timeless
One-word review: astonishing.
Anton Webern (1883-1945), Five Movements for String Quartet (Op. 5), 1909: Juilliard String Quartet
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lagniappe
musical thoughts
If I was in a deserted island I would take the complete works of J. S. Bach, A. Webern and Trout Mask Replica by Captain Beefheart.
—YouTube comment
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random sights
other day, Chicago

more
Wolfgang Amadeus Mozart (1756-1791), Sonata in B-flat major (K. 570): Peter Serkin (1947-2020, piano), live, New Jersey (Ridgewood), 2017
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lagniappe
art beat: other day, National Museum of Mexican Art, Chicago
Eric Romero, Año de los Muertos (Year of the Dead), 2020 (Dia de Muertos: Memories & Offerings, through 12/11/22)

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Wolfgang Amadeus Mozart (1756-1791), Adagio in B minor (K. 540): Peter Serkin (1947-2020, piano), live, New Jersey (Ridgewood), 2017
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lagniappe
art beat: yesterday, National Museum of Mexican Art, Chicago
Claudia Alvarez, Dia de los Inocentes (Holy Innocents Day), 2010, detail (Dia de Muertos: Memories & Offerings, through 12/11/22)

never enough
When it comes to sparkling clarity—something that, these days, seems to be in painfully short supply—no one outdoes Mozart.
Wolfgang Amadeus Mozart (1756-1791), Piano Concerto No. 20 in D minor (K. 466): Leif Ove Andsnes (piano, direction) and Mahler Chamber Orchestra, live, London, 8/7/22
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lagniappe
random sights
other day, Oak Park, Ill.

never enough
Sometimes, as happened yesterday when I stumbled upon this, music increases the amount of available oxygen.
Johann Sebastian Bach (1685-1750), The Well-Tempered Clavier, Book II, excerpt (Prelude and Fugue No. 3 in C-sharp major); Christine Schornsheim (harpsichord), published 10/4/22
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lagniappe
reading table
We are here to listen.
—W. S. Graham (1918-1986), from “The Greenock Dialogues”