music clip of the day

jazz/blues/rock/classical/gospel/more

Category: guitar

Saturday, July 13th

sounds I miss*

Albert Collins (1932-1993), “Two-Lane Highway” (John Zorn, Spillane, 1987)


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lagniappe

musical thoughts

[A] particular brand of comment showed up enough [on the Alan Lomax Archive recordings on YouTube] that I started a collection. I call them “blues affirmations.” They number in the dozens, posted to an assortment of clips of black vernacular music. These performances don’t necessarily pertain to the song structure or performance style called “blues”—they could be field hollers or minstrel pieces—but the commentary was single-mindedly focused on it.

The notion of a “pure” culture, of any kind, is informed by ignorance and/or ideology and/or romanticism. I feel set upon by a thick, dumb fog just looking at the phrase. But the Blues Affirmations stir something in me; they insist, childlike, on something real, true, forever enduring, constructed of unadulterated and unmediated purity. I look forward to them, and they undo me a bit when they arrive.

They feel authentic, so I’d like to give them the last word:

one word: BLUES…

This is blues

The real blues

Real O.G. Blues. No fancy shit!

This is the real face of the blues right here.

this is how it’s done with real blues!

this that old school real sittin on your porch blues!

That’s REAL old school blues

Oh man….. that’s the Blues baby….. that’s the real, down South, low down, heartfelt blues.

Authentic, real Blues, Love it.

it doesnt get anymore authentic than this!!!!!!!!!!!!!!!

Now that is the blues.

THE BLUES

true blues

Pure Blues

Blues is timeless.

there is nothing as hard as the blues

This man over here folks is the blues himself!

Great melody that shows blues music comes from the soul.

The blues is very expressive, and it is the foundation of rock music!

True music, with emotion, feelings.. His soul is speakin

the Blues needs no roaring electric guitars and smashing drums to show all the hard aspects of life without disguise

Clapton who?…THIS IS THE BLUES, R.L. shows you how it smells, looks, taste, sounds, and most importantly how it feels. Clapton never had babies cry in the background of his performances

it’s only perfect because he’s authentic

that look in his eyes at 4:05…. thats the blues right there

The blues is real, that’s why the blues lives on.

That’s from far one of the best blues I never heard… real blues… from the guts… not from the wallets !!!

This is where the blues started – AND THIS IS WHERE THE BLUES ENDS.

—Nathan Salsburg (curator, Alan Lomax Archive), “Part V of Against Authenticity,” Oxford American (6/21/13)

*****

*As I’ve mentioned, I had the great pleasure of working with Albert, co-producing his 1978 album Ice Pickin’ (Alligator)—singular guitarist, sweet guy.

Friday, July 12th

D’Angelo (with Questlove, drums; Pino Palladino, bass; Kuumba Frank Lacy, trombone, trumpet; Chalmers “Spanky” Alford, guitar; Anthony Hamilton, vocals, et al.), live, Switzerland (Montreux Jazz Festival), 2000


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lagniappe

musical thoughts

No stage anywhere in the world can compare with the one that exists in the imagination. Where else can you find Jimi Hendrix jamming with Miles Davis? Sam Cooke singing with Smokey Robinson? Sly Stone taking everybody higher with Sun Ra?

*****

Happy Birthday, Suzanne!

Monday, July 8th

rock ’n’ roll, n. where electric guitars and drums collide.

True Believers,* live, Austin (SXSW, Mellow Johnny’s Bike Shop), 3/13

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lagniappe

reading table

I said, Annie, I’m only forty-eight. There’s lots of time for me to be totally wrecked—if I live, I mean.

—Grace Paley, “Friends”

*****

*Alejandro Escovedo (vocals, guitar), Jon Dee Graham (vocals, guitar), Javier Escovedo (vocals, guitar), Denny DeGorio (bass), Rey Washam (drums).

Friday, July 5th

tonight

These guys will be at FitzGerald’s (see yesterday’s post)—me, too.

St. Paul and the Broken Bones, “Broken Bones and Pocket Change,” live, Nashville, 2012


***

Went to Mercury Lounge tonite. I have seen the future of music & the name of the band is St. Paul & the Broken Bones.

—Rosanne Cash, Twitter, 6/5/13

Saturday, June 29th

White folks are cool, too.

Buddy Miller and Jim Lauderdale, live, Washington, D.C., 2013

Saturday, June 22nd

If I had a dollar for every guitar player I’ve ever heard who had an original sound and approach, I probably couldn’t afford dinner.

David Fiuczynski Group,* live, New York, 2010

#1

#2

#3

*DF, guitar; Rudresh Mahanthappa, alto saxophone; John Medeski, keyboards; David Ginyard, bass; Skoota Warner, drums.

Wednesday, June 19th

serendipity

Last night, while I was doing some law work, these guys—I’d never heard of them before—jumped out of the radio.*

Los Pirañas, “Bambo Ha Muerto Devorado Por El Pecado (Version Alterna),” live, Colombia (Bogotá), 2011


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lagniappe

reading table

I am not poor, I am not rich, nothing’s here but nothing’s lacking, I have little, I want nothing: all my treasure is in Minerva’s tower.

—Robert Burton, The Anatomy of Melancholy (1621)

*****

*Give the Drummer Some (WFMU-FM [Give the Drummer Radio StreamTues., 6-7 p.m.; Fri., 9 a.m.-noon [EST]).

Monday, June 17th

last night

He opened his show, at Chicago’s Old Town School of Folk Music, with this.

Daniel Lanois, “The Maker” (D. Lanois), live, Toronto, 2012*


*With James Wilson (bass), Brian Blade (drums).

Friday, June 7th

only rock ’n’ roll

The Stooges (1967-)

Wednesday, June 5th

kinetic

Rudresh Mahanthappa (alto saxophone), Rez Abbasi (guitar), Rich Brown (bass), Rudy Royston (drums), “Killer,” “Playing with Stones,” Washington, D.C., 2012