Last week a recording of his complete works for solo piano (so far), Oppens Plays Carter (on Chicago-based Cedille Records), was nominated for a Grammy.
This week he celebrated his 101st birthday.
Next week?
Elliott Carter, Quintet for Piano (1997), Ursula Oppens, The Arditti Quartet, live
Here’s bassist/composer Sirone (AKA Norris Jones), who passed away last month (10/22) at the age of 69. The list of musicians he played with is long and deep—John Coltrane, Pharoah Sanders, Dewey Redman, Cecil Taylor, et al. He was a member of the Revolutionary Ensemble, the critically acclaimed trio that also included violinist Leroy Jenkins.
This quartet performance, from last year, features an unusual mix of instruments: tenor saxophone, drums, bass, cello. How deeply felt is this music? Look at the smiles Sirone and cellist Nioka Workman exchange toward the end (8:35 and following).
Project L’Afrique Garde (with Sirone [bass], Nioka Workman [cello], Michael Wimberly [drums and percussion], Abdoulaye N’Diaye [tenor saxophone]), live, New York, 2008
When’s the last time you heard a string quartet play music from Iraq?
Kronos Quartet, “Oh Mother, The Handsome Man Tortures Me,” live, London, 2008
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lagniappe
I’ve always wanted the string quartet to be vital, and energetic, and alive, and cool, and not afraid to kick ass.—David Harrington (Kronos Quartet, violin [far left in this clip])
I first heard this music—Bach’s Six Suites for Unaccompanied Cello—nearly 40 years ago. At the local public library where I was going to college, I happened upon some recordings—a boxed set of three LPs on the Mercury label—by Janos Starker, which I proceeded to check out over and over again. In the years since, first on my turntable and then my CD player, a lot of music has come and gone. These pieces have remained.
Bach, Suite No. 3 in C Major for Unaccompanied Cello/Janos Starker, cello, live, Tokyo, 1988