music clip of the day

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Category: guitar

Friday, April 4th

only rock ’n’ roll

The War On Drugs, “Under the Pressure”

Live, Philadelphia, 3/14/14


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Recording (Lost in the Dream), 3/14


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lagniappe

reading table

Now, unlike then—sixty years ago—we know so much more about others . . . . [t]hough, of course, we know not much more of the important things—what’s in others’ hearts; and if their hearts are broken or damaged or full.

—Richard Ford, “A Symposium on Magic,” The Threepenny Review, Spring 2014

Sunday, March 30th

two takes

Blind Willie Johnson (1897-1945), “I’m Gonna Run to the City of Refuge,” 1928


*****

Dr. C. J. Johnson (1913-1991), “You Better Run to the City of Refuge”


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lagniappe

art beat

Danny Lyon (1942-), New York, 1967

2010-1-1

*****

the beat goes on

Sixteen hundred posts—and counting.

Friday, March 28th

only rock ’n’ roll

Benjamin Booker, “Violent Shiver”

Live, 2013


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Live (album teaser; fall release), 2014


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lagniappe

art beat

Danny Lyon (1942-), 1960s

4

 

Monday, March 24th

like nobody else

Nina Simone (“Black Is the Color of My True Love’s Hair” [Trad.], “To Love Somebody” [B. Gibb, R. Gibb], “Suzanne” [L. Cohen], “Save Me” [A. Franklin], “Porgy, I Is Your Woman Now”/”Today Is A Killer”/”I Loves You Porgy” [G. Gershwin, D. Heyward]), live, Rome, 1969


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lagniappe

art beat

Helen Levitt (1913-2009), New York, 1940s

Helen Levitt by Helen Levitt, published by powerHouse Books

Saturday, March 22nd

passings

Scott Asheton, drummer (Stooges), August 16, 1949-March 15, 2014

Live (rehearsal), Tribute to the Stooges (SA, drums; Ron Asheton, guitar; J Mascis, guitar; Mike Watt, vocals, bass), “1970,” Belgium (Hasselt), 2002


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Live, Iggy and the Stooges, “Now I Wanna Be Your Dog,” France (Clisson), 2011


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Live, Stooges, “1970,” Michigan (Goose Lake Festival), 1970


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lagniappe

reading table

What do the sky and gardens know
of such disappointments?

—August Kleinzahler, “September” (fragment)

Sunday, March 2nd

Gospel?

Blues?

Rock ‘n’ roll?

Trying to keep them separate is like trying to draw lines in water.

Leo Welch, “Praise His Name,” live, Mississippi (Gravel Springs), 2013

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lagniappe

art beat

Lee Friedlander (1934-), Mississippi, 2008

friedlandermiss-007

Friday, February 28th

only rock ’n’ roll

Cloud Nothings, “Psychic Trauma”

Live, Houston, 2013


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Recording, 2014


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lagniappe

reading table

August Kleinzahler (1949-), reading “Portrait of My Mother in January”:


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The older I get the more grateful I am not to be told how everything comes out.

William Maxwell (1908-2000), novelist, New Yorker fiction editor, etc.

Tuesday, February 25th

old stuff

Kansas City Six (Buck Clayton, trumpet; Lester Young, clarinet; Eddie Durham, electric guitar; Freddie Green, rhythm guitar; Walter Page, bass; Jo Jones, drums), “Pagin’ the Devil,” 1938

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lagniappe

reading table

in blossoming trees
suddenly he’s hidden . . .
my son

—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)

Friday, February 21st

only rock ’n’ roll

The Ex, “Double Order,” France (Orleans), 2013


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lagniappe

found words

From the Chicago Reader music section (2/20/14):

. . . hails from the same quasi-grimestep/post-IDM interzone that’s home to artists as disparate as . . .

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This Liverpool trio plays what it calls ‘caveman doom’ . . .

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. . . retrofuturist murder ballad . . .

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. . . works the same territory that grindcore and sludge bands cleared in the 90s.

Wednesday, February 19th

sounds of Chicago

Mike Reed’s People, Places & Things (MR, drums; Jason Roebke, bass; Greg Ward, alto saxophone; Tim Haldeman, tenor saxophone), “Wilbur’s Tune,” live, Paris, 2010

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Mike Reed’s Myth/Science Assembly (MR, drums; Tomas Fujiwara, drums; Josh Abrams, bass; Greg Ward, alto saxophone; Ingrid Laubrock, tenor saxophone; Taylor Ho Bynum, trumpet; Mary Halvorson, guitar; Tomeka Reid, cello; Jason Adasiewicz, vibraphone; Nick Butcher, electronics), live (rearranging a found Sun Ra fragment [excerpt]), Chicago (Chicago Jazz Festival), 2011

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Mike Reed’s Loose Assembly (MR, drums; Josh Abrams, bass; Greg Ward, alto saxophone; Tomeka Reid, cello; Jason Adasiewicz, vibraphone), live (studio performance), Chicago, c. 2009

*****

If other Chicago musicians are “busy,” what’s Mike Reed? In addition to leading various groups, he owns and operates Constellation, a performing arts center. Then there’s the Pitchfork Music Festival, which this summer will feature, over the course of three days, Beck, Giorgio Moroder, Kendrick Lamar, Grimes, et al. He books and produces it.