Monday, March 20th
passings
Chuck Berry, October 18, 1926-March 18, 2017, guitar player, singer, songwriter
“Roll Over Beethoven” (C. Berry), live (TV show), France, 1958
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the beat goes on
2,600 posts—and counting.
passings
Chuck Berry, October 18, 1926-March 18, 2017, guitar player, singer, songwriter
“Roll Over Beethoven” (C. Berry), live (TV show), France, 1958
*****
the beat goes on
2,600 posts—and counting.
more
William Parker’s In Order To Survive (WP, bass; Hamid Drake, drums, MCOTD Hall of Fame; Cooper-Moore, piano, vocals; Lewis Barnes, trumpet; Rob Brown, alto saxophone), “Hymn,” live, New York, 2013
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lagniappe
reading table
He isn’t doing that right—that was a very important one. It was what Astaire claimed he was thinking whenever he watched himself onscreen, and I noted that third-person pronoun. This is what I understood by it: that for Astaire the person in the film was not especially connected with him. And I took this to heart, or rather, it echoed a feeling I already had, mainly that it was important to treat oneself as a kind of stranger, to remain unattached and unprejudiced in your own case. I thought you needed to think like that to achieve anything in this world. Yes, I thought that was a very elegant attitude.
—Zadie Smith, Swing Time
MCOTD Hall of Fame
William Parker’s In Order To Survive (WP, bass, composition; Hamid Drake, drums, MCOTD Hall of Fame;* Lewis Barnes, trumpet; Rob Brown, alto saxophone; Cooper-Moore, piano), “Criminals in the White House,” live, New York, 2013
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lagniappe
radio
Today—his birthday—it’s all Ornette Coleman all day on WKCR-FM (Columbia University).
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*With saxophonists Von Freeman and Henry Threadgill; trumpeter Lester Bowie; gospel singer Dorothy Love Coates; composer Morton Feldman; poets John Berryman, William Bronk, and Wislawa Szymborska; and photographer Helen Levitt.
tonight in Chicago
These guys, from Australia, are playing at Constellation.
The Necks, live, London, 2016
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lagniappe
reading table
The Imaginary Iceberg
by Elizabeth Bishop (1911-1979)We’d rather have the iceberg than the ship,
although it meant the end of travel.
Although it stood stock-still like cloudy rock
and all the sea were moving marble.
We’d rather have the iceberg than the ship;
we’d rather own this breathing plain of snow
though the ship’s sails were laid upon the sea
as the snow lies undissolved upon the water.
O solemn, floating field,
are you aware an iceberg takes repose
with you, and when it wakes may pasture on your snows?This is a scene a sailor’d give his eyes for.
The ship’s ignored. The iceberg rises
and sinks again; its glassy pinnacles
correct elliptics in the sky.
This is a scene where he who treads the boards
is artlessly rhetorical. The curtain
is light enough to rise on finest ropes
that airy twists of snow provide.
The wits of these white peaks
spar with the sun. Its weight the iceberg dares
upon a shifting stage and stands and stares.The iceberg cuts its facets from within.
Like jewelry from a grave
it saves itself perpetually and adorns
only itself, perhaps the snows
which so surprise us lying on the sea.
Good-bye, we say, good-bye, the ship steers off
where waves give in to one another’s waves
and clouds run in a warmer sky.
Icebergs behoove the soul
(both being self-made from elements least visible)
to see them so: fleshed, fair, erected indivisible.
basement jukebox
Howlin’ Wolf (vocals, harmonica; 1910-1976), “How Many More Years,” “Moanin’ at Midnight,” 1951
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lagniappe
reading table
We drew from the models, and you cannot imagine how fantastically boring it can be to look hour after hour at a beautiful body. But an ugly body can be fascinating.
—photographer Lisette Model (1901-1983), quoted in Colm Toibin, “That Little Minx” (reviewing Diane Arbus: Portrait of a Photographer and Silent Dialogues: Diane Arbus and Howard Nemerov), London Review of Books, 3/2/17
sounds of New York
Jim Campilongo Trio (JC, guitar; Chris Morrisey, bass; Josh Dion, drums, vocals) with Nels Cline (guitar), live, New York, 12/5/16*
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lagniappe
art beat: yesterday, Museum of Contemporary Art Chicago
Merce Cunningham: Common Time (through April 30th)
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*Set list (courtesy of YouTube):
Hot ‘Lanta 00:00
Heaven Is Creepy 08:20
Politician 18:06
Cock and Bull Story 26:12
passings
Clyde Stubblefield, drummer, April 18, 1943-February 18, 2017
“Funk Thing” (with Fred Wesley, trombone; John Scofield, guitar; John Medeski, organ; Fred Thomas, bass), 1999
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“Funky James Brown” (with John “Jabo” Starks, drums)
what’s new
Craig Taborn, Daylight Ghosts, 2017
The other day I bumped into this guy in New York, at The Guggenheim, where we were both seeing the Agnes Martin exhibit. We talked for a moment—I told him how much I like his music. Then our eyes went back to the paintings.
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lagniappe
art beat: other day, The Guggenheim (New York)
Agnes Martin (1912-2004), Happy Holiday, 1999