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Category: gospel

Sunday, January 5th

five takes

“If I Had My Way I’d Tear The Building Down,” AKA “If I Had My Way,” “Samson and Delilah”

Blind Willie Johnson, recording, 1927

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Reverend Gary Davis, live (TV show)

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Peter Paul & Mary, live (TV show)

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Grateful Dead, live, New York (Radio City Music Hall), 1980

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Bruce Springsteen, live, Italy (Verona), 2006

Sunday, December 29th

One of my favorite live gospel recordings.

Brother Joe May (joined by members of the Sallie Martin Singers), “Move On Up A Little Higher,” live, early 1950s

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lagniappe

radio

Today, from 9 a.m. to 3 p.m.,  WKCR-FM (Columbia University), continuing its Bach Festival, features cellist Pablo Casals.

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reading table

Poverty kept me from thinking all was well under the sun and in history; the sun taught me that history is not everything.

—Albert Camus (translated from French by Ellen Conroy Kennedy)

Sunday, December 22nd

two takes

“Strange Man” (D. L. Coates)

Patty Griffin, live, London, 2013


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Dorothy Love Coates (1928-2002; MCOTD Hall of Famer), recording, 1968


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lagniappe

art beat

Helen Levitt (1913-2009), New York, c. 1940

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Sunday, December 15th

two takes

The Caravans (feat. Cassietta George), “Walk Around Heaven All Day”

Live


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Recording, 1964


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lagniappe

reading table

Interview of Alice Munro, last month

It’s hard to imagine a male writer, having just won the Nobel Prize in Literature, being so direct, so natural, so down to earth.

Sunday, December 8th

sounds of Chicago

The Stars of Heaven, live, Chicago, 2012


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lagniappe

art beat

John H. White, Chicago (south side), 1973

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Sunday, December 1st

Still, after 30 years, the best gospel-music movie I’ve ever seen.

Say Amen, Somebody (1982): The Barrett Sisters (“He Has Brought Us”), The O’Neal Twins (“Jesus Dropped The Charges”), Willie Mae Ford Smith (“I’ll Never Turn Back”), Thomas A. Dorsey (“Precious Lord” [excerpt])

Sunday, November 24th

two takes

“The Storm Is Passing Over” (C. Tindley, D. Vails)

Detroit Mass Choir (Jimmy Dowell, Director), live, Detroit, 2001

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DeLois Barrett Campbell and The Barrett Sisters, live, 1982 (Say Amen, Somebody)

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lagniappe

reading table

“Hope” is the thing with feathers—
That perches in the soul—
And sings the tune without the words—
And never stops—at all—

And sweetest—in the Gale—is heard—
And sore must be the storm—
That could abash the little Bird
That kept so many warm—

I’ve heard it in the chillest land—
And on the strangest Sea—
Yet, never, in Extremity,
It asked a crumb—of Me.

—Emily Dickinson (1830-1886)

Sunday, November 17th

another take

Slow, dark, bluesy—this is a world away from the two church performances we heard last Sunday.

Pastor Terry Anderson (and congregation), “Woke Up This Morning with My Mind Stayed on Jesus,” live, Houston (Lilly Grove Missionary Baptist Church), 2010

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lagniappe

reading table

One of Emily Dickinson’s “envelope” poems:

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In this short Life that only lasts an hour
How much—how little—is within our power

Wednesday, November 13th

Here’s a variation, from the 1960s civil rights struggles, on the gospel song we heard Sunday.

SNCC Freedom Singers (AKA The Freedom Singers), “Woke Up This Morning with My Mind on Freedom,” live, Turkey, 2007

We started singing songs at the mass meetings. Songs of the movement gave you energy–a willingness and a wantingness to want to be free. Whenever there was a march to be taken place, there were songs that we would use to motivate the people to get in the line. One such song was “I Woke Up This Morning with My Mind Stayed on Freedom.” Most of the songs from the movement were taken from spirituals, gospel, and rhythm and blues–any type of music. Someone in the audience would start and say, “Come and go with me to that land. Come and go with me to that land.” And the rest would just repeat it.

Rutha Mae Harris, SNCC Freedom Singers

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And here’s another take on the original.

Mavis Staples, “Woke Up This Morning with My Mind on Jesus,” recording (One True Vine), 2013

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lagniappe

art beat

Danny Lyon (1942-), Atlanta (Toddle House), 1963

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Sunday, November 10th

four takes

“Woke Up this Morning with My Mind on Jesus”

Earl Washington (and congregation), live, Newark Church of Christ, Newark, N.J., 2007


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Fred McDowell, live, Como, Miss., 1959


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On the first day of fall, 1959, in Como, Mississippi, a farmer named Fred McDowell emerged from the woods and ambled over to his neighbor Lonnie Young’s front porch with a guitar in hand. Alan Lomax was there recording the Young fife and drum ensemble, as well as the raggy old country dance music of their neighbors, the Pratcher brothers, and he had no idea what to expect from this slight man in overalls. He certainly didn’t expect that Fred would soon become internationally known as one of the most original, talented, and affecting country bluesmen ever recorded.

Alan Lomax Archive, YouTube

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Blind Roosevelt Graves and Brother, recording, 1936

(This illustration isn’t BRG—it’s Charley Patton.)

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Richard Coffey Jr. (and congregation), live, Sweetwater Church of Christ, Jacksonville, Fla., 2012

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lagniappe

art beat

Danny Lyon (1942-), Albany, Ga. (Mt. Zion Baptist Church), 1962

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