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Category: guitar

Monday, 7/26/10

Looking for a soundtrack for today?

Daniel Lanois, guitar, 2010

(As with other clips, if you encounter brief interruptions when playing this clip, you can get rid of them by doing this: (1) start the clip at the beginning and then stop it immediately, so as to let the clip load completely; (2) once the clip is fully loaded, restart it.)

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lagniappe

Simple music is the hardest music to play.

—Albert Collins

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taking a break

After more than 300 consecutive daily posts, I’ve decided to take a little break. I shouldn’t be gone too long (probably a week or so). In the meantime, there’s plenty of wonderful music here. Enjoy!

Saturday, 7/24/10

replay: a clip too good for just one day

Great drummers are like great basketball players—they lift everybody’s game.

Trixie Whitley with Brian Blade (drums) and Daniel Lanois, “I’d Rather Go Blind,” recording session, 2008

lagniappe

Johnny [Vidacovich, featured on 9/30/09], man . . . what an inspiration. His playing is so liquid but at the same time just the street of it is so intoxicating. Studying with him, the drumming aspect was never about fundamental things. It was never about the drums as much as it was about the music and playing with this melodic sensibility. That sticks with me even more than the thickness or the groove, which he never spoke about, really. That was like a given. If you have it inside of you, that groove, you need to lay it down. But also need to be able to sing through the drums.—Brian Blade

(Originally posted on 2/13/10.)

Friday, 7/23/10

two takes

“I Just Don’t Know What To Do With Myself” (Burt Bacharach & Hal David)

Dusty Springfield, TV broadcast, 1964

*****

The White Stripes, live, Australia, 2006

Thursday, 7/22/10

When the groove is strong enough, even the walls seem to sway.

Group Inerane, “Ano Nagarus,” live, Niger, 2004

Tuesday, 7/20/10

recipe

1 cup funkiness

1 cup elegance

Mix until thoroughly blended.

Professor Longhair (AKA Henry Roeland [“Roy”] Byrd), December 19, 1918-January 30, 1980

“Tipitina,” live

*****

“Hey Little Girl,” live

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lagniappe

mail

Mike Kinnamon, Bonnie Bramlett’s Nashville-based manager, in response to an email letting him (and Bonnie) know that her music was featured here (Delaney, alas, is no longer alive), left a voice-mail message yesterday:

. . . I just love it when somebody like you cares enough to send stuff like that around. It’s really cool, and it lifts her [Bonnie] up, too. Thank you so much, buddy . . .

Friday, 7/16/10

Simple, subtle, soulful: blues is (as Artur Schnabel said of Mozart’s piano sonatas) “too easy for children, too difficult for adults.”

R.L. Burnside, “Goin’ Down South,” live, early 1970s, Mississippi

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lagniappe

musical thoughts

Music is the healing force of the universe.

—Albert Ayler

Thursday, 7/15/10

Music can be made anywhere—a street corner, a subway station, even a bathroom.

Shiyani Ngcobo

“The Bathroom Recordings,” live, France (Nantes), 1997

*****

“Izinyembezi” (Introducing Shiyani Ngcobo [2004])

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lagniappe

I’d like to make a plea for a new concept—elastic precision.  It’s what [South African musician] Shiyani Ngcobo has, and what so many musicians have: an absolutely determined (in both senses of the word) and precise groove, with infinite, fractal variants that relate to what comes before and after. . . . Perfection may be infinitely seductive, but it’s the flaws and differences that make the beauty.

—Ben Mandelson, liner notes, Introducing Shiyani Ngcobo (2004)

Wednesday, 7/14/10

They weren’t glamorous. And they couldn’t have been paying a whole lot. But everybody, it seemed, wanted to play with them.

Delaney & Bonnie

With Eric Clapton (guitar), Dave Mason (guitar), Bobby Whitlock (vocal); “Poor Elijah-Tribute to Robert Johnson”; live (TV broadcast), England, 1969

•••••

With Eric Clapton (guitar), George Harrison (guitar), Bobby Whitlock (keyboards), Carl Radle (bass), Jim Gordon (drums); “Comin’ Home”; live, England, 1969

*****

With Duane Allman (guitar), Gregg Allman (organ), King Curtis (tenor saxophone); “Only You Know And I Know”; live, 1971

(The bass player, whoever he is, is the MVP here—he lights up everything [check out, for instance, 1:06-1:56].)

Friday, 7/9/10

Alternate career plan for the next life (if the tap-dance thing doesn’t work out): rubboard player.

C.J. Chenier & the Red Hot Louisiana Band, “Jolie Blonde” & “Jambalaya,” New York City, 2008

Like the Blasters and Brave Combo, these guys played last weekend (Sunday the 4th) at FitzGerald’s American Music Festival.

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lagniappe

reading table

. . . I received five hundred thousand discrete bits of information today, of which maybe twenty-five are important. And how am I going to sort that out, you know?

—David Foster Wallace (in David Lipsky, Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace [2010])

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great minds at work

When you see your starting pitcher win a game, that means you’ve played a good baseball game.

—Lou Piniella, talking with Ron Santo on WGN Radio before last night’s Cubs game

Thursday, 7/8/10

You can learn how to play the harmonica. You can learn how to sing. What you can’t learn is the most important thing—presence.

Junior Wells (vocal and harmonica), Buddy Guy (guitar), “Cryin’ Shame” (AKA “Country Girl”), live, Chicago, 1970 (Chicago Blues)

Want more? Here.