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Category: drums

Friday, 11/16/12

only rock ’n’ roll

Metz, “Wasted”

Recording (Metz, Sub Pop), 10/12

***

Live, Canada (Sackville), 8/3/12

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lagniappe

musical thoughts

Rock ’n’ roll.

R&B.

Jazz.

Whatever their differences, they’ve got something in common.

Nobody’s more important than the drummer. 

If the drums aren’t happening, nothing is.

*****

reading table: passings

“The Forgotten Dialect of the Heart”

How astonishing it is that language can almost mean,
and frightening that it does not quite. Love, we say,
God, we say, Rome and Michiko, we write, and the words
get it all wrong. We say bread and it means according
to which nation. French has no word for home,
and we have no word for strict pleasure. A people
in northern India is dying out because their ancient
tongue has no words for endearment. I dream of lost
vocabularies that might express some of what
we no longer can. Maybe the Etruscan texts would
finally explain why the couples on their tombs
are smiling. And maybe not. When the thousands
of mysterious Sumerian tablets were translated,
they seemed to be business records. But what if they
are poems or psalms? My joy is the same as twelve
Ethiopian goats standing silent in the morning light.
O Lord, thou art slabs of salt and ingots of copper,
as grand as ripe barley lithe under the wind’s labor.
Her breasts are six white oxen loaded with bolts
of long-fibered Egyptian cotton. My love is a hundred
pitchers of honey. Shiploads of thuya are what
my body wants to say to your body. Giraffes are this
desire in the dark. Perhaps the spiral Minoan script
is not language but a map. What we feel most has
no name but amber, archers, cinnamon, horses, and birds.

*****

“By Small and Small: Midnight to Four A.M.”

For eleven years I have regretted it,
regretted that I did not do what
I wanted to do as I sat there those
four hours watching her die. I wanted
to crawl in among the machinery
and hold her in my arms, knowing
the elementary, leftover bit of her
mind would dimly recognize it was me
carrying her to where she was going.

—Jack Gilbert, February 18, 1925-November 11, 2012

Wednesday, 11/14/12

alone

Chris “Daddy” Dave (Chris Dave Trio), live, Japan (Osaka), 2010

**********

lagniappe

musical thoughts

If we are what we listen to, what are you?

Tuesday, 11/13/12

passings

Ted Curson, trumpeter, composer, June 3, 1935-November 4, 2012

“L.S.D. Takes a Holiday” (T. Curson), live, Paris, 1973

******

With Charles Mingus, “Better Git Hit In Your Soul,” Mingus at Antibes (recorded live 1960)*

*****

“Tears for Dolphy” (T. Curson), 1964

*****

*CM (bass, piano), Ted Curson (trumpet), Eric Dolphy (alto saxophone), Booker Ervin (tenor saxophone), Dannie Richmond (drums).

Friday, 11/9/12

only rock ’n’ roll

The Dirtbombs, live, Hamtramck, Mich. (outside Detroit), 2012

#1

#2

Monday, 11/5/12

The body knows things the mind will never understand.

D’Angelo (with Jesse Johnson, guitar; Pino Palladino, bass; Chris “Daddy” Dave, drums, et al.), “Chicken Grease,” live, Switzerland (Zurich), 2012

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lagniappe

art beat: Saturday at the Art Institute of Chicago

Morris Engel, Harlem Merchant (1936)
Film and Photo in New York (through 11/25/12)

Saturday, 11/3/12

It must have been a comfort, when she was dying, to be able to say to her son, whose trumpet she’d heard since he was a little boy, these are the songs I want you to play at my memorial service.

Dave Douglas  Quintet* with guest Aoife O’Donovan (vocal), “Be Still My Soul” (words by Ka­tha­ri­na A. von Schle­gel, adapted by Aoife O’Donovan, music by Jean Si­bel­ius, arranged by Dave Douglas), recording session (Be Still, 2012)

*DD, trumpet; Jon Irabagon, saxophone; Matt Mitchell, piano; Linda Oh, bass; Rudy Royston, drums.

Monday, 10/29/12

Miles

Miles Davis Group,* live, Germany (Berlin), 1971

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lagniappe

art beat: Friday at the Art Institute of Chicago (after a hearing at the nearby federal court building)

Allen Ruppersberg, No Time Left To Start Again/The B and D of R’n’R (through 1/6/13)**

*****

*With Gary Bartz, saxophones; Keith Jarrett, keyboards; Michael Henderson, bass; Leon Chancler, drums; Don Alias & James Mtume, percussion.

**“B and D”=birth and death.

Sunday, 10/28/12

Nearly forty years have passed since I first heard him; still I can’t get enough.

Vernard Johnson, “Amazing Grace,” live, Memphis, 1988

**********

lagniappe

reading table

Life tears us apart, but through those wounds, if we have tended them, love may enter us.

—Christian Wiman, “Mortify Our Wolves,” The American Scholar, Autumn, 2012

Monday, 10/22/12

old stuff

The great thing about the 21st century is that it’s so easy to leave.

Count Basie Orchestra (Don Byas, tenor saxophone; Harry “Sweets” Edison and Buck Clayton, trumpets; Freddie Green, guitar; Jo Jones, drums, et al.), “Dance of the Gremlins,” “Swingin’ the Blues,” 1941

Saturday, 10/20/12

passings

David S. Ware, saxophonist, composer, bandleader
November 7, 1949-October 18, 2012

“Mikuro’s Blues,” live, Europe, 200?*

*****

Live, Lithuania (Vilnius), 2007*

**********

lagniappe

reading table

“Variations On A Text By Vallejo”
By Donald Justice (1925-2004)

Me moriré en Paris con aguacero …

I will die in Miami in the sun,
On a day when the sun is very bright,
A day like the days I remember, a day like other days,
A day that nobody knows or remembers yet,
And the sun will be bright then on the dark glasses of strangers
And in the eyes of a few friends from my childhood
And of the surviving cousins by the graveside,
While the diggers, standing apart, in the still shade of the palms,
Rest on their shovels, and smoke,
Speaking in Spanish softly, out of respect.

I think it will be on a Sunday like today,
Except that the sun will be out, the rain will have stopped,
And the wind that today made all the little shrubs kneel down;
And I think it will be a Sunday because today,
When I took out this paper and began to write,
Never before had anything looked so blank,
My life, these words, the paper, the gray Sunday;
And my dog, quivering under a table because of the storm,
Looked up at me, not understanding,
And my son read on without speaking, and my wife slept.

Donald Justice is dead. One Sunday the sun came out,
It shone on the bay, it shone on the white buildings,
The cars moved down the street slowly as always, so many,
Some with their headlights on in spite of the sun,
And after awhile the diggers with their shovels
Walked back to the graveside through the sunlight,
And one of them put his blade into the earth
To lift a few clods of dirt, the black marl of Miami,
And scattered the dirt, and spat,
Turning away abruptly, out of respect.

*****

*With Matthew Shipp (piano), William Parker (bass), Guillermo Brown (drums).