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Category: clarinet

Monday, December 21st

Why start the new week with the same old stuff?

Julia Wolfe (1958-), Believing (2001); Bang on a Can All-Stars, live, South Korea (Tongyeong International Music Festival), 2014

 

lagniappe

art beat

Regular readers may recognize this drawing, which was posted last year. The artist is a client of mine, Walter Unbehaun, a seventy-something bank robber whose story is told in the January issue of GQ magazine (Kathy Dobie, “The Curious Case of the Homesick Bank Robber”). This drawing makes an appearance:

[H]e’d created a strong bond with his lawyer. He considered ‘Rich’ a friend, giving him two finely wrought pencil sketchings. One was of an ancient and deeply wrinkled Peruvian woman, the other of a plump African woman wearing glasses.

Walter Unbehaun, African Preacher (Kankakee County Jail, 2014)

AfricanWoman

Friday, December 18th

lucid, adj. translucent, pellucid, clear. E.g., Steve Reich’s Music for 18 Musicians.

Steve Reich (1936-), Music for 18 Musicians (1974-76)
Ensemble Intercontemporain with Synergy Vocals, live, Paris, 2014


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lagniappe

reading table

the door latch
rusting scarlet . . .
winter rain

—Kobayashi Issa (1763-1827), translated from Japanese by David G. Lanoue

*****

random sights

this morning, Chicago (Columbus Park)

FullSizeRender (42)

Wednesday, September 9th

serendipity

When this came on the radio the other day (WKCR, Columbia University), background became foreground.

Luciano Berio (1925-2003), Differences (1959)

Friday, August 21st

like nobody else

Rahsaan Roland Kirk (1935-1977), live, Paris, 1970


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lagniappe

art beat: yesterday at the Chicago Cultural Center 

Archibald Motley: Jazz Age Modernist (through 8/31)

Black Belt, 1934

web-Black-Belt-1934-600dpi019

 

Tuesday, July 28th

tonight in Chicago

These guys are playing at Elastic Arts.

Vox Arcana (Tim Daisy, percussion; James Falzone, clarinet; Fred Lonberg-Holm, cello, guitar), live, South Carolina (West Columbia), 2012

 

Saturday, July 18th

Here’s more of drummer Paal Nilssen-Love and reed player Ken Vandermark—this time together.

Live, Romania (Oradea), 2012


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lagniappe

reading table

These Songs are not meant to be understood, you understand. / They are only meant to terrify & comfort.

—John Berryman (1914-1972, MCOTD Hall of Fame), Dream Song 366

*****

random sights

last night
Columbus Park, Chicago

FullSizeRender (12)

Thursday, May 14th

Whether you live for 50 years, 500 years, or 5,000 years, it makes no difference: always there are new things to hear.

Dieter Ammann (1962-), Violation (1999); Lemanic Modern Ensemble (William Blank, cond.) with Karolina Öhman, cello; live, Russia (St. Petersburg), 2014


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lagniappe

reading table

The old pond—
a frog jumps in,
sound of water.

—Matsuo Basho (1644-1694; translated from Japanese by Robert Hass)

Saturday, May 9th

tonight in Chicago

These guys will be at Constellation, as will I.

Tim Berne’s Snakeoil (TB, alto saxophone; Oscar Noriega, clarinet, bass clarinet; Matt Mitchell, piano; Ches Smith, drums, vibes, conga), “Lost in Redding,” live, Buenos Aires, 2015

 

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lagniappe

art beat

Bruce Davidson (1933-), Palisades, New Jersey, 1958

USA. Palisades, New Jersey. 1958. The Dwarf. Contact email: New York : photography@magnumphotos.com Paris : magnum@magnumphotos.fr London : magnum@magnumphotos.co.uk Tokyo : tokyo@magnumphotos.co.jp Contact phones: New York : +1 212 929 6000 Paris: + 33 1 53 42 50 00 London: + 44 20 7490 1771 Tokyo: + 81 3 3219 0771 Image URL: http://www.magnumphotos.com/Archive/C.aspx?VP3=ViewBox_VPage&IID=2K7O3R3DLE89&CT=Image&IT=ZoomImage01_VForm

Thursday, April 30th

tonight in Chicago

These folks—three reed players and a cellist from Chicago, along with a drummer from Norway—will be playing (and recording a live album) at a performing-arts center on the city’s northwest side (Elastic Arts).

Dave Rempis (saxophones), Keefe Jackson (reeds), Jason Stein (bass clarinet), Tomeka Reid (cello), Tollef Østvang (drums), live, Lafayette, Ind., 4/25/15

Saturday, April 25th

Sometimes nothing is more enlivening than to hear something that sounds like nothing you’ve ever heard before.

Rebecca Saunders (1967-), Fury II (2009); Remix Ensemble (Emilio Pomarico, cond.; Antonio Augusto Aguiar, bass), live, Portugal (Porto), 2011

 

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lagniappe

reading table

after the dance
right away, cutting
the morning grass

—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)