Labels are often worse than useless. This guy, for instance, is often tagged as “cerebral.” But here’s something you can’t—I can’t, anyway—listen to without smiling.
Anthony Braxton, Composition No. 58
Taylor Ho Bynum Chicago Big Band,* live, 2009, Chicago
*****
Here’s another take—Braxton’s original recording (The Complete Arista Recordings of Anthony Braxton [Mosaic], rec. 1976).
More? Here.
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lagniappe
reading table
To obtain the value
of a sound, a movement,
measure from zero.***
A sound has no legs to stand on.
***
The world is teeming: anything can
happen.—John Cage, “2 Pages, 122 Words on Music and Dance” (excerpts)
*Taylor Ho Bynum & Josh Berman (cor), Jaimie Branch (tpt), Jeb Bishop & Nick Broste (tb), Nicole Mitchell (fl), Caroline Davis, Keefe Jackson & Dave Rempis (saxes), Jeff Parker (g), Jason Adasiewicz (vib), Nate McBride (b), Tim Daisy & Tomas Fujiwara (d)
Chrome, “Meet You In The Subway” (1979, record; 1984, video)
So much of our musical experience resists explanation. Take this track, for instance. As soon as it’s over, I want to hear it again. Why? No idea.
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lagniappe
mail: two posts, two messages, same correspondent
Last Monday (Koko Taylor/Louis Jordan):
Great boost!
Yesterday (Brother Anthony Wynn/Sensimo):
what the fuck!?!
only rock ’n roll
Animal Collective, Unitled/“Brothersport”
Live, Chicago (Pitchfork Festival), 7/15/11
*****
Want to hear the entire set?
Jazz, classical, gospel, rock: the names may be different, but what they offer is the same—a way, pleasurably, to lose your mind.
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lagniappe
In the evening darkness at a place outside New York, an outlook where/you can perceive eight million people’s homes in a single glance. . . ./Schubert’s being played in some room/there and for someone the tones at this moment are more real than everything else.
—Tomas Transtromer, “Schubertiana” (excerpt), trans. Samuel Charters
Here, in an undated audio clip, Transtromer, winner of the 2011 Nobel Prize in Literature, talks about this poem and reads it in this English translation.
*****
Transtromer suffered a stroke in 1990, at the age of fifty-nine, which robbed him of speech and impaired the use of his right arm. Rather than delivering the customary [Nobel] laureate’s address when he accepts the award, on December 10th, he will play a piece on the piano using only his left hand.
—Dan Chiasson, “Night Thoughts: The poetry of Tomas Transtromer,” New Yorker, 10/31/11
This guy sounded so good the other day—let’s hear some more.
B.B. King with T-Bone Walker, “Bad News”/“Sweet Sixteen”
Live, Monterey Jazz Festival (Monterey, California), 9/16/1967
Wild Flag, live, SXSW (Austin, Texas), 3/11
“Romance” (Mellow Johnny’s Bike Shop)
***
“Future Crimes” (IFC Crossroads House)
Someday an all-female band will seem no more remarkable than an
all-male one.
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lagniappe
radio
A live studio performance,* which I caught part of Saturday afternoon, can be heard here.
*The Cherry Blossom Clinic with Terre T (Sat., 3-6 p.m. [EST]), WFMU-FM
clear, adj. bright, luminous, transparent. E.g., Wadada Leo Smith’s trumpet playing.
Wadada Leo Smith (trumpet), live, London (Cafe Oto), 9/5/11
A performance like this opens up, I’ve found, once you quit trying to find
a foothold.
Happy (Belated) 70th Birthday, Lester!
Lester Bowie, October 11, 1941-November 8, 1999
trumpet player, bandleader, irrepressible spirit
Lester Bowie Brass & Steel Band, Umbria Jazz Festival (Italy), 1996
Part 1
***
Part 2
***
Part 3
***
Part 4
More? Here. And here. And here. And here. And here.
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lagniappe
musical thoughts
Jazz is neither specific repertoire nor academic exercise . . . but a way of life.
—Lester Bowie
No one could convince me, when I’m listening to the clarinet, that any instrument is more beautiful.
Shabaka Hutchings, clarinet, with Kit Downes, keyboards; John Edwards, bass; Mark Sanders, drums; Leafcutter John, electronics; live, London (St. Sepulchre-without-Newgate), 7/14/11
Vodpod videos no longer available.