Ever feel like, each day, you understand less and less?
Davis Sisters (with Jackie Verdell), “We’ll Understand It Better By and By,” live (TV broadcast), early 1960s
Vodpod videos no longer available.
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reading table
So long as that woman from the Rijksmuseum
in painted quiet and concentration
keeps pouring milk day after day
from the pitcher to the bowl
the World hasn’t earned
the world’s end.
I am a big admirer of her [Szymborska’s] work. I have read everything she has written, and I keep coming back to it. She is a very witty poet and she has greatly helped me to enjoy life. She exactly fits my definition of an artist. Who shouldn’t only have profound insight and a sharp mind but also remember that his obligation is to entertain the reader. And this is exactly what she does.
• WKCR-FM(broadcasting from Columbia University)
—Bird Flight (Phil Schaap, jazz [Charlie Parker])
—Traditions in Swing (Phil Schaap, jazz)
—Eastern Standard Time (Carter Van Pelt, Jamaican music)
—Raag Aur Taal (Various, Indian music)
Few performances, in any genre, pack this much punch.
Brother Joe May & Jackie [AKA Jacqui] Verdell, “You’re Gonna Need Him After A While,” live (TV broadcast)
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[Brother Joe May was] the most powerful male soloist in a day when gospel singers had the greatest voices in America.
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. . . Aretha Franklin’s delivery has Jacqui [Verdell] stamped all over it . . .
—Anthony Heilbut, The Gospel Sound: Good News and Bad Times (1975 ed.)
*****
I considered . . . Jackie Verdell . . . one of the best and most underrrated soul singers of all time. It was through Jackie that I learned the expression, ‘Girl, you peed tonight,’ meaning you were dynamite. Several nights Jackie sang so hard she literally had a spot or two on her robe from peeing. Singing far too hard, I also peed here and there in the early days; I quickly realized no one should sing that hard.
—Aretha Franklin (in Aretha Franklin & David Ritz, Aretha: From These Roots [1999])
*****
This clip, I just learned, is included in a recent Sam & Dave DVD, The Original Soul Men, in a part called “The Roots of Sam & Dave.” (As one review notes: “Sam Moore was supposed to be Sam Cooke’s replacement in the Soul Stirrers, after Cooke made his historic decision to pursue pop music. But then Moore saw Jackie Wilson, and everything changed.”)
Delois Barrett Campbell, whose subtle phrasing and silvery soprano helped define the sound of the Barrett Sisters, a prominent Chicago gospel trio featured in the 1982 documentary “Say Amen, Somebody,” died on Tuesday in Chicago. She was 85.
The cause was a pulmonary embolism, her daughter Mary Campbell said.
Ms. Campbell, the eldest of the Barrett Sisters, initially caught the attention of the gospel world in the 1940s when she became the first soprano to join the Roberta Martin Singers and sang lead on their 1947 recording of “Yield Not to Temptation.”
She and her sisters, Rodessa and Billie, formed a group in the early 1960s that recorded on the Savoy label. They enjoyed modest hits with “Jesus Loves Me” and “I’ll Fly Away,” but real fame came with “Say Amen, Somebody,” which exposed them to a new generation of listeners and an enthusiastic European audience.
“That film put them on the map, and, in a way, Lois became the symbol of Chicago gospel,” said Anthony Heilbut, author of “The Gospel Sound: Good News and Bad Times.”
Delores Barrett was born on March 12, 1926, in Chicago, where she grew up on the South Side. She and her sisters sang at the Morning Star Baptist Church, where their father was a deacon and their mother sang in the choir, directed by their aunt, Mattie Dacus.
The sisters developed a high-pitched, close-harmony style influenced by the Andrews Sisters, with Delores’s light, ringing soprano, which had a semi-operatic quality, anchoring the group’s sound.
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While a senior at Englewood High School, Delores was recruited by the Roberta Martin Singers, a seminal group from the Pilgrim Baptist Church that was known for its stellar roster of lead male voices, notably Robert Anderson and Norsalus McKissick. She continued to perform with her sisters as well.
In 1950 she married the Rev. Frank Campbell, who changed the spelling of her first name to conform to her nickname, Lois. In addition to their daughter Mary, of Chicago, she is survived by another daughter, Sue Ladd, also of Chicago; her sisters, Rodessa Barrett Porter and Billie Barrett GreenBey, both of Chicago; four grandchildren; and six great-grandchildren.
In 1962, when the Roberta Martin Singers were on the verge of breaking up, Ms. Campbell re-formed the trio with her sisters, who had gone on to rear children and pursue their own careers.
The group became a fixture on the Chicago gospel scene, appearing often on “Jubilee Showcase,” a local television show that featured the nation’s top gospel groups in the 1960s and ’70s.
The trio often recorded pop ballads like “You’ll Never Walk Alone,” and Dinah Washington once urged Ms. Campbell to follow in her footsteps and make a career as a crossover artist.
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The group’s stirring performances of “The Storm Is Passing Over,” “(I Don’t Feel) No Ways Tired” and “He Has Brought Us” in “Say Amen, Somebody” gave the sisters a second career. They appeared on “The Tonight Show” and began touring internationally to great acclaim.
The well of Chicago gospel runs so deep it sometimes seems bottomless.
DeLois Barrett Campbell and The Barrett Sisters, “The Storm Is Passing Over,” live, 1982 (Say Amen, Somebody)
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[DeLois Barrett Campbell and the Barrett Sisters’] harmony is special, probably the best in female gospel.
—Anthony Heilbut, The Gospel Sound: Good News and Bad Times (1975 ed.)
