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Category: guitar

Wednesday, November 26th

Thankful I am, too, for the unruly pleasures of rock ‘n’ roll.

Flamin’ Groovies, “Shake Some Action,” 1976


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lagniappe

musical thoughts

The story told in “Shake Some Action” is complete in its title—though in the song it’s a wish, not a fact, a desperate wish the singer doesn’t expect to come true. The words hardly matter: “Need” “Speed” “Say” “Away” are enough. It starts fast, as if in the middle of some greater song. A bright, trebly guitar counts off a theme, a beat is set, a bass note seems to explode, sending a shower of light over all the notes around it. The rhythm is pushing, but somehow it’s falling behind the singer. He slows down to let it catch up, and then the sound the guitar is making, a bell chiming through the day, has shot past both sides. Every beat is pulling back against every other; the whole song is a backbeat, every swing a backhand, every player his own free country, discovering the real free county in the song as it rises up in front of him, glimpsing that golden land, losing it as the mirage fades, blinking his eyes, getting it back, losing it again—that is its reckless abandon, the willingness of the music, in pursuit of where it needs to go, where it must go, to abandon itself.

—Greil Marcus, The History of Rock ‘n’ Roll in Ten Songs (2014)

Monday, November 17th

sounds of Niger

Group Inerane, live, Scotland (Glasgow), 2011


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lagniappe

art beat: yesterday afternoon, Rito y Recuerdo: Day of the Dead, National Museum of Mexican Art (1852 W. 19th St., Chicago; through December 14th)

Calavera_en_ofrenda_with_Cempasuchil_flowers

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onstage: last night, Happy Days (Samuel Beckett), Theatre Y (2649 N. Francisco Ave., Chicago; through November 23rd)

Sometimes I hear sounds. But not often. They are a boon, sounds are a boon, they help me . . . through the day. The old style! Yes, those are happy days, when there are sounds. When I hear sounds.

—Winnie

Saturday, November 15th

Need a jolt?

Arto Lindsay (guitar, vocals) & Paal Nilssen-Love (drums), live, Germany (Moers Festival), 2014


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lagniappe

art beat

William Klein (1928-), Gun 1, New York, 1955

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Friday, November 14th

sounds of Chicago

Steve Dawson’s Funeral Bonsai Wedding (SD, vocals and guitar; Jason Adasiewicz, vibraphone; Jason Roebke, bass; Frank Rosaly, drums), “As Soon As I Walk In” (S. Dawson), 2014

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lagniappe

musical thoughts

Music and family have provided two of my life’s through lines. As little boys, my brother Don and I would play in the basement, listening, on the brightly lit juke box, to the Everly Brothers (“Wake Up, Little Susie”), and Johnny Horton (“The Battle of New Orleans”), and Gene Pitney (“The Man Who Shot Liberty Valance”). Soon we were out the door, hearing the Beatles at Comiskey Park, the Velvet Underground at the Kinetic Playground, and the MC5 in Lincoln Park. Still the beat goes on, undiminished by the passing years. Last week, for my sixty-second birthday, Don gave me (what else?) a record—the new album by this guy, Steve Dawson.

Friday, November 7th

blues festival (day five)

Junior Wells (vocals, harmonica), Buddy Guy (guitar), Phil Guy (guitar), et al., “Ships on the Ocean,” live, Chicago (Theresa’s Lounge, 4801 S. Indiana), c. 1975

Wednesday, November 5th

blues festival (day three)

J. B. Lenoir, “Slow Down” (J. B. Lenoir), live (at home), Chicago, 1965

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lagniappe

reading table

You need to be crazy to be great. I love crazy.

—Cubs’ new manager Joe Maddon (Chicago Tribune, 11/3/14)

 

Tuesday, November 4th

blues festival (day two)

Albert Collins (1932-1993), Stevie Ray Vaughan (1954-1990), Jimmie Vaughan (1951-), “Frosty” (A. Collins), live, Washington, D.C., 1989

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lagniappe

random (birthday) thoughts

Blessed to have lived sixty-two years—thirteen more than my father—in a world so beautiful.

Monday, November 3rd

blues festival (day one)

T-Bone Walker (1910-1975), “Don’t Throw Your Love on Me So Strong,” live (TV show), Germany, 1962*

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lagniappe

art beat: yesterday at the Art Institute of Chicago

Claude Monet (1840-1926), The Customs House at Varengeville, 1897

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random thoughts

Every painting was once a blank canvas.

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*With Memphis Slim (piano), Willie Dixon (bass), Jump Jackson (drums).

Friday, October 31st

only rock ‘n’ roll

The Ex, “Every Sixth Is Cracked,” live (studio performance), Netherlands, 2014


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lagniappe

art beat

William Klein (1928-), Dance in Brooklyn, New York, 1955

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Saturday, October 25th

only rock ‘n’ roll

Murmurs, live, Oakland, Calif., 2014


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lagniappe

art beat

Lee Friedlander (1934-)

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