music clip of the day

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Category: drums

Sunday, 9/25/11

Don Byron New Gospel Quintet (DB, tenor saxophone & clarinet; DK Dyson, vocals; Xavier Davis, piano; Brad Jones, bass; Pheeroan akLaff, drums), “Precious Lord” (T. A. Dorsey), live, Brazil (São Paulo), 2010

Vodpod videos no longer available.

Last night I heard these folks live at the University of Chicago. Whenever I go out and hear someone, I’m reminded, again, that even (especially?) today, when records and the ’net make more music more available than ever before, there’s no substitute for live music. No recording offers the textures and nuances of a great live performance. (Never, for instance, have I heard a recording that truly reproduces the sounds of a drum kit, much less the interplay between horn and drums.) Not only is there more to hear live, your focus is sharper: you know you won’t have another opportunity to experience these sounds. And when you go to a club or a concert hall, you become, for that night, a member of an ad hoc musical community—something you can’t do sitting in your living room.

Friday, 9/23/11

Happy (85th) Birthday, Trane!

John Coltrane, September 23, 1926-July 17, 1967

John Coltrane Quartet (JC, tenor saxophone; McCoy Tyner, piano; Jimmy Garrison, bass; Elvin Jones, drums), “I Want To Talk About You,” live, Sweden (Stockholm), 1962

Vodpod videos no longer available.

More? Here. And here. And here. And here.

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lagniappe

radio

All Trane, all day: WKCR-FM (broadcasting from Columbia University).

Thursday, 9/22/11

You’re probably in the same boat—no MacArthur “genius” grant this year. Oh, well. These folks, unlike you and me, are half a million dollars richer than they were Monday.

Dafnis Prieto (b. 1974), drummer, composer

Proverb Trio: DP, drums; Kokayi, vocals; Jason Lindner, keyboards
Live, Puerto Rico (San Juan), 8/1/11

Vodpod videos no longer available.

*****

Alisa Weilerstein (b. 1982), cellist

Zoltán Kodály, Sonata for Solo Cello, Op. 8 (1915), excerpt (1st Mvt.)
Live, Massachusetts (Worchester, College of Holy Cross),  c. 2008

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*****

Kay Ryan (b. 1945), poet

We’re Building the Ship as We Sail It

The first fear
being drowning, the
ship’s first shape
was a raft, which
was hard to unflatten
after that didn’t
happen. It’s awkward
to have to do one’s
planning in extremis
in the early years—
so hard to hide later:
sleekening the hull,
making things
more gracious.

The Niagara River

However carved up
or pared down we get,
we keep on making
the best of it as though
it doesn’t matter that
our acre’s down to
a square foot. As
though our garden
could be one bean
and we’d rejoice if
it flourishes, as
though one bean
could nourish us.

Wednesday, 9/21/11

Think you can listen to these guys without moving?

Just try.

Staff Benda Bilili
Live, Democratic Republic of Congo (Kinshasa)

“Na Lingui Yo,” c. 2007

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“Polio,” c. 2007

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Singing, playing, talking, 2011

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Tuesday, 9/20/11

Life thickens as you get older, becoming more layered. The other night, for instance, listening to Mad Professor dub Bob Marley at a club on Chicago’s south side (Reggie’s, State near Cermak), I found it hard not to think of another night over thirty years ago, of another club on the other side of town (Quiet Knight, Belmont near Clark, now gone), of hearing Bob Marley not dubbed but live.

Bob Marley and the Wailers, “Trenchtown Rock”
Live, Chicago (Quiet Knight), 1975

Vodpod videos no longer available.

More? Here. And here. And here.

Friday, 9/16/11

Never heard of this guy?

You’re not alone.

But for serious mental illness, he would have been a big star.

 James Carr, singer, June 13, 1942-January 7, 2001

Live, “You Got My Mind Messed Up”

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Live, “Pouring Water on a Drowning Man”

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“The Dark End of the Street” (D. Penn & C. Moman), Goldwax, 1967

Vodpod videos no longer available.

What may be my favorite moment in this track is one that’s easy to miss; a throwaway, it comes at 1:37—the muted, fleeting “huhh.” The whole welter of emotions Carr brings to this performance—anxious, defiant, rueful, resigned—can be heard in this single syllable.

Wednesday, 9/14/11

Miles Davis Quintet (MD, trumpet; Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), “Footprints” (W. Shorter), live, Sweden, 1967

Vodpod videos no longer available.

Time for just one note? 3:34. (Shorter’s entire solo is a marvel [1:54-3:54]: it’s as intimate and delicate as a dream.)

More? Here. And here.

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lagniappe

reading table

just the other day
we said goodbye . . .
dewy grave

—Kobayashi Issa, 1790s (trans. David G. Lanoue)

Tuesday, 9/13/11

What a joy to find, as I did yesterday, new sounds that provide so much pleasure.

Starlicker (Rob Mazurek, cornet; Jason Adasiewicz, vibraphone; John Herndon, drums), “Horseshoes,” live, Iowa (Dubuque), 2011

Vodpod videos no longer available.

Monday, 9/12/11

two takes

Here’s a very different piece by Steve Reich—one I first heard, in a New York performance by Reich’s ensemble, 40 years ago. At the time, the only way he could get his music heard was to play it himself.

Steve Reich, Drumming (1971), excerpts

So Percussion, live, Baltimore (Johns Hopkins University), c. 2009

Vodpod videos no longer available.

*****

Steve Reich (wearing cap) with members of Ensemble Modern
Live, Germany (Cologne), 2009

Vodpod videos no longer available.

More? Here. And here. And here. 

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lagniappe

All music theory refers to something that has already happened, but if it is taken as a prescription, or worse a manifesto, heaven help you.

Steve Reich

Friday, 9/9/11

two takes

“Death Letter Blues” (S. House)

Son House, live (TV broadcast), 1967

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*****

The White Stripes, live, France (Paris), 2007

Vodpod videos no longer available.

More White Stripes? Here.