Thursday, 10/6/11
only rock ’n roll
The Ex, “Waiting,” live (studio performance), WFMU-FM, 2007
Vodpod videos no longer available.only rock ’n roll
The Ex, “Waiting,” live (studio performance), WFMU-FM, 2007
Vodpod videos no longer available.why I love radio
Beginning yesterday afternoon and continuing until noon Saturday, WKCR-FM, which broadcasts from Columbia University, is celebrating the centennial of Papa Jo Jones—the “greatest drummer who ever lived,” according to the station’s Phil Schaap—in the best possible way: they’re playing his music (with Count Basie, Billie Holiday, et al.), and nothing but his music, 24 hours a day. Breakfast, he’s on; lunch, he’s on; dinner, he’s on; bedtime, he’s on—and it’s all free.* Is this a great life, or what?
Here at MCOTD, we’re celebrating Papa Jo, too—with this clip, a favorite.
*****
He doesn’t pummel the beat, the way so many drummers do.
He pulls it out of the air.
Jo Jones (“Papa Jo” [as distinguished from “Philly Joe“]), October 7, 1911-September 3, 1985
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lagniappe
[W]hat really distinguished the great drummers I heard growing up, what really attracted me to men such as Sonny Greer, Chick Webb, Sid Catlett, Jo Jones and Kenny Clarke was that they all thought like composers, they all had their own way of hearing a band. They were all original thinkers who identified themselves when they played. And they stood out. They played like leaders.
—Max Roach
(Originally posted 8/5/10.)
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*“Free” is a bit misleading; it costs money to keep this daily miracle on the air, so, periodically, WKCR-FM solicits contributions. If you tune in and like what you hear, perhaps you, too, could kick in a few bucks.
Charisma needs no translation.
Mahmoud Ahmed & Badume’s Band, live, France (Festival de Sete), 2008
“Belomi Benna”
Vodpod videos no longer available.***
“Atawurulegn Lela”
Vodpod videos no longer available.three takes
Blues guitarists—great ones, anyway—aren’t instrumentalists; they’re singers with two voices.
“Born Under A Bad Sign” (W. Bell, B.T. Jones)
Albert King, live, Sweden, 1980
Vodpod videos no longer available.***
Albert King, recording, 1967 (Stax)
Vodpod videos no longer available.***
Jimi Hendrix, recorded in 1969 (Blues, 1994)
Vodpod videos no longer available.What makes this last take effective? Part of it is the phrasing: Jimi, like Albert, doesn’t play anything that couldn’t be sung.
More Albert? Here.
Don Byron New Gospel Quintet (DB, tenor saxophone & clarinet; DK Dyson, vocals; Xavier Davis, piano; Brad Jones, bass; Pheeroan akLaff, drums), “Precious Lord” (T. A. Dorsey), live, Brazil (São Paulo), 2010
Vodpod videos no longer available.Last night I heard these folks live at the University of Chicago. Whenever I go out and hear someone, I’m reminded, again, that even (especially?) today, when records and the ’net make more music more available than ever before, there’s no substitute for live music. No recording offers the textures and nuances of a great live performance. (Never, for instance, have I heard a recording that truly reproduces the sounds of a drum kit, much less the interplay between horn and drums.) Not only is there more to hear live, your focus is sharper: you know you won’t have another opportunity to experience these sounds. And when you go to a club or a concert hall, you become, for that night, a member of an ad hoc musical community—something you can’t do sitting in your living room.
Happy (85th) Birthday, Trane!
John Coltrane, September 23, 1926-July 17, 1967
John Coltrane Quartet (JC, tenor saxophone; McCoy Tyner, piano; Jimmy Garrison, bass; Elvin Jones, drums), “I Want To Talk About You,” live, Sweden (Stockholm), 1962
Vodpod videos no longer available.More? Here. And here. And here. And here.
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lagniappe
radio
All Trane, all day: WKCR-FM (broadcasting from Columbia University).
You’re probably in the same boat—no MacArthur “genius” grant this year. Oh, well. These folks, unlike you and me, are half a million dollars richer than they were Monday.
Dafnis Prieto (b. 1974), drummer, composer
Proverb Trio: DP, drums; Kokayi, vocals; Jason Lindner, keyboards
Live, Puerto Rico (San Juan), 8/1/11
*****
Alisa Weilerstein (b. 1982), cellist
Zoltán Kodály, Sonata for Solo Cello, Op. 8 (1915), excerpt (1st Mvt.)
Live, Massachusetts (Worchester, College of Holy Cross), c. 2008
*****
Kay Ryan (b. 1945), poet
We’re Building the Ship as We Sail It
The first fear
being drowning, the
ship’s first shape
was a raft, which
was hard to unflatten
after that didn’t
happen. It’s awkward
to have to do one’s
planning in extremis
in the early years—
so hard to hide later:
sleekening the hull,
making things
more gracious.
The Niagara River
However carved up
or pared down we get,
we keep on making
the best of it as though
it doesn’t matter that
our acre’s down to
a square foot. As
though our garden
could be one bean
and we’d rejoice if
it flourishes, as
though one bean
could nourish us.
Think you can listen to these guys without moving?
Just try.
Staff Benda Bilili
Live, Democratic Republic of Congo (Kinshasa)
“Na Lingui Yo,” c. 2007
Vodpod videos no longer available.***
“Polio,” c. 2007
Vodpod videos no longer available.***
Singing, playing, talking, 2011
Vodpod videos no longer available.Life thickens as you get older, becoming more layered. The other night, for instance, listening to Mad Professor dub Bob Marley at a club on Chicago’s south side (Reggie’s, State near Cermak), I found it hard not to think of another night over thirty years ago, of another club on the other side of town (Quiet Knight, Belmont near Clark, now gone), of hearing Bob Marley not dubbed but live.
Bob Marley and the Wailers, “Trenchtown Rock”
Live, Chicago (Quiet Knight), 1975
Never heard of this guy?
You’re not alone.
But for serious mental illness, he would have been a big star.
James Carr, singer, June 13, 1942-January 7, 2001
Live, “You Got My Mind Messed Up”
Vodpod videos no longer available.***
Live, “Pouring Water on a Drowning Man”
Vodpod videos no longer available.***
“The Dark End of the Street” (D. Penn & C. Moman), Goldwax, 1967
Vodpod videos no longer available.What may be my favorite moment in this track is one that’s easy to miss; a throwaway, it comes at 1:37—the muted, fleeting “huhh.” The whole welter of emotions Carr brings to this performance—anxious, defiant, rueful, resigned—can be heard in this single syllable.