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Category: gospel

Sunday, 8/28/11

As Hurricane Irene hits New York, let’s head to Harlem.

Harold Robinson, Earl Washington, Paul Williams, “Two Wings,” live, Harlem Church of Christ (338 Lenox Ave.), 27th Northeastern Lectureship, 2008

Vodpod videos no longer available.

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radio

Speaking of New York, WKCR-FM (broadcasting from Columbia University) continues its Lester Young/Charlie Parker birthday marathon today and tomorrow.

Sunday, 8/21/11

Ever feel like, each day, you understand less and less?

Davis Sisters (with Jackie Verdell), “We’ll Understand It Better By and By,” live (TV broadcast), early 1960s

Vodpod videos no longer available.

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reading table

So long as that woman from the Rijksmuseum
in painted quiet and concentration
keeps pouring milk day after day
from the pitcher to the bowl
the World hasn’t earned
the world’s end.

—Wislawa Szymborska, “Vermeer”  (trans. Clare Cavanagh & Stanislaw Baranczak, Here [2010])

***

Johannes Vermeer, The Milkmaid (c. 1658)

*****

Speaking of Szymborska, a charter member, like Von Freeman, of the recently announced MCOTD Hall of Fame (coincidentally, they were both born in 1923), here’s something I just came across:

I am a big admirer of her [Szymborska’s] work. I have read everything she has written, and I keep coming back to it. She is a very witty poet and she has greatly helped me to enjoy life. She exactly fits my definition of an artist. Who shouldn’t only have profound insight and a sharp mind but also remember that his obligation is to entertain the reader. And this is exactly what she does.

—Woody Allen, in the documentary Sometimes Life Is Bearable (2010)

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listening room: (some of) what’s playing

Paul Simon, So Beautiful or So What (Hear Music)

Shane MacGowan and the Popes, The Snake (ZTT [import])

Captain Beefheart & His Magic BandTrout Mask Replica (Reprise/Ada)

• The Best of Charlie Patton (Yazoo)

Charley PattonThe Voice of the Delta (Indigo)

• The Detroiters/The Golden Echoes, Old Time Religion (Specialty)

• The Spiritualaires of Hurtsboro, Alabama, Singing Songs of Praise (CaseQuarter)

Archie Shepp/Kahil El’Zabar’s Ritual Trio, Conversations (Delmark)

• Benny Goodman, The Complete Trios (Capitol)

Charlie Parker, The Complete Royal Roost Live Recordings on Savoy, Vol. 3 (Savoy/Columbia [import])

Charles Gayle, Repent (Knitting Factory)

Steve Lacy-Roswell Rudd Quartet, School Days (hat Art)

• Wadada Leo Smith & Jack DeJohnette, America (Tzadik)

Kenny Werner, No Beginning, No End (Half Note)

Bach, Suites for Unaccompanied Cello/Jean-Guihen Queyras (Harmonia Mundi [import])

Alfred Schnittke, String Quartet No. 3, Piano Quintet, Piano Quartet/
Borodin String Quartet with Ludmilla Berlinsky (Virgin Classics)

Morton Feldman, Piano and String Quartet/Kronos Quartet with Aki Takahashi (Nonesuch)

• Morton Feldman, For Bunita Marcus, Stephane Ginsburgh, piano (Sub Rosa) (available as a download from Amazon for 89¢)

• WKCR-FM (broadcasting from Columbia University)
Bird Flight (Phil Schaap, jazz [Charlie Parker])
Traditions in Swing (Phil Schaap, jazz)
Eastern Standard Time (Carter Van Pelt, Jamaican music)
Raag Aur Taal (Various, Indian music)

• WFMU-FM
Mudd Up! (DJ/Rupture“new bass and beats”)
Sinner’s Crossroads 
(Kevin Nutt, gospel)

Sunday, 8/14/11

 favorites
(an occasional series) 

Few performances, in any genre, pack this much punch.

Brother Joe May & Jackie [AKA Jacqui] Verdell, “You’re Gonna Need Him After A While,” live (TV broadcast)

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[Brother Joe May was] the most powerful male soloist in a day when gospel singers had the greatest voices in America.

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. . . Aretha Franklin’s delivery has Jacqui [Verdell] stamped all over it . . .

—Anthony Heilbut, The Gospel Sound: Good News and Bad Times (1975 ed.)

*****

I considered . . . Jackie Verdell . . . one of the best and most underrrated soul singers of all time. It was through Jackie that I learned the expression, ‘Girl, you peed tonight,’ meaning you were dynamite. Several nights Jackie sang so hard she literally had a spot or two on her robe from peeing. Singing far too hard, I also peed here and there in the early days; I quickly realized no one should sing that hard.

