music clip of the day

jazz/blues/rock/classical/gospel/more

Category: guitar

Tuesday, 7/24/12

George Lewis (1952-), “Will to Adorn” (2011)
International Contemporary Ensemble (ICE), Chicago, 2012

[W]hen writing “The Will To Adorn,” Lewis was especially “interested in this idea of adornment—color, color, color everywhere.” The piece represents Lewis’ current musical goal to get “more color energy into the pieces.”

Joe Bucciero, Columbia Spectator, 11/10/11

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lagniappe

musical thoughts

In February, when I left this concert, which took place on a Sunday afternoon at Chicago’s Museum of Contemporary Art, I felt both exhilarated and wistful. This performance, which had been such a joy to hear, I would never be able to experience again. Or so I thought, until, just the other day, I discovered this recording online. Young people, many of them, anyway, would see nothing remarkable in being able, thanks to the ’net, to return to a musical experience whenever, and wherever, you want. To me it seems a small miracle.

*****

reading table

I was trying to assert myself as the man in the house, taking charge of things no one could control.

—Richard Ford, Canada (2012)

Wednesday, 7/18/12

only rock ’n’ roll

The Wrens, “Happy”

Live, New York (Knitting Factory), 2007

***

Recording, The Meadowlands, 2003

One of the best albums of all time.

—my (24-year-old) son Alex, the other day, while playing this track

Saturday, 7/14/12

basement jukebox

Otis Rush, singer, guitar player

Where did “Black Magic Woman” come from?

“All Your Love (I Miss Loving),” 1958

If you take the words from ‘Black Magic Woman’ and just leave the rhythm, it’s ‘All Your Love’—it’s Otis Rush.

Carlos Santana

*****

“I Can’t Quit You Baby,” 1956

Friday, 7/13/12

only rock ’n’ roll

A reader writes:

An old friend sent me this Youtube clip of a concert we attended back in high school. At the time I had never heard of Fleetwood Mac or Peter Green.  They were the opening act and, not surprisingly, I have now forgotten who we went to see.

Fleetwood Mac, “Black Magic Woman,” live, Boston (Boston Tea Party), 1970

Wednesday, 7/11/12

sounds of the Congo

Kasai Allstars, “Kabuangoyi,” Congotronics 2: Buzz ’n’ Rumble in the Urb n’ Jungle, filmed in Kinshasa (Democratic Republic of the Congo), 2000

Monday, 7/9/12

two takes

“Dirt” (D. Alexander, S. Asheton, I. Pop, R. Asheton)

The Stooges
Live, Detroit, 2003

***

Neneh Cherry & The Thing
Recording (The Cherry Thing), 2012

Sunday, 7/1/12

Tearing it up on TV

Five Blind Boys of Mississippi (feat. Henry Johnson)
TV Gospel Time, 1960s

“Lord You’ve Been Good To Me”

***

“Leaning On The Everlasting Arms”

Saturday, 6/30/12

only rock ’n’ roll

Joy Division, live (TV show), England, 1979

“Transmission”

***

“She’s Lost Control”

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lagniappe

musical thoughts

On any given day—today, for instance—how many dozens, hundreds, thousands, millions of people will be making, or listening to, music?

Thursday, 6/28/12

Today, for our 1,000th post, we revisit a few favorites—more tomorrow.

Junior Wells (vocal and harmonica), Buddy Guy (guitar), “Cryin’ Shame” (AKA “Country Girl”), live, Chicago, 1970 (Chicago Blues)

(Originally posted 7/8/10.)

*****

Buddy Guy, “Let Me Love You Baby,” live, 1960s

(Originally posted 3/12/10.)

*****

Magic Sam, “All Your Love,” “Lookin’ Good”
Live, Germany, 1969

(Originally posted 11/21/09.)

*****

Hound Dog Taylor & The Houserockers (Brewer Phillips, guitar; Ted Harvey, drums), “Sadie,” live, Ann Arbor Blues Festival, 1973

(Originally posted 4/29/11.)

Friday, 6/22/12

only rock ’n’ roll

Japandroids, “For the Love of Ivy”
Live, Austin (SXSW), 3/15/12

This is what rock ’n’ roll should sound like.

—my (24-year-old) son Alex, the other day, while playing their new album (Celebration Rock)