Morton Feldman (1926-1987, MCOTD Hall of Fame), For Philip Guston (1984); Either/OR (Richard Carrick, piano/celesta; Margaret Lancaster, flutes; David Shively, percussion), live, Philadelphia, 2015
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lagniappe
reading table
flitting butterfly–
every corner of my hut
is inspected
—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)
Ralph Shapey (1921-2003), Three for Six (1979); Oerknal!, live, Netherlands (The Hague, Amsterdam) 2014
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lagniappe
reading table
He ate and drank the precious Words—
His Spirit grew robust—
He knew no more that he was poor,
Nor that his frame was Dust—
He danced along the dingy Days
And this Bequest of Wings
Was but a Book—What Liberty
A loosened spirit brings—
All music is classical music, you know. I don’t put up boundaries on music.
***
Of course I started out in an ethnic community, with the blues and church music and jazz. But that was just one place to start. You read fiction then you start reading nonfiction! You start reading biographies and scientific accounts. It doesn’t change where you came from. It just broadens it. That’s what we do, we keep building on the foundation where we come from. You don’t lose it, you just keep building on it.
***
I think we’ve gotten used to the dissonant, so it’s not even dissonant any more.
***
[W]e have no control over anything but what we do. I just try to stay hopeful: I don’t want to get too pessimistic about anything.