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Category: classical

Monday, April 27th

never enough

Why not begin the week with something beautiful?

Wolfgang Amadeus Mozart (1756-1791), Piano Sonata in B-flat major, K. 570; Peter Serkin (1947-2020, piano), live, New Jersey (Ridgewood), 2017

 

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lagniappe

random sights

yesterday, Oak Park, Ill.

*****

reading table

You ask why I live
alone in the mountain forest,

and I smile and am silent
until even my soul grows quiet.

The peach trees blossom.
The waters continue to flow.

I live in the other world,
one that lies beyond the human.

—Li Po (aka Li Bai, 701-762), “Questions Answered” (translated from Chinese by Sam Hamill)

Saturday, April 25th

never enough

How many musicians talk as well as they play?

Jeremy Denk (1970-, piano), playing, and talking about, Bach’s Well-Tempered Clavier (excerpts), live, 4/7/20

 

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lagniappe

reading table

North Haven
by Elizabeth Bishop (1911-1979)

In Memoriam: Robert Lowell

I can make out the rigging of a schooner
a mile off; I can count
the new cones on the spruce. It is so still
the pale bay wears a milky skin; the sky
no clouds except for one long, carded horse’s tail.

The islands haven’t shifted since last summer,
even if I like to pretend they have—
drifting, in a dreamy sort of way,
a little north, a little south, or sidewise—
and that they¹re free within the blue frontiers of bay.

This month our favorite one is full of flowers:
buttercups, red clover, purple vetch,
hackweed still burning, daisies pied, eyebright,
the fragrant bedstraw’s incandescent stars,
and more, returned, to paint the meadows with delight.

The goldfinches are back, or others like them,
and the white-throated sparrow’s five-note song,
pleading and pleading, brings tears to the eyes.
Nature repeats herself, or almost does:
repeat, repeat, repeat; revise, revise, revise.

Years ago, you told me it was here
(in 1932?) you first “discovered girls”
and learned to sail, and learned to kiss.
You had “such fun,” you said, that classic summer.
(“Fun”—it always seemed to leave you at a loss . . .)

You left North Haven, anchored in its rock,
afloat in mystic blue . . . And now—you’ve left
for good. You can’t derange, or rearrange,
your poems again. (But the sparrows can their song.)
The words won’t change again. Sad friend, you cannot change.

Saturday, April 18th

never enough

Wolfgang Amadeus Mozart (Piano sonata K.281, 0:00; Variations on “Salve tu, Domine” K.398, 21:14; Variations on “Unser dummer Pöbel meint” K.455, 29:51; Fantasy K.397, 44:27; Piano sonata K.310, 50:52), Robert Schumann (Arabeske op.18, 1:14:05; Toccata op.7, 1:21:05); Emil Gilels (1916-1985, piano), live, Moscow, 1970

 

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lagniappe

musical thoughts

Mozart was a kind of idol to me—this rapturous singing . . . that’s always on the edge of sadness and melancholy and disappointment and heartbreak, but always ready for an outburst of the most delicious music.

—Novelist Saul Bellow1915-2005

*****

random sights

yesterday, Oak Park, Ill.

Tuesday, April 14th

more

Tatiana Nikolayeva (1924-1993, piano); Johann Sebastian Bach (1685-1750), The Well-Tempered Clavier, Books I & II

 

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lagniappe

random sights

yesterday, Oak Park, Ill.

Monday, April 13th

what’s new

Andrea Bocelli (1958-, voice), Music for Hope (“Panis Angelicus” (from “Messe Solennelle” Op. 12, FWV 61), César Franck; “Ave Maria,” CG 89a (arr. from Johann Sebastian Bach, “Prelude” no. 1, BWV 846), Charles-François Gounod; “Sancta Maria” (arr. from “Cavalleria Rusticana”, Intermezzo), Pietro Mascagni; “Domine Deus” (from “Petite Messe Solennelle”), Gioachino Antonio Rossini; “Amazing Grace,” John Newton), live, Italy (Milan), 4/12/20

 

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lagniappe

random sights

other day, Oak Park, Ill.

*****

reading table

“Hope” is the thing with feathers—
That perches in the soul—
And sings the tune without the words—
And never stops—at all—

And sweetest—in the Gale—is heard—
And sore must be the storm—
That could abash the little Bird
That kept so many warm—

I’ve heard it in the chillest land—
And on the strangest Sea—
Yet, never, in Extremity,
It asked a crumb—of Me.

—Emily Dickinson (1830-1886), 314 (Franklin)

Saturday, April 11th

How about a little vacation from your little self?

Tatiana Nikolayeva (1924-1993, piano), live, Moscow, 1990 (program: 00:40: Ravel, Miroirs, Oiseaux tristes//04:15: Ravel, Miroirs, Une barque sur l’océan//11:52: Scriabin, Prelude and Nocturne for the left hand, op. 9//19:41: Scriabin, Poeme Tragique, Op. 34//24:51: Borodin, Petite Suite, In the Monastery, Au couvent//30:25: Mussorgsky, Ballet of the Unhatched Chicks//33:03: Prokofiev, Prelude op. 12 no. 7, Harp)

 

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lagniappe

random sights

yesterday, Oak Park, Ill.

 

Wednesday, April 1st

His sound-world, full of foreboding, I return to, gratefully, in dark times.

Bela Bartok (1881-1945), String Quartet No. 4 (1928); Quatuor Ebène, live, France (Wissembourg), 2013

 

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lagniappe

random sights

other day, Oak Park, Ill.

Tuesday, March 31st

passings

Krzysztof Penderecki, composer, conductor, November 23, 1933-March 29, 2020

Threnody to the Victims of Hiroshima (1960), Finnish Radio Symphony Orchestra (Krzysztof Urbański, cond.), live, Helsinki, 2015

 

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lagniappe

random sights

yesterday, Oak Park, Ill.

Wednesday, March 25th

MCOTD Hall of Fame

Morton Feldman (1927-1986, MCOTD Hall of Fame), Rothko Chapel (1971); Markus Creed (cond.), SWR Vokalensemble (Vocal Ensemble), et al., live, Germany (Cathedral of Speyer, Schwetzinger), 2017

 

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lagniappe

art beat: other day, Museum of Modern Art, New York

Henri Matisse (1869-1954), The Red Studio (1911), detail

*****

reading table

Coolness—
the sound of the bell
as it leaves the bell.

—Yosa Buson (1716-1784), translated from Japanese by Robert Hass

Monday, March 23rd

like nobody else

His sound-world seems just right for these strange times—beautiful and solemn in equal measure.

Arvo Pärt (1935-), Tallinn Chamber Orchestra (Tõnu Kaljuste, cond.), live (Fratres, 1:30-; Cantus in Memoriam Benjamin Britten, 13:49-; Adam’s Lament, 22:10-; Salve Regina, 45:40-; Te Deum, 59:30-), Germany (Hamburg), 2/18/20*

 

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lagniappe

random sights

yesterday, Oak Park, Ill.

*****

*ECM Records founder/producer Manfred Eicher (1943-), who has long championed Pärt’s music, joins the others onstage at the end.