Unfailing clarity, lyricism—how apt to hear him shortly after Mozart.
Sonny Rollins, live (“On Green Dolphin Street,” “St. Thomas,” “Four”), Denmark, 1968*
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lagniappe
reading table
dripping from the flower vendor’s
display
morning dew—Kobayashi Issa, 1763-1828 (translated from Japanese by David G. Lanoue)
*****
*With Kenny Drew (piano), Niels-Henning Orsted Pedersen (bass), Albert “Tootie” Heath (drums).
old school
Tommy Ellison & The Singing Stars, “I’m Not the Same Person,” live, Hempstead, N.Y., 2007
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lagniappe
reading table
I hear a river thro’ the valley wander
Whose water runs, the song alone remaining.—Trumbull Stickney (1874-1904), “Dramatic Fragments,” excerpt
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random sights
yesterday morning, Chicago (Columbus Park)
tonight in Chicago
They’ll be playing at the Art Institute, where I’ll be listening.
Peter Brotzmann (tenor saxophone), Jason Adasiewicz (vibraphone), Steve Noble (drums), live, London, 2014
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lagniappe
random sights
other day, Chicago (outside the Art Institute)
sounds of New York
Music is, in part, a function of place. Can you imagine these sounds coming out of San Diego?
Charles Gayle Trio (CG, tenor saxophone, piano; Larry Roland, bass; Michael Wimberly, drums), live, Germany (Cologne), 2012
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lagniappe
reading table
It might be lonelier
Without the Loneliness –—Emily Dickinson (1830-1886), 535 (Franklin), fragment
never enough
What do I watch when he’s at the piano? His feet.
Thelonious Monk Quartet (TM, piano, compositions; Charlie Rouse, tenor saxophone; Larry Gales, bass; Ben Riley, drums), live, France (Amiens), 1966
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lagniappe
reading table
Thought forms in the soul in the same way clouds form in the air.
—Joseph Joubert (1754-1824), 1786 (The Notebooks of Joseph Joubert, translated from French by Paul Auster)
(Thanks to Orange Crate Art for introducing me to Joubert.)
gathering of birds
Oliver Lake & Alto Madness (Oliver Lake, alto saxophone, compositions; Darius Jones, Bruce Williams, Anthony Ware, alto saxophones; Pheeroan AkLaff, drums), live, New York, 2014
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lagniappe
random sights
yesterday morning, Chicago (Columbus Park)
only rock ‘n’ roll
Dog Faced Hermans, live, Lincoln, Neb., 1994
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lagniappe
art beat: yesterday, Art Institute of Chicago
Vincent van Gogh, A Corner of the Asylum and the Garden with a Heavy, Sawed-Off Tree, 1889 (Van Gogh’s Bedrooms, through May 10th)
More.
Henry Threadgill’s Society Situation Dance Band
Live, Germany (Hamburg), 1988
#1
#2
#3
*****
Henry Threadgill and His Very Very Circus
“Too Much Sugar for a Dime,” live, New York, 1995
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lagniappe
random sights
this morning, Oak Park, Ill.
MCOTD Hall of Famer—and, as of yesterday, Pulitzer Prize Winner.
Henry Threadgill’s Zooid
Live, Poland (Warsaw), 2011
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Live, New York, 2013
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Live, Washington, D.C., 2013
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lagniappe
musical thoughts
All music is classical music, you know. I don’t put up boundaries on music.
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Of course I started out in an ethnic community, with the blues and church music and jazz. But that was just one place to start. You read fiction then you start reading nonfiction! You start reading biographies and scientific accounts. It doesn’t change where you came from. It just broadens it. That’s what we do, we keep building on the foundation where we come from. You don’t lose it, you just keep building on it.
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I think we’ve gotten used to the dissonant, so it’s not even dissonant any more.
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[W]e have no control over anything but what we do. I just try to stay hopeful: I don’t want to get too pessimistic about anything.
—Henry Threadgill, The Guardian, 4/18/16
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the beat goes on
2,300 posts—and counting.
back to church
Campbell Brothers, live
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lagniappe
random sights
this morning, Oak Park, Ill.
music clip of the day 