only rock ‘n’ roll
Hasil Adkins, “She Said” (H. Adkins), live, Westwood, Calif., mid-1990s
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Another take.
Cramps, live, Boston, 1983
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lagniappe
art beat: other day, Art Institute of Chicago
Willem de Kooning (1904-1997), Interchanged, 1955
Chicago blues
day four
Magic Sam (AKA Samuel Maghett, 1937-1969)
“All Your Love,” “Lookin’ Good,” live (TV broadcast), Germany, 1969
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“All Your Love,” 1957
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“Love Me with a Feeling,” 1957
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“Everything Gonna Be Alright,” 1958
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“21 Days In Jail,” 1958
Chicago blues
day three
Otis Rush (1935-; vocal, guitar) with Fred Below (1926-1988; drums), et al., “I Can’t Quit You Baby,” live, East Berlin, 1966
***
Here’s the original 1956 recording.
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lagniappe
reading table
On the first page of the course syllabus [for the class, taught at Columbia, on “The American Radical Tradition”], I always included the words of Max Weber, a rebuke to those who believe that critics of society should set their sights only on “practical” measures: “What is possible would never have been achieved if, in this world, people had not repeatedly reached for the impossible.”
—Eric Foner, “American Radicals and the Change We Could Believe In,” The Nation, January 2-9, 2017 issue
Chicago blues
day two
Junior Wells (1934-1998; vocal, harmonica), Buddy Guy (1936-; guitar), et al., “Cryin’ Shame” (AKA “Country Girl”), live, Chicago, 1970
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lagniappe
reading table
winter wind—
he can’t find his roost
the evening crow—Kobayashi Issa (1763-1827), translated from Japanese by David G. Lanoue
Chicago blues
day one
Howlin’ Wolf (AKA Chester Burnett, 1910-1976), with Hubert Sumlin (guitar), Willie Dixon (bass), et al., “Somestack Lightning,” live, England, 1964
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lagniappe
random sights
last night, Oak Park, Ill.
back to church
First Church of Deliverance Choir (feat. Corneal Overton, vocals; Fred Nelson III, organ), “He’s Been So Good” (F. Nelson), live, Chicago, 1987
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lagniappe
random sights
yesterday, Oak Park, Ill.
Sometimes I want to hear something that will quicken my pulse; sometimes I want something that will slow it—like this, for instance, which I heard the other night in Chicago, played by the group for whom it was written (a.pe.ri.od.ic). One sound . . . another . . . another . . .
Jürg Frey (1953-), Fragile Balance (2014), excerpt; Ensemble Grizzana (Jürg Frey, clarinet; Mira Benjamin, violin; Richard Craig, flute; Emma Richards, viola; Philip Thomas, piano; Seth Woods, cello); 2015
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lagniappe
reading table
Winter seclusion—
sitting propped against
the same worn post—Matsuo Basho (1644-1694), translated from Japanese by Sam Hamill (The Sound of Water: Haiku by Basho, Buson, Issa, and Other Poets)
two takes
“Ride ‘Em on Down”
Rolling Stones, 2016
***
Eddie Taylor, 1955
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lagniappe
reading table
The announcement [that he was the president-elect’s choice to lead HUD] was delayed as Mr. Carson, who once had planned to learn to play the organ in retirement, gave himself several days to mull it over.
—Trip Gabriel, “Trump Chooses Ben Carson to Lead HUD,” New York Times, 12/5/16
tonight in Chicago
She’ll be playing at Constellation (where I’ll be listening).
Okkyung Lee (cello), live, Netherlands (Nijmegen), 2015
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lagniappe
reading table
On the Anniversary of the Death of Matsuo Basho
Winter rain on moss
soundlessly recalls those
happy bygone days—Yosa Buson (1716-1784), translated from Japanese by Sam Hamill (The Sound of Water: Haiku by Basho, Buson, Issa, and Other Poets)
back to church
Greater Harvest Missionary Baptist Church Choir (feat. Donishisa Ballard), “Stretch Out,” live, Chicago, 2010
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lagniappe
random thoughts
The four most important words in the English language: How can I help?
(Taking a break—back in a while.)
music clip of the day 