Tuesday, July 9th
never enough
Johann Sebastian Bach (1685-1750), Partita for keyboard No. 6, excerpt (Toccata); Glenn Gould (1932-1982, piano), live (studio)
never enough
Johann Sebastian Bach (1685-1750), Partita for keyboard No. 6, excerpt (Toccata); Glenn Gould (1932-1982, piano), live (studio)
Why not begin the week with something new?
Anna Thorvaldsdottir (1977-), Fields
International Contemporary Ensemble, 2018
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lagniappe
reading table
Wonder – is not precisely knowing
And not precisely knowing not –—Emily Dickinson (1830-1886), from 1347 (Franklin)
Happy Fourth of July!
Professor Longhair (1918-1980), “Big Chief,” live, Switzerland (Montreux Jazz Festival), 1973
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Charles Ives (1874-1954), A Symphony: New England Holidays, Third Movt. (“The Fourth of July”); GSW Orchestra (Orlando Cela, cond.; Alex Blake, guest cond.), live
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Tommy Jarrell (1901-1985), “Let Me Fall,” live, North Carolina (Mount Airy), 1983
serendipity
This I bumped into last night. One-word review: Wow!
Jonathan Harvey (1939-2012), . . . towards a pure land (2005); Orchestre du Conservatoire de Paris, Ensemble Intercontemporain, Matthias Pintscher (direction), live, Paris, 2016
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reading table
The Earth has many keys –
—Emily Dickinson (1830-1886), from 895, draft (Franklin)
more
Tonight he’ll be playing this piece, along with Bach’s five other cello suites, in Chicago’s Millennium Park.
Johann Sebastian Bach (1685-1750), Cello Suite No. 1 in G major; Yo-Yo Ma, live, London, 2015
Thursday in Chicago
He’s playing Bach’s six cello suites in Millennium Park.
Johann Sebastian Bach (1685-1750), Cello Suite No. 5 in C minor; Yo-Yo Ma, live, London, 2015
soundtrack to a dream
Clara Iannotta (1983-), The people here go mad. They blame the wind. (2013-14); Uusinta Ensemble and Clara Iannotta (music boxes), live, Helsinki, 2018
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lagniappe
reading table
The Spirit is the Conscious Ear –
—Emily Dickinson (1830-1886), from 718 (Franklin)
more
Tyshawn Sorey (1980-), Nebulae (2018); PRISM Quartet and Tyshawn Sorey (percussion), live, New York, 2018
soundtrack to a dream
Why not begin the week with something new?
Christopher Trapani (1980-), Writing Against Time (2014); Yarn/Wire, live, New York, 2014