music clip of the day

jazz/blues/rock/classical/gospel/more

Category: cello

Thursday, August 7th

4ⁿ

Bela Bartok (1881-1945), String Quartet No. 4 in C major, Quatuor Ebène, live


**********

lagniappe

reading table

Sometimes it feels like a writer is speaking directly to you. Yesterday, before catching a flight to Orlando, then driving sixty miles to this hotel, which I’ll soon be leaving to see a client at a federal prison, I happened upon this.

in and out
of prison they go . . .
baby sparrows

—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)

Thursday, July 17th

never enough

Johann Sebastian Bach (1685-1750), Suite No. 3 in C major for Unaccompanied Cello; Jean-Guihen Queyras (1967-), live, c. 2007

 

Wednesday, July 16th

tonight in Chicago

This guy will be playing at the Hideout.

Daniel Levin, cello

With JP Carletti (drums), live, New Haven, Conn., 2013


***

With his trio, live, Jersey City, N.J., 2008


***

Solo, live, New York, 2009

 

Saturday, July 5th

Ernst Reijseger (cello) with Harmen Fraanje (organ), “Shadow” (Cave of Forgotten Dreams), live

**********

lagniappe

art beat

Timothy H. O’Sullivan (1840-1882), Pyramid Lake, Nevada, 1867

osullivan_pyramid_domes

**********

Each week brings new discoveries. Yesterday, on the radio (WFMUGive the Drummer Some), I heard this cellist for the first time. This photographer I bumped into Wednesday at the Art Institute of Chicago. Next week?

Monday, May 26th

This piece had its world premiere in 1941; the venue wasn’t fancy—a Nazi prisoner-of-war camp.

Olivier Messiaen (1908-1992), Quatuor pour la fin du temps (Quartet for the End of Time), live, ChamberFest Cleveland (Franklin Cohen, clarinet; Yura Lee, violin; Gabriel Cabezas, cello; Orion Weiss, piano), 2013

Saturday, May 17th

beyond category

John Zorn, Book of Angels (excerpts); Uri Caine, piano; Masada String Trio (Mark Feldman, violin; Erik Friedlander, cello;* Greg Cohen, bass); live, France (Marciac), 2008

**********

lagniappe

reading table

There’s a line in Tarkovsky’s Solaris: we never know when we’re going to die and because of that we are, at any given moment, immortal.

—Geoff Dyer, “Diary,” London Review of Books, 4/3/14

***

*It’s all related: Erik’s the son of photographer Lee Friedlander, whose work is often featured here.

Friday, May 9th

only rock ’n’ roll

The Ex & Brass Unbound,* “Cold Weather Is Back,” live, London, 2010


**********

lagniappe

art beat: yesterday at the Art Institute of Chicago

Christopher Wool (1955-)

the_harder_you_look1355008352148

 

*****

*Roy Paci (trumpet), Wolkter Wierbos (trombone), Ken Vandermark (tenor saxophone), Mats Gustaffson (baritone saxophone).

Wednesday, March 12th

not for the faint of heart

Peter Brötzmann Chicago Tentet,* live, France (Le Mans), 2004


**********

lagniappe

musical thoughts

Q: What would people be surprised to know that you listen to?

Bill Clinton: Brötzmann, the tenor sax player, one of the greatest alive.

Oxford American, 2001 (annual music issue)

*****

*PB, reeds; Ken Vandermark, reeds; Joe McPhee, pocket trumpet, tenor saxophone; Roland Ramanan, trumpet, wooden flute; Toshinori Kondo, trumpet; Jeb Bishop, trombone; Fred Longberg-Holm, cello; Kent Kessler, bass; Michael Zerang, drums; Paal Nilssen-Love, drums.

Monday, March 10th

serendipity

This I bumped into yesterday, while taking a break from work (murder case, tax stuff, etc.). I found it enthralling—maybe you will too.

Okkyung Lee (cello), live, Ireland (Cork), 2012

**********

lagniappe

radio

Today, on the heels of yesterday’s celebration of Ornette Coleman, WKCR (Columbia University) is hosting yet another birthday marathon—this one for jazz cornetist Bix Beiderbecke, born on this date in 1903.

Frankie Trumbauer and His Orchestra (with Bix Beiderbecke [1903-1931], cornet), “I’m Coming Virginia” (1927)

Thursday, March 6th

never enough

Bach’s six cello suites, which I’ve been listening to for over forty years, never fail to astonish me—they breathe.

Johann Sebastian Bach (1685-1750), Suite No. 1 in G major for Unaccompanied Cello; Jan Vogler (1964-), live, New York, 2013

**********

lagniappe

reading table

Sing to me of the man, Muse, the man of twists and turns
driven time and again off course . . . .

The Odyssey, opening lines (Robert Fagles’ translation)

Smooth sailing wouldn’t make much of a story.