never enough
Sometimes, as happened yesterday when I stumbled upon this, music increases the amount of available oxygen.
Johann Sebastian Bach (1685-1750), The Well-Tempered Clavier, Book II, excerpt (Prelude and Fugue No. 3 in C-sharp major); Christine Schornsheim (harpsichord), published 10/4/22
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lagniappe
reading table
We are here to listen.
—W. S. Graham (1918-1986), from “The Greenock Dialogues”
alone
No matter how often I hear these tiny pieces, no matter how many pianists I hear play them, they remain perpetually fresh.
Frederic Chopin (1810-1849), Preludes, Op. 28 (1835-1839); Seong-Jin Cho (1994-, piano), live, 2017
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lagniappe
art beat: more
William Klein (1926–2022), Candy Store, Amsterdam Avenue, New York, 1955
never enough
Johann Sebastian Bach (1685-1750), Cello Suite No. 4 in E-flat major; Paolo Bonomini (1989-, cello), live, Italy (Brescia), published 2/16/22
never enough
Johann Sebastian Bach (1685-1750), Ricercar a 6 (from The Musical Offering), arranged for chamber orchestra by Anton Webern (1883-1945); Frankfurt Radio Symphony Orcestra (Antonello Manacorda, cond.), live, Frankfurt (Germany), 2015
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lagniappe
art beat: yesterday, Art Institute of Chicago
Paul Cezanne (1839-1906), L’Estaque with Red Roofs (1883-85), detail (Cezanne—The Artist’s Artist, through 9/5/22)

another take
Johann Sebastian Bach (1685-1750), Goldberg Variations, excerpt (Aria); Peter Serkin (1947-2020, piano), live, Japan (Hiroshima), 2017
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lagniappe
reading table
A butterfly
flutters past—my body feels
the dust of ages—Kobayashi Issa (1763-1827), translated from the Japanese by Sam Hamill