Johann Sebastian Bach, Cello Suite No. 2 in D minor, Prelude; Eva Lymenstull (baroque cello), 2017
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lagniappe
reading table
I like this story from the N.Y. Times—a composition by a child in the third grade: ‘I told my little brother that when you die you cannot breathe and he did not say a word. He just kept on playing.’
—Elizabeth Bishop (1911-1979), Letter to Robert Lowell, September 8, 1948
Jaimie Branch’s Fly or Die (JB, trumpet, compositions; Tomeka Reid, cello; Jason Ajemian, bass; Chad Taylor, drums), live, New York (Rye Bar, Brooklyn), 2016
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lagniappe
musical thoughts
Improvised music is like basketball: a great player makes everybody better.
Tonight, at 1 a.m. (EST), one of the year’s great musical events begins: the annual Bach Festival—now in its 40th year—broadcast on WKCR-FM (Columbia University). All Bach, all the time, until midnight New Year’s Eve. Hope, beauty, inspiration: they aren’t luxuries; they’re necessities.
Johann Sebastian Bach, Mass in B minor (excerpt, “Dona nobis pacem”); Berlin Philharmonic (Ton Koopman, cond.) with RIAS Chamber Choir (Justin Doyle, chorus master), live, Berlin, 10/28/17
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Johann Sebastian Bach, Cello Suite No. 6 in D major; Mischa Maisky (cello), live
Hear In Now (Mazz Swift, violin; Tomeka Reid, cello; Silvia Bolognesi, bass), “Requiem for Charlie Haden” (S. Bolognesi), live, Italy (Basilica di San Silvestro, Trieste), 2015
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lagniappe
musical thoughts
Which is more important: what we listen to—or how?