music clip of the day

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Category: guitar

Wednesday, 7/14/10

They weren’t glamorous. And they couldn’t have been paying a whole lot. But everybody, it seemed, wanted to play with them.

Delaney & Bonnie

With Eric Clapton (guitar), Dave Mason (guitar), Bobby Whitlock (vocal); “Poor Elijah-Tribute to Robert Johnson”; live (TV broadcast), England, 1969

•••••

With Eric Clapton (guitar), George Harrison (guitar), Bobby Whitlock (keyboards), Carl Radle (bass), Jim Gordon (drums); “Comin’ Home”; live, England, 1969

*****

With Duane Allman (guitar), Gregg Allman (organ), King Curtis (tenor saxophone); “Only You Know And I Know”; live, 1971

(The bass player, whoever he is, is the MVP here—he lights up everything [check out, for instance, 1:06-1:56].)

Friday, 7/9/10

Alternate career plan for the next life (if the tap-dance thing doesn’t work out): rubboard player.

C.J. Chenier & the Red Hot Louisiana Band, “Jolie Blonde” & “Jambalaya,” New York City, 2008

Like the Blasters and Brave Combo, these guys played last weekend (Sunday the 4th) at FitzGerald’s American Music Festival.

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lagniappe

reading table

. . . I received five hundred thousand discrete bits of information today, of which maybe twenty-five are important. And how am I going to sort that out, you know?

—David Foster Wallace (in David Lipsky, Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace [2010])

*****

great minds at work

When you see your starting pitcher win a game, that means you’ve played a good baseball game.

—Lou Piniella, talking with Ron Santo on WGN Radio before last night’s Cubs game

Thursday, 7/8/10

You can learn how to play the harmonica. You can learn how to sing. What you can’t learn is the most important thing—presence.

Junior Wells (vocal and harmonica), Buddy Guy (guitar), “Cryin’ Shame” (AKA “Country Girl”), live, Chicago, 1970 (Chicago Blues)

Want more? Here.

Wednesday, 7/7/10

Fluid, supple, springy: with him on drums, the beat just floats.

Fred Below, September 16, 1926-August 14, 1988

Otis Rush, guitar; Little Brother Montgomery, piano; Jack Myers, bass; Fred Below, drums; Europe, 1966

Want more? Here. Here.

Tuesday, 7/6/10

What the world needs now?

Nah, not love.

What the world needs now—what it cries out for, daily—is inspired silliness.

Brave Combo, live

“The Denton Polka,” Texas (Denton), 2007

*****

“Louie, Louie,” Illinois (Berwyn [FitzGerald’s]), 2008

Brave Combo played a wild set Sunday night (the 4th) at FitzGerald’s American Music Festival—everything from “Beer Barrel Polka” to a hard-rockin’ “Hokey Pokey” to a polka-inflected “Ode to Joy” (“Any Beethoven fans in the house?”) to a Tejano-style “America the Beautiful.” By the end of the 90-minute set, everybody’s IQ, it seemed, had gone up 15 points. Or was it down?

Monday, 7/5/10

How many songs are so 4th-of-July perfect?

The Blasters, “American Music”

Take 1

Live, Illinois (Champaign), 1985

*****

Take 2

Live, Los Angeles, 2010

On Saturday night these guys played this, in overdrive, at FitzGerald’s American Music Festival, a wonderful 4-day event that just celebrated its 30th anniversary.

Thursday, 7/1/10

looking back

Today, celebrating our 300th post, we revisit a few favorites.

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3/12/10

Both Chicago blues artists. Both guitar players. Both influenced by other kinds of music.

Musical personalities? They could hardly be more different.

Buddy Guy, “Let Me Love You Baby,” live

*****

Fenton Robinson, “Somebody Loan Me A Dime,” live, 1977

***

Back in the 1970s, when I was at Alligator Records, I had the pleasure of working with Fenton, co-producing his album I Hear Some Blues Downstairs (a Grammy nominee). He didn’t fit the stereotype of a bluesman. Gentle, soft-spoken, serious, introspective: he was all these things. He died in 1997.

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3/3/10

What other pop star has made such stunning contributions as a guest artist?

Sinead O’Connor

With Willie Nelson, “Don’t Give Up”

*****

With the Chieftains, “The Foggy Dew”

*****

With Shane MacGowan, “Haunted”

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5/28/2010

two takes

“La-La Means I Love You”

The Delfonics, live, 2008 (originally recorded 1968)

*****

Bill Frisell, live, New York (Rochester), 2007

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lagniappe

musical thoughts

Music . . . carr[ies] us smoothly across the tumult of experience, like water over rocks.

Vijay Iyer, liner notes, Historicity (2009)

Sunday, 6/27/10

Two minutes not enough?

Do what I just did—play it three times.

Five Blind Boys of Alabama (featuring Clarence Fountain), “Too Close to Heaven,” live (TV broadcast), 1960s

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lagniappe

Five Blind Boys of Alabama, “Send It On Down” (1969)/mp3

This is another track from The Widow’s Might, the wonderful DVD—nearly 700 (!) gospel songs in mp3 format (everything played on Sinner’s Crossroads [one of my all-time favorite radio shows] in 2009)—that’s available as a $75 premium from WFMU-FM.

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lagniappe

What I want to do is sing so good that the people who don’t believe in God will have an idea that there is a God . . .

—Clarence Fountain

Saturday, 6/26/10

replay: a clip too good for just one day

Performances like this usually fall somewhere between disappointing and disastrous. So many things can—and usually do—go wrong when you take a bunch of folks who’re used to leading their own bands and throw them together onstage. People trip all over each another; flash trumps feeling. But this performance, with Albert King, Stevie Ray Vaughan, Paul Butterfield, and (at the end) B.B. King, has plenty of strong moments—some funny ones, too. Listen to Albert bark at Paul: “Turn around!” (0:39) And watch Albert outfox B.B. First he invites him back onstage (4:40) and then, just when B.B.’s about to take flight (5:55), he cuts him off—faster than you can say “wham”—with his own (wonderful) solo. So much for Emily Post.

Stevie Ray Vaughan, Albert King, Paul Butterfield, B.B. King, “The Sky Is Crying,” live, 1987

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lagniappe

A radio station that’s well worth checking out, if you’re not already familiar with it, is WKCR-FM, which broadcasts from NYC’s Columbia University. Like pretty much everything else these days, it’s available on-line. Among other things, it features a daily dose of Charlie Parker on “Bird Flight” (M-F, 8:30-9:30 a.m. [EDT]), hosted by Phil Schaap (profiled last year, by David Remnick, in the New Yorker), as well as, on Sunday, two excellent shows devoted to Indian music (6:00-8:00 a.m. and 7:00-9:00 p.m. [EDT]). (Another nice thing: the folks there are readily accessible; while listening yesterday, for instance, I heard an intriguing piece [by Alfred Schnittke] that I didn’t get the name of; I emailed them a query and, by the end of the night, had a response from the DJ.)

(Originally posted 9/18/09.)

Friday, 6/25/10

The other day, as I waited for a train at an underground station in downtown Chicago, an older black guy started singing this song, accompanying himself on acoustic guitar, and at that moment everything—this song, this singer, this place—seemed all of a piece and I was no longer waiting.

Curtis Mayfield (with David Sanborn, alto saxophone; Hiram Bullock, guitar; David Lindley, steel guitar; George Duke, piano; Phillipe Saisse, keyboard; Tom Barney, bass; Omar Hakim, drums), “It’s All Right,” live (TV broadcast [Sunday Night]), 1989

Want more? Here. Here.