music clip of the day

jazz/blues/rock/classical/gospel/more

Category: guitar

Tuesday, 6/22/10

Wealthiest state in the nation?

If music were money, it might be this.

Nathan Abshire (accordion), “Ma Negresse” (AKA “Pine Grove Blues”)

Take 1

With The Balfa Brothers (Dewey Balfa, fiddle), live, Louisiana (Dedans le Sud de la Louisiane [1974])

*****

Take 2

Live, Louisiana (Mamou [Fred’s Lounge]), 1976

**********

lagniappe

mail

Thanks, Richard, for another tremendous clip. Art Pepper [6/21/10] left us way too soon. Along with his music, I loved his autobiography. Keep up the great work.

*****

Thanks so much!

—L. [Laurie Pepper, Art’s wife, in response to an email letting her know that Art’s music was being featured here [6/21/10]]

Friday, 6/18/10

No one’s played blues harmonica more delicately, more lyrically.

“Shakey,” “Mumbles”—no one’s had weirder nicknames.

No one else in my years at Alligator Records (back in the 1970s), where I worked with a lot of musicians who drank more in a day than most folks do in a month, managed to do this: trip over the drum set, right in the middle of a performance (at Notre Dame), and fall over onstage.

Big Walter Horton, live, Copenhagen, 1970

Wednesday, 6/16/10

movies/part 3

Once upon a time, before the Gulf oil spill, before Katrina, there was a city . . .

*****

*****

New Orleans (1947)

Billie Holiday, Louis Armstrong

“Do You Know What It Means To Miss New Orleans?”

Want more Billie Holiday? Here. Here.

More Louis Armstrong? Here.

**********

lagniappe

The impact of the oil from the Gulf of Mexico spill now soiling the Louisiana shoreline was felt far inland on Thursday as P&J Oyster Company, the country’s oldest oyster processor and distributor, ceased its shucking operations.

“The bottom line is that the guys that we purchase from are not working,” said Sal Sunseri, referring to the oyster harvesters who’ve been idled by the mass closure of harvesting areas and freshwater diversions. “Today’s our last day of shucking.”

***

“Having the guy down the street deliver oysters that were shucked just that morning to our doorstep is an amazing thing,” said John Besh, who featured P&J Oysters at his five New Orleans area restaurants. “The relationship is so valuable, knowing that I can count on them to source the best oysters from the saltiest areas and deliver them in a consistent, uniform manner.”

“They provide wonderful oysters,” said Darin Nesbit, chef at the Bourbon House, whose relationship with P&J is so tight Sal Sunseri helped shuck oysters the first night the restaurant opened following Hurricane Katrina. “Even in times of trouble, they’ve always taken care of us.”

P&J was started in 1876 by John Popich, a Croatian immigrant who took on partner Joseph Jurisich at the turn of the century. In 1921, Popich and Jurisich purchased a shucking house at the corner of Toulouse and North Rampart streets. Alfred Sunseri, the current owners’ grandfather, who was married to Popich’s cousin, joined the company soon after.

—Brett Anderson, “P&J looks to bring oysters in from the West Coast for the first time In its 134 years,” New Orleans Times-Picayune, 6/10/10

*****

mail

You’re right, not only can’t you lip-synch this stuff; you can’t really sing it if you don’t know it in your heart. That’s why it’s sooooo good. [The Pilgrim Jubilees, 6/13/10]

Monday, 6/14/10

movies/part 1

I feel a rhythmic brainstorm comin’ on . . .

—Slim Gaillard

Hellzapoppin’ (1941)

Slim Gaillard, piano, guitar; Slam Stewart, bass; Rex Stewart, drums; Elmer Fane, clarinet; Jap Jones, trombone; C.P. Johnston, drums; Harlem Congeroos, dancers

Sunday, 6/13/10

You can’t lip-sync this stuff.

The Pilgrim Jubilees, live (TV broadcasts), c. early 1960s

“Testify for Jesus”

*****

“Old Ship Of Zion”

*****

“Wonderful”

**********

lagniappe

mail

Thanks . . . for the music selections.

*****

Of course, we’ve been enjoying your MCOTDs—especially lately the Inez Andrews clips [6/6/10].

Saturday, 6/12/10

replay: a clip too good for just one day

With some music, it’s the particular sound a musician coaxes out of his instrument that gets under your skin. Here’s one of the dirtiest, snakiest electric guitar sounds around.

Group Doueh (featuring Baamar Salmou AKA Doueh on electric guitar), live, Western Sahara

(Originally posted October 29, 2009.)

Friday, June 11, 2010

music to levitate by

Dizzy Gillespie & Louis Armstrong, “Umbrella Man,” live (TV broadcast), 1959

Wednesday, June 9, 2010

guitar players who sound like nobody else, part 3

Sonny Sharrock (1940-1994)

Live (with Melvin Gibbs, bass; Abe Speller & Pheeroan Aklaf, drums), New York (Knitting Factory), 1988

*****

“Who Does She Hope To Be?” (with Pharoah Sanders, tenor saxophone; Charles Moffett, bass; Elvin Jones, drums), 1991

Tuesday, June 8, 2010

guitar players who sound like nobody else, part 2

Derek Bailey (1930-2005)

With tap-dancer Will Gaines, live, 1995

Want more of Will Gaines? Here.

*****

Playing (and talking) for friends, New York, 2001

*****

With the Shaking Ray Levis, live, New York, 2003

*****

“Laura,” 2002

**********

lagniappe

Playing music is not really susceptible to theory much. Circumstances affect it so much.

***

Personally, I`ve found that the kind of thing that I like is going into somebody else’s area and not playing their music but doing whatever I do in their area.

***

I like duos with percussionists. I like the songs that percussionists sing.

***

You can’t always wait for a composer to write the music you want to play.

—Derek Bailey

Monday, June 7, 2010

guitar players who sound like nobody else, part 1

John Fahey (1939-2001)

“On the Sunny Side of the Ocean,” live, Germany (Hamburg), 1978