Nobody does letters to the editor like the Brits. Here, for instance, is how one begins in the December 17th issue of the London Review of Books:
I hesitate to disagree with my brother, David Matthews, about the order of the middle movements of Mahler’s Sixth Symphony, but we have long held opposing views, mine being that the scherzo should come third (Letters, 3 December). . . .
Colin Matthews
London SW 11
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random sights
yesterday, Chicago (Columbus Park)
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To all who’ve dropped by this year (from, I’m told, 120 countries): May you have a happy and peaceful new year.
Tim Berne’s Snakeoil (TB, alto saxophone; Oscar Noriega, clarinet; Matt Mitchell, piano; Ches Smith, drums, vibraphone), “Small World in a Small Town” (T. Berne), live, Brazil (Sao Paulo), 2015
One of the year’s great musical events has begun: the annual Bach Festival on WKCR (Columbia University)—all Bach, all the time, through New Year’s Eve.
Some things last. Nearly forty years ago, I co-produced this track, while working at Alligator Records. It remains one of my favorites. The hour was late. The lights had been turned down. But the tape kept rolling.
Carey Bell’s Blues Harp Band, “Woman In Trouble” Living Chicago Blues, Vol. 1, 1978
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Here’s more of Carey, years later (2000, Switzerland [Bern]).
Milford Graves (drums, vocals) with Amiri Baraka (words), Roswell Rudd (trombone), Charles Gayle (tenor saxophone, piano), William Parker (bass), live, New York, 2013
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As you get older, you ain’t afraid to say something.
—Milford Graves
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lagniappe
art beat: yesterday, Museum of Contemporary Art (Chicago)
Douglas Ewart, George Lewis, Douglas Repetto, Rio Negro II, 2015 (The Freedom Principle: Experiments in Art and Music, 1965 to Now [through Sunday])