Friday, June 3rd
Mozart one day, another day this—how lucky to live in a world so various.
Konono No. 1, “Yaya Mikolo,” live, France (Saint-Nazaire), 2009
Mozart one day, another day this—how lucky to live in a world so various.
Konono No. 1, “Yaya Mikolo,” live, France (Saint-Nazaire), 2009
sounds of Chicago and Oslo
Ken Vandermark (tenor saxophone), Paal Nilssen-Love (percussion), “Song for Terrie,” live, Netherlands (Amsterdam), 5/26/16
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lagniappe
random sights
this morning, Oak Park, Ill.
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A big birthday shout-out to my brother Don, my first listening companion. All these years later, the basement jukebox still plays: “Wake Up Little Susie” (Everly Brothers) . . .”North to Alaska” (Johnny Horton) . . .”(The Man Who Shot) Liberty Valance” (Gene Pitney) . . . Hear it?
sounds of New York
Sandbox Percussion, live (excerpts from S. Reich, “Drumming”; A. Weiser, “Anatomy of a Drum Roll”; S. Reich, “Music for Pieces of Wood”), New York (Washington Square Park), 2014
Need a lift?
Angelika Niescier (alto saxophone), Ralph Alessi (trumpet), Florian Weber (piano), Chris Tordini (bass), Tyshawn Sorey (drums), “The Barn Thing” (A. Niescier), live, Germany (Krefeld), 2013
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lagniappe
art beat: other day, Art Institute of Chicago
Aaron Siskind (1903-1991), Martha’s Vineyard Rocks 127B 1954 (Abstractions, through 8/14/16)
Vancouver folkie + iconic Memphis rhythm section.
This should never have worked.
But it does, wonderfully.
Frazey Ford, “September Fields” (Indian Ocean), 2014
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lagniappe
reading table
The climate is pretty.
I wrote everything on it.
That’s the activity where it
gets relatively inauspicious.***
And you were sitting there
in the night of life. It sure was good.
My favorite desserts were there.
And when they invite you, it’s like an important document
goes missing. I’ll give you an example:
a twelve-year struggle upstate, in
the slick atmosphere of the breakfast room.
It might have gotten stuck in her farthingale.Otherwise no reply.
—John Ashbery (1927-), “As Someone Who Likes Travel,” fragments (New Yorker, 5/30/16)
To read Ashbery is to read English as a foreign language—which I mean as a compliment.
Unfailing clarity, lyricism—how apt to hear him shortly after Mozart.
Sonny Rollins, live (“On Green Dolphin Street,” “St. Thomas,” “Four”), Denmark, 1968*
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lagniappe
reading table
dripping from the flower vendor’s
display
morning dew—Kobayashi Issa, 1763-1828 (translated from Japanese by David G. Lanoue)
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*With Kenny Drew (piano), Niels-Henning Orsted Pedersen (bass), Albert “Tootie” Heath (drums).
old school
Tommy Ellison & The Singing Stars, “I’m Not the Same Person,” live, Hempstead, N.Y., 2007
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lagniappe
reading table
I hear a river thro’ the valley wander
Whose water runs, the song alone remaining.—Trumbull Stickney (1874-1904), “Dramatic Fragments,” excerpt
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random sights
yesterday morning, Chicago (Columbus Park)
sounds of New York
Music is, in part, a function of place. Can you imagine these sounds coming out of San Diego?
Charles Gayle Trio (CG, tenor saxophone, piano; Larry Roland, bass; Michael Wimberly, drums), live, Germany (Cologne), 2012
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lagniappe
reading table
It might be lonelier
Without the Loneliness –—Emily Dickinson (1830-1886), 535 (Franklin), fragment
never enough
What do I watch when he’s at the piano? His feet.
Thelonious Monk Quartet (TM, piano, compositions; Charlie Rouse, tenor saxophone; Larry Gales, bass; Ben Riley, drums), live, France (Amiens), 1966
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lagniappe
reading table
Thought forms in the soul in the same way clouds form in the air.
—Joseph Joubert (1754-1824), 1786 (The Notebooks of Joseph Joubert, translated from French by Paul Auster)
(Thanks to Orange Crate Art for introducing me to Joubert.)