Johann Sebastian Bach (1685-1750), Six Suites for Unaccompanied Cello, Mstislav Rostropovich (1927-2007), cello
If I had to list a dozen recordings I couldn’t live without, surely a set of Bach’s cello suites would be among them. I first heard them in the early ’70s, when I was in college—and I’ve been living with them ever since.
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lagniappe
radio
Bach Festival, WKCR-FM (see yesterday’s post): Day One.
Sometimes I want to hear something that will quicken my pulse; sometimes I want something that will slow it—like this, for instance, which I heard the other night in Chicago, played by the group for whom it was written (a.pe.ri.od.ic). One sound . . . another . . . another . . .
Jürg Frey (1953-), Fragile Balance(2014), excerpt; Ensemble Grizzana (Jürg Frey, clarinet; Mira Benjamin, violin; Richard Craig, flute; Emma Richards, viola; Philip Thomas, piano; Seth Woods, cello); 2015
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lagniappe
reading table
Winter seclusion—
sitting propped against
the same worn post
—Matsuo Basho (1644-1694), translated from Japanese by Sam Hamill (The Sound of Water: Haiku by Basho, Buson, Issa, and Other Poets)
Taylor Ho Bynum’s Rank Sentimentalist (THB, cornet; Marika Hughes, cello; Evan Patrick, guitar; Stomu Takeiship, bass; Chad Taylor, drums), “Black Lake” (Bjork), New York, 10/7/16
Jürg Frey (1953-), Paysage pour Gustave Roud; Jürg Frey (clarinet), Dante Boon (piano), Stefan Thut (cello), live, 2011
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lagniappe
reading table
In the middle of the road there was a stone
there was a stone in the middle of the road
there was a stone
in the middle of the road there was a stone.
Never should I forget this event
in the life of my fatigued retinas.
Never should I forget that in the middle of the road
there was a stone
there was a stone in the middle of the road
in the middle of the road there was a stone.
—Carlos Drummond de Andrade (1902-1987), “In the Middle of the Road,” translated from Portuguese by Elizabeth Bishop