—Aretha Franklin (in Aretha Franklin & David Ritz, Aretha: From These Roots [1999])

*****

This clip, I just learned, is included in a recent Sam & Dave DVD, The Original Soul Men, in a part called “The Roots of Sam & Dave.” (As one review notes: “Sam Moore was supposed to be Sam Cooke’s replacement in the Soul Stirrers, after Cooke made his historic decision to pursue pop music. But then Moore saw Jackie Wilson, and everything changed.”)

(Originally posted 11/29/09.)

*****

taking a break

I’m going to take a little break—back in a bit.

Sunday, 8/7/11

DeLois Barrett Campbell, March 12, 1926-August 2, 2011

In 1943

Photo credit: Chicago Defender (by way of The Black Gospel Blog)

Delois Barrett Campbell, whose subtle phrasing and silvery soprano helped define the sound of the Barrett Sisters, a prominent Chicago gospel trio featured in the 1982 documentary “Say Amen, Somebody,” died on Tuesday in Chicago. She was 85.

The cause was a pulmonary embolism, her daughter Mary Campbell said.

Ms. Campbell, the eldest of the Barrett Sisters, initially caught the attention of the gospel world in the 1940s when she became the first soprano to join the Roberta Martin Singers and sang lead on their 1947 recording of “Yield Not to Temptation.”

She and her sisters, Rodessa and Billie, formed a group in the early 1960s that recorded on the Savoy label. They enjoyed modest hits with “Jesus Loves Me” and “I’ll Fly Away,” but real fame came with “Say Amen, Somebody,” which exposed them to a new generation of listeners and an enthusiastic European audience.

“That film put them on the map, and, in a way, Lois became the symbol of Chicago gospel,” said Anthony Heilbut, author of “The Gospel Sound: Good News and Bad Times.”

Delores Barrett was born on March 12, 1926, in Chicago, where she grew up on the South Side. She and her sisters sang at the Morning Star Baptist Church, where their father was a deacon and their mother sang in the choir, directed by their aunt, Mattie Dacus.

The sisters developed a high-pitched, close-harmony style influenced by the Andrews Sisters, with Delores’s light, ringing soprano, which had a semi-operatic quality, anchoring the group’s sound.

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While a senior at Englewood High School, Delores was recruited by the Roberta Martin Singers, a seminal group from the Pilgrim Baptist Church that was known for its stellar roster of lead male voices, notably Robert Anderson and Norsalus McKissick. She continued to perform with her sisters as well.

In 1950 she married the Rev. Frank Campbell, who changed the spelling of her first name to conform to her nickname, Lois. In addition to their daughter Mary, of Chicago, she is survived by another daughter, Sue Ladd, also of Chicago; her sisters, Rodessa Barrett Porter and Billie Barrett GreenBey, both of Chicago; four grandchildren; and six great-grandchildren.

In 1962, when the Roberta Martin Singers were on the verge of breaking up, Ms. Campbell re-formed the trio with her sisters, who had gone on to rear children and pursue their own careers.

The group became a fixture on the Chicago gospel scene, appearing often on “Jubilee Showcase,” a local television show that featured the nation’s top gospel groups in the 1960s and ’70s.

The trio often recorded pop ballads like “You’ll Never Walk Alone,” and Dinah Washington once urged Ms. Campbell to follow in her footsteps and make a career as a crossover artist.

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The group’s stirring performances of “The Storm Is Passing Over,” “(I Don’t Feel) No Ways Tired” and “He Has Brought Us” in “Say Amen, Somebody” gave the sisters a second career. They appeared on “The Tonight Show” and began touring internationally to great acclaim.

—William Grimes, New York Times, 8/4/11

favorites
(an occasional series)

The well of Chicago gospel runs so deep it sometimes seems bottomless.

DeLois Barrett Campbell and The Barrett Sisters, “The Storm Is Passing Over,” live, 1982 (Say Amen, Somebody)

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[DeLois Barrett Campbell and the Barrett Sisters’] harmony is special, probably the best in female gospel.

—Anthony Heilbut, The Gospel Sound: Good News and Bad Times (1975 ed.)

*****

DeLois Barrett Campbell & The Barrett Sisters

The O’Neal Twins

The Clark Sisters

The Louvin Brothers

The Delmore Brothers

The Stanley Brothers

The Everly Brothers

The Beach Boys

The Bee Gees

Kate & Anna McGarrigle

The Jackson Five

The Isley Brothers

The Neville Brothers

The list goes on, and on, and . . .

(Originally posted 1/3/10.)

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Today at 3 p.m., at a church on Chicago’s south side (First Church of Deliverance, 4301 S. Wabash), hundreds of gospel music lovers (including me) will gather to celebrate the birthday of this group’s lead singer—it’s her 84th.

