Ralph Shapey (1921-2003), Three for Six (1979); Oerknal!, live, Netherlands (The Hague, Amsterdam) 2014
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lagniappe
reading table
He ate and drank the precious Words—
His Spirit grew robust—
He knew no more that he was poor,
Nor that his frame was Dust—
He danced along the dingy Days
And this Bequest of Wings
Was but a Book—What Liberty
A loosened spirit brings—
All music is classical music, you know. I don’t put up boundaries on music.
***
Of course I started out in an ethnic community, with the blues and church music and jazz. But that was just one place to start. You read fiction then you start reading nonfiction! You start reading biographies and scientific accounts. It doesn’t change where you came from. It just broadens it. That’s what we do, we keep building on the foundation where we come from. You don’t lose it, you just keep building on it.
***
I think we’ve gotten used to the dissonant, so it’s not even dissonant any more.
***
[W]e have no control over anything but what we do. I just try to stay hopeful: I don’t want to get too pessimistic about anything.
Music for Airports, “1/1” (B. Eno, R. Davies, R. Wyatt), 1978; Bang on a Can All-Stars, live (arr. Michael Gordon), San Diego Airport, 2015
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lagniappe
reading table
To a Snail
By Marianne Moore (1887-1972)
If “compression is the first grace of style,”
you have it. Contractility is a virtue
as modesty is a virtue.
It is not the acquisition of any one thing
that is able to adorn,
or the incidental quality that occurs
as a concomitant of something well said,
that we value in style,
but the principle that is hid:
in the absence of feet, “a method of conclusions”;
“a knowledge of principles,”
in the curious phenomenon of your occipital horn.