yorker, 3/5/12
Happy (82nd) Birthday, Ornette!
Ornette Coleman Quartet with guests Joshua Redman (tenor saxophone), James Blood Ulmer (guitar), Charlie Haden (bass), live, Netherlands (North Sea Jazz Festival, Rotterdam), 2010
Part 1
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Part 2
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Part 3
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Part 4
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Part 5
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lagniappe
radio
WKCR-FM (Columbia University): all Ornette, all day.
music clip of the day 