DeLois Barrett Campbell and the Barrett Sisters

“No Ways Tired,” live, 1982 (Say Amen, Somebody)

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“Fly Away,” live

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Chicago, gospel’s Mecca and Vatican, remains the one city where traditional singers comprise a community, and retain a small but steady audience.

—Anthony Heilbut, The Gospel Sound: Good News and Bad Times (6th ed. 2002)

(Originally posted 3/4/10.)

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At last Sunday’s (wonderful) 84th birthday celebration for DeLois Barrett Campbell, roses graced the altar—a gift from longtime friend Aretha Franklin.

DeLois Barrett Campbell and the Barrett Sisters, live, “He Has Brought Us,” 1982 (Say Amen, Somebody)

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And then we being blood sisters, I always say that gives our harmony a special edge.—DeLois Barrett Campbell

That girl [DeLois Barrett Campbell] can make a song so sweet you want to eat it.—Marion Williams

—Quoted in Anthony Heilbut, The Gospel Sound: Good News and Bad Times (6th ed. 2002) (Heilbut was at last Sunday’s birthday celebration.)

(Originally posted 3/21/10.)

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This afternoon, at 3 p.m., hundreds of gospel fans—from all over—will gather, once again, at a church on Chicago’s south side (First Church of Deliverance, 4315 S. Wabash) to celebrate her (85th!) birthday.

DeLois Barrett Campbell & the Barrett Sisters, “Precious Lord, Take My Hand,” live, 1983

Vodpod videos no longer available.

(Originally posted 3/13/11.)

Sunday, 7/31/11

hot, adj. having or giving off heat, having a high temperature.
E.g.
, services at Bishop Perry Tillis’s Alabama church.

Bishop Perry Tillis (1919-2004), preacher, singer, guitarist

Live, Savior Lord Jesus Pentecostal Church
Samson (pop. 2071 [2000]), Alabama, 1995

Vodpod videos no longer available.

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The Bishop Joe Perry Tillis . . . gives Church services every 1st and 3rd Sundays at the Our Saviour Jesus Holiness Pentecostal Church in Samson, Alabama, playing electric slide-guitar, singing, and talking through one scratchy amplifier. He preaches the Pentecost and uses a combination of testimonies and extended hymns he developed with the help of his guiding angels, his daughter, and good friend Sister Bertha Lee Baker.

Steve Grauberger (1995)

Sunday, 7/24/11

Last Sunday they sounded so good—let’s hear some more.

The Staple Singers, “On My Way To Heaven,” “Going Away,” “I’m Leaning,”
“I Know I Got Religion”; Uncloudy Day (Vee-Jay), 1959

Vodpod videos no longer available.

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listening room: (some of) what’s playing

• Muhal Richard Abrams (with Malachi Favors), Sightsong (Black Saint)

• King Oliver, Off the Record: The Complete 1923 Jazz Band Recordings (Off the Record/Archeophone)

• Beethoven, Symphonies Nos. 1 & 3 (“Eroica”)/ Arturo Toscanini, conductor, NBC Symphony Orchestra (RCA)

• Bach, Cello Suites, Steven Isserlis (Hyperion UK)

Morton Feldman, For Bunita Marcus, Stephane Ginsburgh, piano (Sub Rosa) (available as a download from Amazon for 89¢)

WKCR-FM (broadcasting from Columbia University)
Bird Flight (Phil Schaap, jazz [Charlie Parker])
Traditions in Swing (Phil Schaap, jazz)
Afternoon New Music (Various, classical and hard-to-peg)
Eastern Standard Time (Carter Van Pelt, Jamaican music)
Raag Aur Taal (Various, Indian music)

WFMU-FM
Mudd Up! (DJ/Rupture, “new bass and beats”)
Sinner’s Crossroads
(Kevin Nutt, gospel)

*****

reading table

Here are a couple cheery things (ha, ha) from a favorite poet.

John Berryman, Two Dream Songs

More? Here. And here.

Sunday, 7/17/11

The right music, heard at the right moment, can change your whole day.

The Staple Singers, “I’m Coming Home” (Vee-Jay), 1959

Vodpod videos no longer available.

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Happy Birthday, Lionel!

Today trumpet player Lionel Ferbos, who was born when William Howard Taft was president and tonight can be heard at New Orleans’ Palm Court Jazz Cafe, turns 100.

The Lionel Ferbos Band, “When You’re Smiling”
Live, New Orleans (Norwegian Seamen’s Church), 8/28/09

Vodpod videos no longer available.

