sounds of Chicago
Brokeback trio (Douglas McCombs [Fender Bass VI], James Elkington [pedal steel guitar, keyboard], Areif Sless-Kitain [drums, percussion]), with video by Kim Alpert, live (performance begins at 13:00), Chicago (Constellation), yesterday
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lagniappe
random sights
other day, Chicago
sounds of Mexico
Son Rompe Pera, live (“Proteus,” “FOS,”” Reina de Cumbias,” “Ay David!,” “El Palo Poste”), Mexico City, published 10/17/20
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lagniappe
random sights
other day, Chicago
*****
reading table
All I want
is not to befirst on one side,
then the other,but to conjure
a streamof sounds and images
for which I am notresponsible.
and maneuver within it—mouth and tail
one thought.—Rae Armantrout, from “Conjure” (Conjure, 2020)
alone
Jeff Parker (guitar, electronics), live (Quarantine Concert presented by Experimental Sound Studio, Chicago), 10/4/20
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lagniappe
random sights
yesterday, Oak Park, Ill.
sounds of Chicago
Dustin Laurenzi’s Natural Language (DL, tenor saxophone; Jeff Swanson, guitar; Mike Harmon, bass; Charles Rumback, drums), live, Chicago (Constellation), 10/10/20
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lagniappe
random sights
other day, Oak Park, Ill.
what’s new
William Parker Trio (WP, bass; Ava Mendoza, guitar; Gerald Cleaver, drums), live (performance begins at 3:10), New York (live-streamed by Skopje Jazz Festival, North Macedonia), 10/15/20
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lagniappe
random sights
other day, Chicago
*****
reading table
Now is the time to experiment, and there is no choice but to experiment.
—Gustavo Dudamel (1981-), Music & Artistic Director, Los Angeles Philharmonic (quoted in Alex Ross, “The L.A. Philharmonic’s Emotional Return to an Empty Hollywood Bowl,” New Yorker, 9/28/20)
soundtrack to a dream I’d love to have
Jon Hassell (1937-, trumpet), “Sketches of the Mediterranean” (with Paolo Fresu, trumpet, flugelhorn; Rick Cox, guitar; Kheir-Eddine M’Kachiche, violin; Peter Freeman, bass), live, France (Junas), 2013
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lagniappe
random sights
yesterday, Chicago
*****
reading table
a knotwood-eating bug
likes what it likes . . .
evening dew—Kobayashi Issa (1763-1827), translated from Japanese by David G. Lanoue