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Category: cello

Saturday, 12/17/11

Happy (Belated) 103rd Birthday, Elliott!

Elliott Carter, composer, December 11, 1908-

The other night I put this on, thinking I’d do something else while it played; but, as it turned out, “something else” had to wait.

String Quartet No. 2 (1959), Composers Quartet

More? Here. And here.

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lagniappe

Juilliard String Quartet with Elliott Carter, 2008
Rehearsing String Quartet No. 5

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musical thoughts

Mr. Carter has written 15 new works since his 100th birthday.

—Allan Kozinn, New York Times, 12/13/11

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Haydn, Beethoven, Schubert, Webern, Bartok, Shostakovich, Carter, et al.: you could spend the rest of your life listening to nothing but string quartets without ever feeling deprived.

Thursday, 12/15/11

mysterious, adj. exciting wonder, curiosity, or surprise, while baffling efforts to comprehend or identify. E.g., the string quartet music of Anton Webern.

Anton Webern (1883-1945), Five Movements for String Quartet, Op. 5
Penderecki String Quartet, live
Falls Village, Connecticut (Music Mountain), 2010

Part 1

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Part 2

More? Here.

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lagniappe

musical thoughts

Ignorance has a big upside: the more music you’ve never heard, the more there is to discover.

Wednesday, 12/14/11

What I get from this guy I can’t quite put my finger on. But I do know this:
I don’t get it anywhere else.

 Arthur Russell (1951-1992), singer, songwriter, cellist

“You And Me Both”

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“This Is How We Walk on the Moon”

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“That’s Us/Wild Combination”

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Terrace of Unintelligibility, live studio performance, 1985

Part 1

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Part 2

(First three clips originally posted 11/23/09.)

Tuesday, 11/1/11

Edward Wilkerson, Jr. (bass clarinet), Tomeka Reid (cello), Scott Hesse (guitar), live, Lakeside, Michigan (Lakeside Inn), 10/16/11*

Vodpod videos no longer available.

No matter how long you’ve been listening to music there are always new things to hear. When, for instance, is the last time you heard a trio featuring bass clarinet, cello, and guitar?

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lagniappe

musical thoughts

This whole division between genres has more to do with marketing than anything else. It’s terrible for the culture of music. Like anything that is purely economic, it ignores the most important component.

Tom WaitsPitchfork interview, 10/18/11

*This concert was presented by portoluz as part of its Jazz on a Summer’s Day series.

Saturday, 10/29/11

Some music isn’t made for summer: it wants more night.

Bela Bartok, String Quartet No. 5, excerpt (3rd movement)
Calder Quartet, live, 2008, Los Angeles

More Bartok? Here.

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lagniappe

reading table

This road—
no one goes down it,
autumn evening.

—Matsuo Basho (1644-1694), trans. Robert Hass

Thursday, 9/22/11

You’re probably in the same boat—no MacArthur “genius” grant this year. Oh, well. These folks, unlike you and me, are half a million dollars richer than they were Monday.

Dafnis Prieto (b. 1974), drummer, composer

Proverb Trio: DP, drums; Kokayi, vocals; Jason Lindner, keyboards
Live, Puerto Rico (San Juan), 8/1/11

Vodpod videos no longer available.

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Alisa Weilerstein (b. 1982), cellist

Zoltán Kodály, Sonata for Solo Cello, Op. 8 (1915), excerpt (1st Mvt.)
Live, Massachusetts (Worchester, College of Holy Cross),  c. 2008

Vodpod videos no longer available.

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Kay Ryan (b. 1945), poet

We’re Building the Ship as We Sail It

The first fear
being drowning, the
ship’s first shape
was a raft, which
was hard to unflatten
after that didn’t
happen. It’s awkward
to have to do one’s
planning in extremis
in the early years—
so hard to hide later:
sleekening the hull,
making things
more gracious.

The Niagara River

However carved up
or pared down we get,
we keep on making
the best of it as though
it doesn’t matter that
our acre’s down to
a square foot. As
though our garden
could be one bean
and we’d rejoice if
it flourishes, as
though one bean
could nourish us.