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For some years, trumpeter Lionel Ferbos has been touted as the oldest active jazz musician in New Orleans. Come this weekend, he’ll qualify for another honorific: The only active jazz musician in New Orleans whose age has crossed into triple digits.

lionel ferbos 2011 portrait.jpgJohn McCusker / The Times-Picayune
Lionel Ferbos, photographed in May 2011.

Ferbos first learned trumpet in 1926, at age 15, inspired by seeing Phil Spitalny and his All-Girl Orchestra at the Orpheum Theater. He played in 1930s bands led by Captain John Handy and Walter “Fats” Pichon. He worked on a crew digging a City Park lagoon before getting hired for a Depression-era Works Progress Administration band, making around $13 a week.

Sheetmetal work eventually paid the bills, even as he continued to moonlight as a musician. He joined Lars Edegran’s New Orleans Ragtime Orchestra in the early 1970s, which toured in Europe, and in 1979 played trumpet and sang in the touring musical “One Mo’ Time.” He has maintained a regular gig at the Palm Court Jazz Cafe on Decatur Street for more than two decades.

—Keith Spera, The Times-Picayune, 7/13/11

Sunday, 7/10/11

Think you can listen to this just once?

Pilgrim Travelers, “Straight Street” (1955)

Vodpod videos no longer available.

Sunday, 7/3/11

This guy I can’t get enough of.

Vernard Johnson, “Don’t Wait ’Til The Battle Is Over, Shout Now!”; live, TV broadcast (Bobby Jones Gospel)

Vodpod videos no longer available.

Time for just one note? 6:23.

More? Here. And here.

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art beat

Lee Friedlander, Cherry Blossom Time in Japan (2006)

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reading table

Yesterday, opening my Emily Dickinson collection (The Poems of Emily Dickinson, edited by R. W. Franklin) at random, I came upon this.

We do not play on Graves —
Because there isn’t Room —
Besides — it isn’t even — it slants
And People come —

And put a Flower on it —
And hang their faces so —
We’re fearing that their Hearts will drop —
And crush our pretty play —

And so we move as far
As Enemies — away —
Just looking round to see how far
It is — Occasionally —

—Emily Dickinson (#599)

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listening room: what’s playing

Echocord Jubilee Comp. (Echocord)

Art Ensemble of Chicago, Full Force (ECM)

Art Ensemble of Chicago, Urban Bushmen (ECM)

Paul Motian (with Lee Konitz, soprano & alto saxophones; Joe Lovano, tenor saxophone; Bill Frisell, guitar; Charlie Haden, bass), On Broadway Vol. 3 (Winter & Winter)

Rebirth Brass Band, Feel Like Funkin’ It Up (Rounder)

Marc Ribot, Silent Movies (Pi Recordings)

• Wadada Leo Smith, Kabell Years: 1971-1979 (Tzadik)

Charles “Baron” Mingus, West Coast, 1945-49 (Uptown Jazz)

• John Alexander’s Sterling Jubilee Singers, Jesus Hits Like The Atom Bomb (New World Records)

Rev. Johnny L. Jones, The Hurricane That Hit Atlanta (Dust-to-Digital)

Elliott Carter, composer; Ursula Oppens, piano; Oppens Plays Carter (Cedille)

Arnold Schoenberg, Anton Webern, composers; Maurizio Pollini, piano, piano works (Schoenberg), Variations Op. 27 (Webern) (Deutsche Grammophon)

Morton Feldman, For Bunita Marcus, Stephane Ginsburgh, piano (Sub Rosa)

WKCR-FM (broadcasting from Columbia University)
Bird Flight (Phil Schaap, jazz [Charlie Parker])
Traditions in Swing (Phil Schaap, jazz)
—Daybreak Express
(Various, jazz)
Out to Lunch (Various, jazz)
Jazz Profiles (Various, jazz)
Jazz Alternatives (Various, jazz)
Morning Classical (Various, classical)
Afternoon New Music (Various, classical and hard-to-peg)
Eastern Standard Time (Carter Van Pelt, Jamaican music)

WFMU-FM
Mudd Up! (DJ/Rupture, “new bass and beats”)
Sinner’s Crossroads
(Kevin Nutt, gospel)
—Give The Drummer Some
(Doug Schulkind, sui generis)
Downtown Soulville with Mr. Fine Wine (soul)

Sunday, 6/26/11

two takes

The Mighty Clouds of Joy, “I Made A Step,” live

Switzerland (Montreux Jazz Festival), 1981

Vodpod videos no longer available.

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Nashville, 2005

Vodpod videos no longer available.

More? Here. And here.

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Greatest musical intersection in the world?

Chicago’s South Side, W. 36th St. (Honorary Sam Cooke Way, as of this month) and S. Cottage Grove Ave. (Honorary Albertina Walker & The Caravans Drive)

Photo credit: Bob Marovich, The Black Gospel Blog