*****
DeLois Barrett Campbell & The Barrett Sisters
The O’Neal Twins
The Clark Sisters
The Louvin Brothers
The Delmore Brothers
The Stanley Brothers
The Everly Brothers
The Beach Boys
The Bee Gees
Kate & Anna McGarrigle
The Jackson Five
The Isley Brothers
The Neville Brothers
The list goes on, and on, and . . .
(Originally posted 1/3/10.)
*****
Today at 3 p.m., at a church on Chicago’s south side (First Church of Deliverance, 4301 S. Wabash), hundreds of gospel music lovers (including me) will gather to celebrate the birthday of this group’s lead singer—it’s her 84th.
DeLois Barrett Campbell and the Barrett Sisters
“No Ways Tired,” live, 1982 (Say Amen, Somebody)
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“Fly Away,” live
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Chicago, gospel’s Mecca and Vatican, remains the one city where traditional singers comprise a community, and retain a small but steady audience.
—Anthony Heilbut, The Gospel Sound: Good News and Bad Times (6th ed. 2002)
(Originally posted 3/4/10.)
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At last Sunday’s (wonderful) 84th birthday celebration for DeLois Barrett Campbell, roses graced the altar—a gift from longtime friend Aretha Franklin.
DeLois Barrett Campbell and the Barrett Sisters, live, “He Has Brought Us,” 1982 (Say Amen, Somebody)
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And then we being blood sisters, I always say that gives our harmony a special edge.—DeLois Barrett Campbell
That girl [DeLois Barrett Campbell] can make a song so sweet you want to eat it.—Marion Williams
—Quoted in Anthony Heilbut, The Gospel Sound: Good News and Bad Times (6th ed. 2002) (Heilbut was at last Sunday’s birthday celebration.)
(Originally posted 3/21/10.)
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This afternoon, at 3 p.m., hundreds of gospel fans—from all over—will gather, once again, at a church on Chicago’s south side (First Church of Deliverance, 4315 S. Wabash) to celebrate her (85th!) birthday.
DeLois Barrett Campbell & the Barrett Sisters, “Precious Lord, Take My Hand,” live, 1983
hot, adj. having or giving off heat, having a high temperature.
E.g., services at Bishop Perry Tillis’s Alabama church.
Bishop Perry Tillis (1919-2004), preacher, singer, guitarist
Live, Savior Lord Jesus Pentecostal Church
Samson (pop. 2071 [2000]), Alabama, 1995
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The Bishop Joe Perry Tillis . . . gives Church services every 1st and 3rd Sundays at the Our Saviour Jesus Holiness Pentecostal Church in Samson, Alabama, playing electric slide-guitar, singing, and talking through one scratchy amplifier. He preaches the Pentecost and uses a combination of testimonies and extended hymns he developed with the help of his guiding angels, his daughter, and good friend Sister Bertha Lee Baker.
• WKCR-FM (broadcasting from Columbia University)
—Bird Flight (Phil Schaap, jazz [Charlie Parker])
—Traditions in Swing (Phil Schaap, jazz)
—Afternoon New Music (Various, classical and hard-to-peg)
—Eastern Standard Time (Carter Van Pelt, Jamaican music)
—Raag Aur Taal (Various, Indian music)
The right music, heard at the right moment, can change your whole day.
The Staple Singers, “I’m Coming Home” (Vee-Jay), 1959
Vodpod videos no longer available.
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Happy Birthday, Lionel!
Today trumpet player Lionel Ferbos, who was born when William Howard Taft was president and tonight can be heard at New Orleans’ Palm Court Jazz Cafe, turns 100.
The Lionel Ferbos Band, “When You’re Smiling”
Live, New Orleans (Norwegian Seamen’s Church), 8/28/09
Vodpod videos no longer available.
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For some years, trumpeter Lionel Ferbos has been touted as the oldest active jazz musician in New Orleans. Come this weekend, he’ll qualify for another honorific: The only active jazz musician in New Orleans whose age has crossed into triple digits.
John McCusker / The Times-Picayune
Lionel Ferbos, photographed in May 2011.
Ferbos first learned trumpet in 1926, at age 15, inspired by seeing Phil Spitalny and his All-Girl Orchestra at the Orpheum Theater. He played in 1930s bands led by Captain John Handy and Walter “Fats” Pichon. He worked on a crew digging a City Park lagoon before getting hired for a Depression-era Works Progress Administration band, making around $13 a week.
Sheetmetal work eventually paid the bills, even as he continued to moonlight as a musician. He joined Lars Edegran’s New Orleans Ragtime Orchestra in the early 1970s, which toured in Europe, and in 1979 played trumpet and sang in the touring musical “One Mo’ Time.” He has maintained a regular gig at the Palm Court Jazz Cafe on Decatur Street for more than two decades.
• WKCR-FM (broadcasting from Columbia University)
—Bird Flight (Phil Schaap, jazz [Charlie Parker])
—Traditions in Swing (Phil Schaap, jazz)
—Daybreak Express (Various, jazz) —Out to Lunch (Various, jazz)
—Jazz Profiles (Various, jazz)
—Jazz Alternatives (Various, jazz)
—Morning Classical (Various, classical)
—Afternoon New Music (Various, classical and hard-to-peg)
—Eastern Standard Time (Carter Van Pelt, Jamaican music)
• WFMU-FM
—Mudd Up! (DJ/Rupture, “new bass and beats”)
—Sinner’s Crossroads(Kevin Nutt, gospel)
—Give The Drummer Some (Doug Schulkind, sui generis)
—Downtown Soulville with Mr. Fine Wine (soul)
Chicago’s South Side, W. 36th St. (Honorary Sam Cooke Way, as of this month) and S. Cottage Grove Ave. (Honorary Albertina Walker & The Caravans Drive)