sounds of Paris
Why not begin the week with something unlike anything else?
Orchestre du Conservatoire de Paris and Ensemble Intercontemporain (Matthias Pintscher, direction; Paul Fitzsimon, direction; Bruno Mantovani, direction), live, Paris, 2016: Karlheinz Stockhausen (1928-2007), Gruppen for three orchestras (1955-1957)
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lagniappe
art beat: yesterday, Art Institute of Chicago
Claude Monet, 1840-1926, Luncheon under the Tent, Giverny, c. 1883-86, detail (Monet in Chicago, through 6/14/21)

sounds of Paris
Ensemble Intercontemporain (Matthias Pintscher, direction), live, Paris, 11/14/20: Edgard Varèse (1883-1965), Octandre (1924); Marko Nikodijevic (1980-), music box/selbstportrait mit ligeti und strawinsky (und messiaen ist auch dabei) (2003/rev. 2006)
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lagniappe
random sights
this morning, outside Chicago (Salt Creek Trail)
never enough
Thelonious Monk Quartet (TM, piano, compositions; Charlie Rouse, tenor saxophone; Butch Warren, bass; Frankie Dunlop, drums), live, France (Amiens), 1966*
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lagniappe
random sights
other day, Oak Park, Ill.
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*0:00: Blue Monk
02:10: Crepuscule With Nellie
14:44: Rhythm-A-Ning
25:31: Hackensack
36:08: Epistrophy
38:20: Evidence
51:51: I’m Getting Sentimental Over You (G. Bassman, N. Washington)
1:08:18: Round Midnight
1:13:45: Epistrophy
sounds of Paris
Edgard Varèse (1883-1965), Ionisation (1931); Ensemble Intercontemporain (Susanna Mälkki, direction), live, Paris, 2012
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lagniappe
random sights
other day, Chicago
*****
reading table
In the mountain’s shadow
my grass hut’s
so cold
I’ll be up burning firewood
all night long—Ryokan (1758-1831), translated from Japanese by Burton Watson
two takes
“Coming on the Hudson” (T. Monk)
Thelonious Monk (piano), live (studio), Paris, 1969
*****
Thelonious Monk Quartet (TM, piano; Johnny Griffin, tenor saxophone; Ahmed Abdul-Malik, bass; Roy Haynes, drums), live, New York, 1958
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lagniappe
random sights
other day, outside Chicago (Glen Ellyn)
alone
Why not begin the week in an abandoned French castle?
Hélène Vogelsinger, “Reminiscence,” live, France, published 11/5/20
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lagniappe
random sights
other day, Chicago
*****
reading table
Because there is no me
and because I feel
how much there is no me.—Anna Swir (1909-1984), “A Double Rapture” (translated from Polish by Czesław Miłosz and Leonard Nathan)
more
György Ligeti (1923-2006), excerpts from Concerto for Piano and Orchestra, Hamburg Concerto for Solo Horn and Chamber Orchestra, Concerto for Cello and Orchestra, Concerto for Violin and Orchestra; Ensemble Intercontemporain, live, Paris, 2019
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lagniappe
random sights
other day, Chicago