a gathering of birds
Evan Parker Quartet (EP, soprano saxophone; Peter Evans, trumpet; John Russell, guitar; John Edwards, bass), live, London, 2009
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lagniappe
musical thoughts
Music offers a way out of our little cluttered closet.
alone
Mississippi Fred McDowell, “Wished I Was In Heaven Sitting Down”
Live, Mississippi (Como), 1959
Little Richard, Jerry Lee—they’ve got nothing on this gal.
Rev. Julius Cheeks (lead vocals), Marge Cheeks (piano), Knights of Washington, D.C., “Morning Train,” TV show (TV Gospel Time), early 1960s
Henry Theadgill’s Zooid,* live, New York (Roulette), 2012
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lagniappe
radio
Today WKCR-FM (Columbia University) is featuring Threadgill and a host of other musicians who came out of Chicago in the ’60s and ’70s.
In May of 1977, members of the Association for the Advancement of Creative Musicians (AACM) collaborated with students at WKCR to present “Chicago Comes to New York,” a four-day music festival at Columbia University’s Wollman Auditorium. Join us starting midnight on January 7, 2014 as we revisit this momentous event with a 24-hour marathon broadcast featuring music and interviews by the AACM.
Thirty members of the AACM came to New York with their families and friends for the festival, many for the first time. The festival also included an on-air component in the form of a ninety-hour broadcast of music and interviews with AACM artists. Over the last year, two recent WKCR alums restored and digitized the entire collection of reel-to-reel tapes from the festival, hearing the music for the first time since it was recorded.
Celebrate the incredibly important work that members of the AACM have been doing to promote artistic freedom and self-determination for nearly half a century. Help us revitalize and share these unique pieces of recorded history that WKCR is so privileged to have regained access to.
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*Henry Threadgill (alto saxophone, flute), Liberty Ellman (acoustic guitar), Jose Davila (tuba), Elliot Humberto Kavee (drums), Zachary Lober (bass), Christopher Hoffman (cello), Ben Gerstein (trombone), Jacob Garchik (trombone), Stephanie Richards (trumpet), Jonathan Finlayson (trumpet).
what’s new
Darkside, live, Paris (Pitchfork Music Festival), 10/31/13
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lagniappe
art beat
Lee Friedlander (1934-), Japan (Kyoto), 1981
sweet soul music
D’Angelo and The Soultronics (Questlove, drums; Pino Palladino, bass; Chalmers “Spanky” Alford, guitar; Frank Lacy, trombone, trumpet; Anthony Hamilton, vocals, et al.), “Send It On,” live, London, 2000
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lagniappe
art beat
Helen Levitt (1913-2009), New York, c. 1940
alone
Bill Frisell (guitar), “Nowhere Man,” “In My Life,” “Strawberry Fields Forever,” live, Washington, D.C., 2012
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lagniappe
random thoughts
Of this I am sure: The longer I live the more mysterious—the more unknowable—is life.
only rock ’n’ roll
Superchunk, “Void” (2013)
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lagniappe
reading table
Cormac McCarthy, particularly in a book like Blood Meridian, is writing an English very remote from our own. It’s more like the King James Bible on acid, right?
—David Foster Wallace (1962-2008), in Quack This Way: David Foster Wallace & Bryan A. Garner Talk Language and Writing (2013)
passings
Jim Hall, guitarist, December 4, 1930-December 10, 2013
With Joe Lovano (tenor saxophone), “In a Sentimental Mood” (D. Ellington), live, Italy (Umbria Jazz Festival), 1996
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With Bill Evans (piano), Undercurrent (“My Funny Valentine,” “I Hear a Rhapsody,” “Dream Gypsy,” “Romain,” “Skating in Central Park,” “Darn that Dream,” “Stairway to the Stars,” “I’m Getting Sentimental Over You”), 1962
When I was in college in the early ’70s, this album was a frequent late-night companion. Since then I’ve listened to it more times than I could count. It never grows old.
music clip of the day 