passings
Roy Campbell Jr., trumpeter, September 29, 1952-January 9, 2014
Live (RC, pocket trumpet; Rasul Siddik, trumpet; Jobic Le Masson, piano; Aldridge Hansberry, drums), Paris, 2006
**********
lagniappe
reading table
In the dirty city
one rare glimpse—
mountain moon—Matsuo Basho (1644-1694, translated from Japanese by David Young)
Henry Theadgill’s Zooid,* live, New York (Roulette), 2012
**********
lagniappe
radio
Today WKCR-FM (Columbia University) is featuring Threadgill and a host of other musicians who came out of Chicago in the ’60s and ’70s.
In May of 1977, members of the Association for the Advancement of Creative Musicians (AACM) collaborated with students at WKCR to present “Chicago Comes to New York,” a four-day music festival at Columbia University’s Wollman Auditorium. Join us starting midnight on January 7, 2014 as we revisit this momentous event with a 24-hour marathon broadcast featuring music and interviews by the AACM.
Thirty members of the AACM came to New York with their families and friends for the festival, many for the first time. The festival also included an on-air component in the form of a ninety-hour broadcast of music and interviews with AACM artists. Over the last year, two recent WKCR alums restored and digitized the entire collection of reel-to-reel tapes from the festival, hearing the music for the first time since it was recorded.
Celebrate the incredibly important work that members of the AACM have been doing to promote artistic freedom and self-determination for nearly half a century. Help us revitalize and share these unique pieces of recorded history that WKCR is so privileged to have regained access to.
*****
*Henry Threadgill (alto saxophone, flute), Liberty Ellman (acoustic guitar), Jose Davila (tuba), Elliot Humberto Kavee (drums), Zachary Lober (bass), Christopher Hoffman (cello), Ben Gerstein (trombone), Jacob Garchik (trombone), Stephanie Richards (trumpet), Jonathan Finlayson (trumpet).
Lucid, supple, propulsive: This stuff I could listen to all day.
Steve Lehman Octet (SL, alto saxophone; Jonathan Finlayson, trumpet; Tim Albright, trombone; Jeremy Viner, tenor saxophone; Jose Avila, tuba; Chris Dingman, vibraphone; Drew Gress, bass; Tyshawn Sorey, drums)
Live, Germany (Moers Festival), 2010
***
Live, 2011
**********
lagniappe
art beat
Lee Friedlander (1934-), Japan (Tokyo), 1981
sweet soul music
D’Angelo and The Soultronics (Questlove, drums; Pino Palladino, bass; Chalmers “Spanky” Alford, guitar; Frank Lacy, trombone, trumpet; Anthony Hamilton, vocals, et al.), “Send It On,” live, London, 2000
**********
lagniappe
art beat
Helen Levitt (1913-2009), New York, c. 1940
Last night this woman, who died of cancer in 2006, was very much alive, singing Bach on the radio.*
Johann Sebastian Bach, “Ich Habe Genug” (“I Have Enough,” church cantata), Lorraine Hunt Lieberson (1954-2006), 2003
**********
lagniappe
Christmas, 1948
Charlie Parker (alto saxophone), Kenny Dorham (trumpet), Al Haig (piano), Tommy Porter (bass), Max Roach (drums), “White Christmas,” live, New York (Royal Roost), 12/25/48
*****
*WKCR-FM (Columbia University), Bach Festival, through New Year’s Eve.
sounds of Chicago
Tonight these guys, who play all over the world, will be at a little club on the city’s northwest side, the Hideout, as will I.
DKV Trio (Hamid Drake, drums; Kent Kessler, bass; Ken Vandermark, reeds), live, Italy (Sant’Anna Arresi Jazz Festival), 2008
***
***
***
Joy—no one gives me more than Hamid Drake.
**********
lagniappe
reading table
God keep me from ever completing anything.
—Herman Melville (1819-1891), Moby-Dick
two takes
This is, to these ears, exhilarating.
Tim Berne’s Snakeoil,* “Cornered (Duck)”
Live, New York (The Stone), 5/8/13
***
Live, Washington, D.C (Atlas Performing Arts Center), 10/9/13
*****
lagniappe
musical thoughts
Music should be no more complex than it needs to be. And no matter how complicated it may actually be, it should never seem that way to the listener. If it does, immediacy has deteriorated into abstraction.
***
*TB, alto saxophone; Oscar Noriega, bass clarinet, clarinet; Matt Mitchell, piano; Ches Smith, percussion.
only rock ’n’ roll
Superchunk, “Void” (2013)
**********
lagniappe
reading table
Cormac McCarthy, particularly in a book like Blood Meridian, is writing an English very remote from our own. It’s more like the King James Bible on acid, right?
—David Foster Wallace (1962-2008), in Quack This Way: David Foster Wallace & Bryan A. Garner Talk Language and Writing (2013)
passings
Jim Hall, guitarist, December 4, 1930-December 10, 2013
With Joe Lovano (tenor saxophone), “In a Sentimental Mood” (D. Ellington), live, Italy (Umbria Jazz Festival), 1996
***
With Bill Evans (piano), Undercurrent (“My Funny Valentine,” “I Hear a Rhapsody,” “Dream Gypsy,” “Romain,” “Skating in Central Park,” “Darn that Dream,” “Stairway to the Stars,” “I’m Getting Sentimental Over You”), 1962
When I was in college in the early ’70s, this album was a frequent late-night companion. Since then I’ve listened to it more times than I could count. It never grows old.
sounds of Chicago
Son Seals, “On My Knees,” live (TV show), 1980s
Musical notation has its place. Sometimes, though, it’s useless. How could marks on a piece of paper ever capture his attack?
music clip of the day 