music clip of the day

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Category: drums

Friday, 3/16/12

only rock ’n’ roll

What’s old is new again.

Alabama Shakes, live
Pegasus Records, Florence, Alabama, 8/21/11

“I Found You”

***

“Hold On”

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lagniappe

Just Like Being There (2012)

Thursday, 3/15/12

Too much beauty in your life?

Well, I guess you can skip this.

Shivkumar Sharma, santoor
Hariprasad Chaurasia, bansuri (bamboo flute)
Raga Bhoopali, live, India (Mumbai), 1995 (music begins at 3:55)

More Pandit Sharma? Here.

More Pandit Chaurasia? Here.

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lagniappe

reading table

Sorrow everywhere. Slaughter everywhere. If babies
are not starving someplace, they are starving
somewhere else. With flies in their nostrils.
But we enjoy our lives because that’s what God wants.
Otherwise the mornings before summer dawn would not
be made so fine. The Bengal tiger would not
be fashioned so miraculously well. The poor women
at the fountain are laughing together between
the suffering they have known and the awfulness
in their future, smiling and laughing while somebody
in the village is very sick. There is laughter
every day in the terrible streets of Calcutta,
and the women laugh in the cages of Bombay.
If we deny our happiness, resist our satisfaction,
we lessen the importance of their deprivation.
We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.
If the locomotive of the Lord runs us down,
we should give thanks that the end had magnitude.
We must admit there will be music despite everything.
We stand at the prow again of a small ship
anchored late at night in the tiny port
looking over to the sleeping island: the waterfront
is three shuttered cafés and one naked light burning.
To hear the faint sound of oars in the silence as a rowboat
comes slowly out and then goes back is truly worth
all the years of sorrow that are to come.

—Jack Gilbert, “A Brief for the Defense” (Collected Poems, 2012)

Sunday, 3/11/12

Need a lift?

You’ve come to the right place.

Slim and the Victory Aries, live, Paducah, Kentucky, c. 2008

“Alright Now”

***

“Shoes”

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lagniappe

musical thoughts

[I]n the African-American gospel tradition, the music is the liturgy. . . . If Jesus spoke in parables because it was hard, otherwise, for him to make clear what he intended, gospel music has a similar form, a parabolic form, as if to suggest: what we want you to know about God is in the shape of this statement, in the experience of singing this music and listening to this music. If you can be transported here, inside the church, by this music, you can be transported out there.

—Rick Moody, “Gospel For Beginners”

Saturday, 3/10/12

Happy (109th) Birthday, Bix!

How many sonic experiences are as dizzying as the one offered this time each year by WKCR-FM (Columbia University)? First there’s 24 hours, straight, of Ornette. The next 24? Bix, Bix, Bix.

Frankie Trumbauer and His Orchestra (feat. Bix Beiderbecke, cornet), “There’ll Come A Time (Wait and See),” 1928

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lagniappe

found words

A distinctive psychiatric hospital

—advertisement, New Yorker, 3/5/12

Friday, 3/9/12

Happy (82nd) Birthday, Ornette!

Ornette Coleman Quartet with guests Joshua Redman (tenor saxophone), James Blood Ulmer (guitar), Charlie Haden (bass), live, Netherlands (North Sea Jazz Festival, Rotterdam), 2010

Part 1

***

Part 2

***

Part 3

***

Part 4

***

Part 5

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lagniappe

radio

WKCR-FM (Columbia University): all Ornette, all day.

Monday, 3/5/12

Has there ever been a finer hour of jazz—of music—on TV?

The Sound of Jazz (CBS), 1957*

(A couple excerpts have been posted previously—here and here—but until the other day I’d never seen the whole show.)

*With Count Basie (piano), Thelonious Monk (piano), Billie Holiday (vocals), Jimmy Rushing (vocals), Coleman Hawkins (tenor saxophone), Ben Webster (tenor saxophone), Lester Young (tenor saxophone), Gerry Mulligan (baritone saxophone), Jimmy Giuffre (tenor saxophone, clarinet), Pee Wee Ellis (clarinet), Henry “Red” Allen (trumpet), Roy Eldridge (trumpet), Vic Dickenson (trombone), Danny Barker (guitar), Freddie Green (guitar), Jim Hall (guitar), Milt Hinton (bass), Jo Jones (drums), et al.

Sunday, 3/4/12

going back home

Davis Sisters, “I Believe I’ll Go Back Home”
TV Gospel Time (introduced by Brother Joe May), early 1960s

More? Here. And here.

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lagniappe

Here’s a secular take.

John Lee Hooker, “I Believe I’ll Go Back Home” (That’s My Story: John Lee Hooker Sings The Blues, 1960)

*****

reading table

Home is never what you think it is.

Meaning lies in meaning’s absence. The mist
Is always just about to lift.

—J. Allyn Rosser, “Sugar Dada” (excerpt)

Friday, March 2, 2012

only rock ’n’ roll

Elvis Presley (with Scotty Moore, guitar), TV shows, 1956

“Money Honey”

***

“Heartbreak Hotel”

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“I Got A Woman”

Thursday, 3/1/12

sounds of joy

Sex Mob,* live, New York (Iridium), 2004

Part 1

***

Part 2

***

Part 3

*Steven Bernstein, slide trumpet; Briggan Krauss, alto saxophone; Tony Scherr, bass; Kenny Wollesen, drums

Monday, 2/27/12

protean, adj. 1. Of or resembling Proteus in having a varied nature or ability to assume different forms. 2. Displaying great diversity or variety. E.g., Miles Davis.

Miles Davis Quintet (MD, trumpet; Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), “I Fall In Love Too Easily,” live, Germany (Karlsruhe), 1967

More? Here. And here. And here.

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lagniappe

last night

There’s something in nothing, and we’ll never know what it is.

—Susan Howe, poet, after a performance of Frolic Architecture with composer and musician David Grubbs at the University of Chicago’s Bond Chapel