music clip of the day

jazz/blues/rock/classical/gospel/more

Category: guitar

Sunday, 8/5/12

Who wouldn’t want to go to such a heaven?

Soul Stirrers (feat. Jimmy Outler), “Listen to the Angels Sing,” TV show, early 1960s

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lagniappe

listening room: (some of) what’s playing

• The Dirtbombs, Ultraglide in Black (In the Red)

• Robert Glasper Experiment, Black Radio (Blue Note)

• Shabazz Palaces, Black Up (Sub Pop)

Terrie Ex, Paal Nilssen-Love, Hurgu! (PNL Records)

• Anthony Braxton Quintet (Basel) 1977 (hatOLOGY)

• Miles Davis, Live in Europe 1967 (Sony Legacy)

• ICP Orchestra Performs Herbie Nichols & Thelonious Monk (ICP)

• George Lewis & The NOW Orchestra, The Shadowgraph Series: Compositions for Creative Orchestra (Spool)

• Misha Mengelberg, Steve Lacy, Goerge Lewis, Harjen Gorter, Han Bennink, Change of Season (Soul Note)

• Pharaoh Sanders, Karma (Impulse!)

• Charles “Bobo” Shaw & Lester Bowie, Bugle Boy Bop (Muse)

• Reverend Claude Jeter, Yesterday and Today (Shanachie)

 This May Be My Last Time Singing: Raw African-American Gospel On 45 RPM (1957-1982) (Tompkins Square)

• J. Berg’s A Cappella Archives (Vol. 3)Royal Rarities (Vol. 3) (Rare Gospel)

Congotronics 2: Buzz ’n’ Rumble in the Urb n’ Jungle (Crammed Discs)

• Pandit Pran Nath, Midnight: Raga Malkauns (Just Dreams)

• Nikhil Banerjee, Afternoon Ragas  (Bhimpalasri, Multani) (Raga Records)

• John Luther Adams, Songbird Songs (Mode Records)

• John Luther Adams, Clouds of Forgetting, Clouds of Unknowing (New World Records)

• John Cage Edition—Vol. 23: The Works for Violin 4 (Irvine Arditti, violin; Stephen Drury, piano) (Mode Records)

• Morton Feldman, Trio  (Aki Takahashi, piano; Marc Sabat, violin; Rohan de Saram, cello) (Mode Records)

• Tristan Murail, Gondwana, Desintegrations, Time and Again (Disques Montaigne)

• Peter Serkin Plays the Music of Toru Takemitsu (RCA/BMG)

• The Incomparable Rudolf Serkin (Beethoven, Piano Sonatas Nos. 30, 31, 32) (Deutsche Grammophon)

• WKCR-FM (broadcasting from Columbia University)

Bird Flight (Phil Schaap, jazz [Charlie Parker])
Eastern Standard Time (Carter Van Pelt, Jamaican music)

• WFMU-FM

Mudd Up! (DJ/Rupture“new bass and beats”)
Sinner’s Crossroads 
(Kevin Nutt, gospel)
Cherry Blossom Clinic (Terre T, rock, etc.)
Fool’s Paradise (Rex; “Vintage rockabilly, R & B, blues, vocal groups, garage, instrumentals, hillbilly, soul and surf”)
Downtown Soulville (Mr. Fine Wine, soul, etc.)

Sunday, 7/29/12

old stuff

Does anyone, in any genre, sing and play with more intensity?

Blind Willie Johnson, “Jesus Make Up My Dying Bed,” 1927

Tuesday, 7/24/12

George Lewis (1952-), “Will to Adorn” (2011)
International Contemporary Ensemble (ICE), Chicago, 2012

[W]hen writing “The Will To Adorn,” Lewis was especially “interested in this idea of adornment—color, color, color everywhere.” The piece represents Lewis’ current musical goal to get “more color energy into the pieces.”

Joe Bucciero, Columbia Spectator, 11/10/11

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lagniappe

musical thoughts

In February, when I left this concert, which took place on a Sunday afternoon at Chicago’s Museum of Contemporary Art, I felt both exhilarated and wistful. This performance, which had been such a joy to hear, I would never be able to experience again. Or so I thought, until, just the other day, I discovered this recording online. Young people, many of them, anyway, would see nothing remarkable in being able, thanks to the ’net, to return to a musical experience whenever, and wherever, you want. To me it seems a small miracle.

*****

reading table

I was trying to assert myself as the man in the house, taking charge of things no one could control.

—Richard Ford, Canada (2012)

Wednesday, 7/18/12

only rock ’n’ roll

The Wrens, “Happy”

Live, New York (Knitting Factory), 2007

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Recording, The Meadowlands, 2003

One of the best albums of all time.

—my (24-year-old) son Alex, the other day, while playing this track

Saturday, 7/14/12

basement jukebox

Otis Rush, singer, guitar player

Where did “Black Magic Woman” come from?

“All Your Love (I Miss Loving),” 1958

If you take the words from ‘Black Magic Woman’ and just leave the rhythm, it’s ‘All Your Love’—it’s Otis Rush.

Carlos Santana

*****

“I Can’t Quit You Baby,” 1956

Friday, 7/13/12

only rock ’n’ roll

A reader writes:

An old friend sent me this Youtube clip of a concert we attended back in high school. At the time I had never heard of Fleetwood Mac or Peter Green.  They were the opening act and, not surprisingly, I have now forgotten who we went to see.

Fleetwood Mac, “Black Magic Woman,” live, Boston (Boston Tea Party), 1970

Wednesday, 7/11/12

sounds of the Congo

Kasai Allstars, “Kabuangoyi,” Congotronics 2: Buzz ’n’ Rumble in the Urb n’ Jungle, filmed in Kinshasa (Democratic Republic of the Congo), 2000

Monday, 7/9/12

two takes

“Dirt” (D. Alexander, S. Asheton, I. Pop, R. Asheton)

The Stooges
Live, Detroit, 2003

***

Neneh Cherry & The Thing
Recording (The Cherry Thing), 2012

Sunday, 7/1/12

Tearing it up on TV

Five Blind Boys of Mississippi (feat. Henry Johnson)
TV Gospel Time, 1960s

“Lord You’ve Been Good To Me”

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“Leaning On The Everlasting Arms”

Saturday, 6/30/12

only rock ’n’ roll

Joy Division, live (TV show), England, 1979

“Transmission”

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“She’s Lost Control”

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lagniappe

musical thoughts

On any given day—today, for instance—how many dozens, hundreds, thousands, millions of people will be making, or listening to, music?