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Category: clarinet

Thursday, April 23rd

Happy (Belated) Birthday, Mingus!

Charles Mingus, composer, bandleader, bassist
April 22, 1922-January 5, 1979

Better late than never for someone who, like Miles and Monk, Bach and Beethoven, I couldn’t live without.

Charles Mingus (bass) with Eric Dolphy (alto saxophone, bass clarinet, flute), Clifford Jordan (tenor saxophone), Johnny Coles (trumpet), Jaki Byard (piano), Dannie Richmond (drums), live, Belgium, Norway, and Sweden, 1964*


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lagniappe

musical thoughts

There’s something about listening to Eric Dolphy that makes you feel glad to be alive.

—Cliff Preiss, DJ, WKCR (Columbia University), yesterday (Mingus birthday broadcast)

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*Set lists (courtesy of YouTube):

Belgium
00:00-00:45 Intro
00:46-05:33 So Long Eric
05:35-11:20 Peggy’s Blue Skylight
11:23-32:03 Meditations On Integration

Norway
32:30-54:46 So Long Eric
56:30-1:11:40 Orange Was The Color Of Her Dress, Then Blue Silk
1:13:53-1:16:20 Parkeriana
1:16:22-1:29:05 Take The “A” Train

Sweden
1:30:05-1:33:55 So Long Eric
1:34:02-1:52:35 Meditations On Integration
1:52:40- 1:59:50 So Long Eric

Tuesday, April 14th

yesterday in Chicago

He played a version of this, wonderfully, along with Steve Reich’s “New York Counterpoint” and Duke Ellington’s “Come Sunday,” at the Chicago Cultural Center.

James Falzone, “Sighs Too Deep For Words,” live (studio performance), 2011

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lagniappe

random thoughts

Why settle for a mirror when you could have a window?

Saturday, February 28th

last night in Chicago

These guys played at Constellation.

James Falzone’s Renga Ensemble,* “Not Seeing” (The Room Is), 2015

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lagniappe

reading table

sweeping the soot
washing the fence . . .
sickle moon

—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)

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*James Falzone, Bb and Eb clarinets; Ken Vandermark, Bb clarinet, bass clarinet, baritone saxophone; Keefe Jackson, tenor saxophone, bass clarinet, contra Bb bass clarinet; Jason Stein, bass clarinet; Ben Goldberg, Bb clarinet, contra Eb alto clarinet; Ned Rothenberg, Bb clarinet, alto saxophone.

Friday, February 27th

sounds of Chicago

Goofiness is a much underrated virtue.

Mucca Pazza, live, Washington, D.C., 2015

Saturday, January 17th

If your appetite for new music is insatiable, what better time to be alive?

Tyshawn Sorey (1980-), Quartet for Butch Morris (2012); International Contemporary Ensemble (ICE), featuring Erik Carlson (violin); Joshua Rubin (bass clarinet), Eric Lamb (flute), Cory Smythe (piano); live, New York, 2012

Six decades of listening and, until yesterday, I’d never heard this particular combination of instruments. You?

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lagniappe

art beat: yesterday at the Art Institute of Chicago

James Ensor (1860-1949), Rooftops of Ostend, 1884 (Temptation: The Demons of James Ensor, through January 25th)

1884-James-Ensor-Acoperisurile-din-Ostend-1

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reading table

Nature, the sky above us, is conducting no mean politics when it presents beauty to all, without discrimination, and nothing old and defective, but fresh and most tasty.

—Robert Walser (1878-1956), “Snowdrops,” excerpt (translated from German by Tom Whalen and Trudi Anderegg)

Wednesday, January 14th

sounds of Chicago (day two)

Sometimes encountering a new piece of music can turn your whole day around, which is what happened to me the other day when I bumped into this.

Georg Friedrich Haas (1953-), In Vain (2000)
Ensemble Dal Niente, live, Chicago, 2013

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lagniappe

art beat: yesterday at the Art Institute of Chicago

Claude Monet (1840-1926), Cliff Walk at Pourville (1882)

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Pierre-Auguste Renoir (1841-1919), Seascape (1879)

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random thoughts

Eyes taste paintings no less than mouths taste food.

Thursday, January 1st

What better way to start the year than with the music of Sly Stone?

Steven Bernstein’s Millennial Territory Orchestra (Steven Bernstein, trumpet; John Medeski, organ, et al.), live, Paris, 2011

“Stand” (feat. Sandra St. Victor, vocals)

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“Everyday People” (feat. Eric Mingus, vocals)

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Still, after four decades, this album remains on my desert-island list.

Sly and the Family Stone, Fresh, 1973

1. In Time (0:00)
2. If You Want Me To Stay (5:48)
3. Let Me Have It All (8:48)
4. Frisky (11:43)
5. Thankful ‘N’ Thoughtful (14:54)
6. Skin I’m In (19:36)
7. I Don’t Know (Satisfaction) (22:29)
8. Keep On Dancin’ (26:23)
9. Que Sera, Sera (Whatever Will Be, Will Be) (28:45)
10. If It Were Left Up To Me (34:07)
11. Babies Makin’ Babies (36:07)

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lagniappe

random thoughts: New Year’s resolution #5

Each day: begin, again.

Saturday, December 6th

two takes

Need a lift?

Charles Ives (1874-1954), Ragtime Dance No. 4 (1904)

Alarm Will Sound, live, New York, 2013


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Orchestra New England, recording, 1990


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lagniappe

musical thoughts

As I remember some of the dances as a boy, and also from father’s description of some of the old dancing and fiddle playing, there was more variety of tempo than in the present-day dances. In some parts of the hall a group would be dancing in polka, while in another, a waltz. Some of the players in the band would, in an impromptu way, pick up with the polka, and some with the waltz, and some with a march. Often the piccolo or cornet would throw in asides. Sometimes a change in tempo, or a mixed rhythm would be caused by a fiddler who, after playing three or four hours steadily, was getting a little sleepy. Or maybe another player was seated too near the hard cider barrel. Whatever the reason for these changes and simultaneous playing of things, I remember distinctly catching a kind of music that was natural and interesting and which was decidedly missed when everybody came down ‘blimp’ on the same beat again.

—Charles Ives

Wednesday, December 3rd

sounds of New York (day two)

Here, as in the city itself, density and spaciousness coexist.

Tim Berne’s Cornered,* “Embraceable Me,” live, New York, 10/12/14

*TB, alto saxophone; Oscar Noriega, clarinets; Ryan Ferreira, guitar; Matt Mitchell, piano; Michael Formanek, bass; Ches Smith, drums, vibraphone.

Sunday, November 30th

passings

Bunny Briggs, tap dancer, February 26, 1922-November 15, 2014

Duke Ellington Orchestra with Bunny Briggs (dance) and Jon Hendricks (vocal), “David Danced Before the Lord with All His Might,” live (A Concert of Sacred Music), San Francisco (Grace Cathedral), 1965

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And David danced before the Lord with all his might . . .

—2 Samuel 6:14 (King James)

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lagniappe

art beat

Robert Frank (1924-), Funeral—St. Helena, South Carolina, 1955

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