The only thing hard about listening to this is letting go of everything else.
John Luther Adams (1953-), Dream in White on White (1992); Virtuoso String Orchestra (Joaquin Valdepenas, cond.), Sanya Eng (harp), live, Toronto, 2014
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lagniappe
reading table
Barn’s burnt down—
now
I can see the moon.
—Mizuta Masahide, 1657-1723 (translated from Japanese by Lucien Stryk and Takashi Ikemoto)
Julia Wolfe (1958-), Believing (2001); Bang on a Can All-Stars, live, South Korea (Tongyeong International Music Festival), 2014
lagniappe
art beat
Regular readers may recognize this drawing, which was posted last year. The artist is a client of mine, Walter Unbehaun, a seventy-something bank robber whose story is told in the January issue of GQ magazine (Kathy Dobie, “The Curious Case of the Homesick Bank Robber”). This drawing makes an appearance:
[H]e’d created a strong bond with his lawyer. He considered ‘Rich’ a friend, giving him two finely wrought pencil sketchings. One was of an ancient and deeply wrinkled Peruvian woman, the other of a plump African woman wearing glasses.
Walter Unbehaun, African Preacher (Kankakee County Jail, 2014)
This I turned to late yesterday afternoon, amidst darkness and rain and news of a neighbor’s terminal illness. I’ve been living with this piece for forty-some years, and it has never let me down—never failed, whatever the circumstances, to make life seem lighter, brighter, more porous, more spacious. Never.
Johann Sebastian Bach (1685-1750), Suite No. 1 in G major for Unaccompanied Cello; Mischa Maisky, cello