Nathan Abshire (accordion), “Ma Negresse” (AKA “Pine Grove Blues”)
Take 1
With The Balfa Brothers (Dewey Balfa, fiddle), live, Louisiana (Dedans le Sud de la Louisiane [1974])
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Take 2
Live, Louisiana (Mamou [Fred’s Lounge]), 1976
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lagniappe
mail
Thanks, Richard, for another tremendous clip. Art Pepper [6/21/10] left us way too soon. Along with his music, I loved his autobiography. Keep up the great work.
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Thanks so much!
—L. [Laurie Pepper, Art’s wife, in response to an email letting her know that Art’s music was being featured here [6/21/10]]
No one’s played blues harmonica more delicately, more lyrically.
“Shakey,” “Mumbles”—no one’s had weirder nicknames.
No one else in my years at Alligator Records (back in the 1970s), where I worked with a lot of musicians who drank more in a day than most folks do in a month, managed to do this: trip over the drum set, right in the middle of a performance (at Notre Dame), and fall over onstage.
The impact of the oil from the Gulf of Mexico spill now soiling the Louisiana shoreline was felt far inland on Thursday as P&J Oyster Company, the country’s oldest oyster processor and distributor, ceased its shucking operations.
“The bottom line is that the guys that we purchase from are not working,” said Sal Sunseri, referring to the oyster harvesters who’ve been idled by the mass closure of harvesting areas and freshwater diversions. “Today’s our last day of shucking.”
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“Having the guy down the street deliver oysters that were shucked just that morning to our doorstep is an amazing thing,” said John Besh, who featured P&J Oysters at his five New Orleans area restaurants. “The relationship is so valuable, knowing that I can count on them to source the best oysters from the saltiest areas and deliver them in a consistent, uniform manner.”
“They provide wonderful oysters,” said Darin Nesbit, chef at the Bourbon House, whose relationship with P&J is so tight Sal Sunseri helped shuck oysters the first night the restaurant opened following Hurricane Katrina. “Even in times of trouble, they’ve always taken care of us.”
P&J was started in 1876 by John Popich, a Croatian immigrant who took on partner Joseph Jurisich at the turn of the century. In 1921, Popich and Jurisich purchased a shucking house at the corner of Toulouse and North Rampart streets. Alfred Sunseri, the current owners’ grandfather, who was married to Popich’s cousin, joined the company soon after.
You’re right, not only can’t you lip-synch this stuff; you can’t really sing it if you don’t know it in your heart. That’s why it’s sooooo good. [The Pilgrim Jubilees, 6/13/10]
With some music, it’s the particular sound a musician coaxes out of his instrument that gets under your skin. Here’s one of the dirtiest, snakiest electric guitar sounds around.
Group Doueh (featuring Baamar Salmou AKA Doueh on electric guitar), live, Western Sahara
Playing music is not really susceptible to theory much. Circumstances affect it so much.
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Personally, I`ve found that the kind of thing that I like is going into somebody else’s area and not playing their music but doing whatever I do in their area.
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I like duos with percussionists. I like the songs that percussionists sing.
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You can’t always wait for a composer to write the music you want to play.