passings
Lou Reed, singer, songwriter, guitarist, March 2, 1942-October 27, 2013
Live (with Robert Quine [1942-2004], guitar; Fernando Saunders, bass; Fred Maher, drums), New York (Bottom Line), 1983
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lagniappe
musical thoughts
All great rock comes from a particular place. Take Lou Reed. Could he have emerged from Detroit? Nah—too self-conscious, too arty. San Francisco? Unh-uh—way too abrasive. He could only have come from one place, the city where, as the joke has it, a tourist goes up to someone and asks: “Can you tell me the way to the Empire State Building—or should I just go fuck myself?”
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taking a break
I’m taking some time off—back in a while.
sounds of Chicago
Art Ensemble of Chicago (Roscoe Mitchell, saxophones, percussion; Joseph Jarman, saxophones, percussion, electric guitar; Lester Bowie [MCOTD Hall of Famer], trumpet, percussion; Malachi Favors, bass, percussion; Don Moye, drums, percussion [first clip])
Live, Chicago (Jazz Showcase), 1981
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Recording (“Rock Out”), 1969
only rock ’n’ roll
Mitch Ryder (with Jimmy McCarty, guitar; Don Was, bass, et al.), “Little Latin Lupe Lu,” live, Detroit, 2011
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lagniappe
reading table
Alice Munro, yesterday, on winning the Nobel Prize in Literature:
two takes
Bobby McFerrin, “Joshua,” live (studio performances), 2013
WNYC-FM, New York
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WFUV-FM, New York
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lagniappe
reading table
Novelist Philip Roth on death, getting older, etc.:
‘You think, That’s the end of it when your parents die. After that, you’re done. Nobody’s supposed to die anymore, right?’
—Claudia Roth Pierpont, “The Book of Laughter: Philip Roth and His Friends,” New Yorker, 10/7/13
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‘Seventy-five; how sudden.’
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‘Time runs out at a terrifying speed. It seems that it was just 1943.’
—Patricia Cohen, “Philip Roth, Provacateur, Is Celebrated at 75,” New York Times, 4/12/08
love it or hate it
Anthony Braxton 12+1tet, Composition 355, live, Italy (Venice), 2012
*****
Anthony, a MacArthur “genius” award winner (1994) and professor at Wesleyan University, talks about this and that:
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lagniappe
musical thoughts
Music can take us places we’ve never been before, if we’re willing to listen to sounds we’ve never heard before.
sounds of Chicago
This is a track I coproduced. It was the last thing recorded that night, an afterthought. The lights had just been turned down. The room was nearly dark.
Carey Bell’s Blues Harp Band,* “Woman In Trouble” (Living Chicago Blues, Vol. 1; Grammy Nominee), Alligator, 1978
*CB, vocals, harmonica; Lurrie Bell, guitar; Bob Riedy, piano; Aron Burton, bass; Odie Payne, Jr., drums.