alone
John Cage, Solo for flute, from Concert for Piano (1958); Eric Lamb, flute (International Contemporary Ensemble); Chicago, 2012
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lagniappe
musical thoughts
Music is theater for the ear. Take this performance. The phrasing, the interplay between sound and silence—this unfolds like something by Samuel Beckett.
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taking a(nother) break
Back in a while.
last night
I heard a concert, at the University of Chicago, devoted to the work of this man, a composer, a longtime professor, a MacArthur “genius” grant recipient. The performances featured different combinations of violin, viola, cello, clarinet, and piano. The music was often thorny. Occasionally whimsical. Frequently emphatic. Sometimes beautiful. And wholly absorbing.
Ralph Shapey (1921-2002), String Quartet No. 6 (1963)
The Lexington Quartet of the Contemporary Players of the University of Chicago
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lagniappe
musical thoughts
To me, [it’s] very important that [the audience] can recall it as an emotional experience; as though it were something they could hold in their hands.
—Ralph Shapey
basement jukebox
Magic Sam (AKA Samuel Maghett, 1937-1969), Cobra Records, Chicago
“All Your Love,” 1957
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“Love Me with a Feeling,” 1957
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“Everything Gonna Be Alright,” 1958
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“21 Days In Jail,” 1958
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taking a break
I’m taking some time off—back soon.
Saturday night, between trips to Northwestern’s Pick-Staiger Hall, I caught these folks at Chicago’s City Winery.
Dolly Varden, “Forgiven Now,” live, Chicago area (SPACE, Evanston), 2011
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Here they talk about, and play songs from, their new album (For A While).
soundtrack of a marriage
On my first date with Suzanne, in 1974, we went to Chicago’s Jazz Showcase (then upstairs on Lincoln, just south of Fullerton), where we saw Sun Ra & His Arkestra. With a start like that, how could one ever go wrong? When we got married, on this date in 1977, Von Freeman played at the wedding, with pianist John Young. Years later John told me: “When I marry ’em, they stay married.”
Sun Ra & His Arkestra, live, Ann Arbor Blues & Jazz Festival, 1974
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Von Freeman, live (with John Young, piano), “Remember,” Chicago (Jazz Showcase), New Year’s Eve 1983 (according to the clip) or 1979 (according to NPR)
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lagniappe
Want to hear what Von and John sounded like on that cold, snowy night thirty-six years ago, at a church north of Chicago? Here (give it a few seconds). As you’ll hear, they played before, during (the processional was Ellington’s “In A Sentimental Mood”), and after the ceremony.
the other night
Clarity.
Power.
Spaciousness.
Immediacy.
There is nothing in this world—nothing at all, not even remotely—like hearing a great orchestra live, as I was reminded Thursday night as I sat in Chicago’s Symphony Center (across the street from the Art Institute) with my son Alex, listening to this played by the Chicago Symphony Orchestra, along with Beethoven’s Leonore Overture No. 1 and Piano Concerto No. 1 (with pianist Radu Lupu).
Ludwig van Beethoven, Symphony No. 3 (Eroica)
Philadelphia Orchestra with Riccardo Muti (cond.), live, c. late 1980s
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NBC Orchestra with Arturo Toscanini (cond.), recording, 1939
two takes
Dolly Varden, “Surrounded By The Sound”
Live, Chicago, 2008
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Recording (Forgiven Now), 2002
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A lot of stuff like this, at least on the surface, I can’t stand. This I love. Why? Well, for starters, there’s the way the voices interweave. Then there’s the way the words sound. Take the hook, for instance: “I want to be surrounded by the sound.” And, too, there’s the presentation, disarmingly modest. Nothing’s oversold.
He wasn’t content with the sounds he found—so he created new ones.
Harry Partch (1901-1974), Music Studio (1958)
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lagniappe
musical thoughts
There’s a world, somewhere, that sounds nothing like this one.
Ernest Dawkins’ New Horizons Ensemble (ED, alto saxophone; Steve Berry, trombone; Darius Savage, bass; Isaiah Spencer, drums), live, Chicago, 2005
Here, following up on Monday’s post, is more of Inez Andrews.
Live, “I Made It,” Washington, D.C.
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Live (with the True Voices of Christ Concert Ensemble), “Come In,” Chicago
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lagniappe
reading table
“[B]eing able to ask a question means being able to wait, even one’s whole life.” (quoting Martin Heidegger)
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“Someone who proposes a non-strange answer [to the question ‘why is there something rather than nothing’?] shows he didn’t understand the question.” (quoting Robert Nozick)
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[T]he universe was created by a being that is 100% malevolent but only 80% effective.
—Jim Holt, Why Does The World Exist? (2012)
music clip of the day 