Sunday, 9/11/11

Steve Reich, WTC 9/11 (2010), excerpts
Kronos Quartet, with prerecorded tape

1st Movement 

Vodpod videos no longer available.

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3rd Movement

Vodpod videos no longer available.

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lagniappe

reading table

They jumped from the burning floors—
one, two, a few more,
higher, lower.

The photograph halted them in life,
and now keeps them
above the earth toward the earth.

Each is still complete,
with a particular face
and blood well hidden.

There’s enough time
for hair to come loose,
for keys and coins
to fall from pockets.

They’re still within the air’s reach,
within the compass of places
that have just now opened.

I can do only two things for them—
describe this flight
and not add a last line.

—Wislawa Szymborska, “Photograph from September 11” (trans. Clare Cavanagh & Stanislaw Baranczak)

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Barbarism is not the prehistory of humanity but the faithful shadow that accompanies its every step.

—Alain Finkielkraut, Le mécontemporain, (epigraph, Clive James, As of This Writing: The Essential Essays, 1968-2002 [2003]) 

Saturday, 9/10/11

lucid, adj. suffused with light, luminous. E.g., Morton Feldman’s Piano and String Quartet.

Morton Feldman, Piano and String Quartet (1985)
Kronos Quartet with Aki Takahashi (piano)

Vodpod videos no longer available.

In a world that keeps getting faster and noisier, Feldman offers a refuge.
Here time slows. Quietly.

More? Here. And here. And here. And here. And here.

Tuesday, 8/2/11

how to improve your life (guaranteed!)

Listen, each day, to one of Bach’s six suites for unaccompanied cello. I’ve been listening to them for 40 years. If I hadn’t, I assure you, my life would be even more of a shambles.

Bach, Suite No. 3 in C major for Unaccompanied Cello
Jean-Guihen Queyras, cello

Vodpod videos no longer available.

More? Here. And here.

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lagniappe

reading table

I am who I am.
A coincidence no less unthinkable
than any other.

I could have different
ancestors, after all.
I could have fluttered
from another nest
or crawled bescaled
from another tree.

Nature’s wardrobe
holds a fair supply of costumes:
spider, seagull, fieldmouse.
Each fits perfectly right off
and is dutifully worn
into shreds.

I didn’t get a choice either,
but I can’t complain.
I could have been someone
much less separate.
Someone from an anthill, shoal, or buzzing swarm,
an inch of landscape ruffled by the wind.

Someone much less fortunate,
bred for my fur
or Christmas dinner,
something swimming under a square of glass.

A tree rooted to the ground
as the fire draws near.

A grass blade trampled by a stampede
of incomprehensible events.

A shady type whose darkness
dazzled some.

What if I’d prompted only fear,
loathing,
or pity?

If I’d been born
in the wrong tribe
with all roads closed before me?

Fate has been kind
to me thus far.

I might never have been given
the memory of happy moments.

My yen for comparison
might have been taken away.

I might have been myself minus amazement,
that is,
someone completely different.

—Wislawa Szymborska, “Among the Multitudes” (trans. Clare Cavanagh & Stanislaw Baranczak)

More? Here. And here.

Saturday, 7/30/11

The four familial instruments seem to whisper directly into our ears, communing with us about our personal sadnesses and anxieties.

—Wendy Lesser, Music For Silenced Voices: Shostakovich and His Fifteen Quartets (2011)

Dmitri Shostakovich, String Quartet No. 14 in F-Sharp Major (1972-73)
Fitzwilliam String Quartet

1st Movement (Allegretto)

Vodpod videos no longer available.

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2nd Movement (Adagio)

Vodpod videos no longer available.

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3rd Movement (Allegretto)

Vodpod videos no longer available.

More? Here.

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lagniappe

musical thoughts

I think he [President Obama] needs to listen to some jazz. Maybe the entire capital needs it to calm down.

—Chicago Mayor Rahm Emanuel, 7/28/11