more of Archie B.
Five Blind Boys of Mississippi (feat. Archie Brownlee [1925-1960], lead vocals)
“Will My Jesus Be Waiting,” 1952
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“Where There’s a Will,” 1958
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“That Awful Hour,” 1960
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“Take Your Burdens to Jesus,” 1959
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lagniappe
reading table
Life shoots you a lethal dose of time. Time is a drug that wears off.
—Samantha Harvey, Dear Thief
voices I miss
Lester Bowie’s From the Root to the Source (MCOTD Hall-of-Famer Lester Bowie [1941-1999], trumpet; Fontella Bass, vocals, piano; Martha Bass, vocals; Malachi Favors, bass, et al.), live, 1983
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lagniappe
reading table
I walked through the mountains today. The weather was damp, and the entire region was grey. But the road was soft and in places very clean. At first I had my coat on; soon, however, I pulled it off, folded it together, and laid it upon my arm. The walk on the wonderful road gave me more and even more pleasure; first it went up and then descended again. The mountainous world appeared to me like an enormous theatre. The road snuggled up splendidly to the mountainsides. Then I came down into a deep ravine, a river roared at my feet, a train rushed past me with magnificent white smoke. The road went through the ravine like a smooth white stream, and as I walked on, to me it was as if the narrow valley were bending and winding around itself. Grey clouds lay on the mountains as though that were their resting place. I met a young traveller with a rucksack on his back, who asked if I had seen two other young fellows. No, I said. Had I come here from very far? Yes, I said, and went farther on my way. Not a long time, and I saw and heard the two young wanderers pass by with music. A village was especially beautiful with humble dwellings set thickly under the white cliffs. I encountered a few carts, otherwise nothing, and I had seen some children on the highway. We don’t need to see anything out of the ordinary. We already see so much.
—Robert Walser (1878-1956), “A Little Ramble” (translated from German by Tom Whalen)
Some singers put their arms around you and hold you.
Gospel Challengers, “The Storm Is Passing Over,” live (TV show), early ’60s
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lagniappe
reading table
even an old man
has New Year’s eyes . . .
cherry blossoms—Kobayashi Issa (1763-1828; translated from Japanese by David G. Lanoue)
three takes
“His Eye Is on the Sparrow” (C. Martin, C. Gabriel)
Soul Stirrers (feat. R. H. Harris, lead vocals), recording, 1946
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Harmonizing Four (feat. Jimmy Jones, bass), recording, 1958
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Kathleen Battle, Vienna Symphony Orchestra (Michael Tilson Thomas, cond.), live, Vienna, 1983
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lagniappe
random thoughts: New Year’s resolution #2
Take nothing for granted.
Here are two more takes on the song we heard Sunday (“Leaning on the Everlasting Arms”)—both from Hollywood.
Robert Mitchum with Lillian Gish, The Night of the Hunter, 1955
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Van Johnson, et al., A Human Comedy, 1943
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lagniappe
art beat: more from Friday at the Art Institute of Chicago
Vincent van Gogh (1853-1890), A Peasant Woman Digging in Front of Her Cottage, c. 1885
three takes
“Leaning on the Everlasting Arms” (A. Showalter, E. Hoffman)
Five Blind Boys of Mississippi, live (TV show)
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Mahalia Jackson, live (TV show), 1961
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Iris Dement, recording (Lifeline), 2010
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lagniappe
art beat: Friday at the Art Institute of Chicago
Vincent van Gogh (1853-1890), Self-Portrait, 1887
old school
Dixie Hummingbirds, We Love You Like a Rock (excerpts), 1995
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lagniappe
reading table
You would think that living is a kind of scholarship in time, and that the longer we live the more expert we become at coping with it, in the way that, if you play tennis enough, you get used to coping with faster and faster serves. Instead I find that the longer I live the more bemused I become, and the more impenetrable the subject shows itself to be. I sit on a heap of days.
—Samantha Harvey, Dear Thief (James Wood, “Fly Away,” New Yorker, 12/8/14)
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taking a break
I’m taking some time off—back in a while.