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Category: blues

Saturday, 5/7/11

 More Hound Dog

Hound Dog Taylor & The Houserockers (Brewer Phillips, guitar; Ted Harvey, drums), “Roll Your Moneymaker,” live, Ann Arbor Blues Festival, 1973

Vodpod videos no longer available.

More? Here. And here. And here.

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lagniappe

reading table

M. Abel Bonnard, of Villeneuve-Saint-Georges, who was playing billiards, put out his left eye falling on his cue.

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On the bowling lawn a stroke leveled M. Andre, 75, of Levallois. While his ball was still rolling he was no more.

—Félix Fénéon, trans. Luc Sante, Novels in Three Lines (collecting, as the back cover puts it, “more than a thousand items that appeared anonymously in the French newspaper Le Matin in 1906—true stories of murder, mayhem, and everyday life”)

Friday, 4/29/11

When you’re young you can’t imagine that the things that make your life sing won’t always be there. Then you get older. And they aren’t.

Hound Dog Taylor & The Houserockers (Brewer Phillips, guitar; Ted Harvey, drums), “Sadie,” live, Ann Arbor Blues Festival, 1973

More? Here.

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langiappe

mail

This arrived yesterday, in response to an email letting her know that she was featured here (with Hazel Dickens):

Thanks for letting me know about this.  We said goodbye to Hazel yesterday and singing was never more difficult.  She was my musical guide and my beloved friend.  Smart, funny, complicated, always real.   She’ll live in my music, and my life, forever.  “Fly away, Little Pretty Bird.”

Ginny

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Hazel Dickens, “Pretty Bird,” 1967

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Monday, 4/4/11

Feeling glum?

Not for long.

Albert Ammons, Lena Horne, Pete Johnson, Teddy Wilson
Boogie-Woogie Dream
(1944)

Part 1

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*****

Part 2

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Saturday, 3/26/11

The notes are easy enough to replicate—the touch impossible.

Pinetop Perkins (piano, vocals), July 7, 1913-March 21, 2011

“Grindin’ Man” (with Willie “Big Eyes” Smith, harmonica), live, New Jersey (New Brunswick), 2008

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*****

“How Long Blues,” live

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lagniappe

He was one of the last great Mississippi Bluesmen. He had such a distinctive voice, and he sure could play the piano. He will be missed not only by me, but by lovers of music all over the world.

B.B. King

*****

If you don’t want to die, don’t be born.

Red Paden, owner of Red’s Blues Club, Clarksdale, Mississippi

*****

my back pages

Many years ago I had the pleasure of working with him, co-producing his tracks on Living Chicago Blues, Vol. 2 (Alligator 1978). Warm, amiable, unassuming—he was easy to like.

*****

listening room: what’s playing

• Ornette Coleman, Town Hall 1962

• Mos Def, The Ecstatic

Lupe Fiasco, Lasers

Steve Reich, Double Sextet, 2×5

Rudresh Mahanthappa & Bunky Green, Apex

Nneka, Concrete Jungle

Theo Parrish, Sound Sculptures, Vol. 1

Powerhouse Gospel On Independent Labels, 1946-1959

WFMU-FM: Sinner’s Crossroads (Kevin Nutt), Mudd Up! (DJ/rupture)

WKCR-FM: Bird Flight (Phil Schapp), Jazz Alternatives (various), Out To Lunch (various), Western Swing Festival (various)

Saturday, 3/19/11

Sometimes, when the world just seems too noisy, too busy, what you need is something that couldn’t be simpler.

Slim Harpo, “Rainin’ In My Heart” (1961)

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Tuesday, 3/15/11

Big Jack Johnson, July 30, 1940-March 14, 2011

Live (Deep Blues, 1992)

“Catfish Blues”

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“Daddy, When Is Mama Coming Home”

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lagniappe

art beat

American Modern: Abbott, Evans, Bourke-White
Art Institute of Chicago (through 5/15/11)

Walker Evans, Barbershops, Vicksburg, Mississippi (1936)

Wednesday, 3/9/11

Happy (81st) Birthday, Ornette!

His sound—his whole approach (simple melodies, vocal phrasing, off-center intonation)—is drenched in the blues.

Ornette Coleman (alto saxophone) with The Roots
Live, London (Meltdown Festival), 2009

#1

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#2

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The tenor player at the end—that’s David Murray.

More Ornette? Here.

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lagniappe

radio

What am I listening to today?

That’s easy—WKCR-FM (broadcasting from Columbia University), where it’s all Ornette all day.

Monday, 2/28/11

When something is this lyrical, this convincing, there’s only one thing I want to do when it ends—hear it again.

Michael Burks, “Empty Promises,” live, Falls Church, Virginia, 8/21/09

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Tuesday, 2/8/11

three takes

Twenty inches of snow.

Fifty-mile-an-hour winds.

Thunder, lightning.

When the weather’s this bitter, shouldn’t the songs be too?

She wait till it got nine below zero . . .

Sonny Boy Williamson II (AKA Aleck “Rice” Miller), “Nine Below Zero”

Live (introduced by Memphis Slim; with Otis Spann, piano; Matt Murphy, guitar; Willie Dixon, bass; Billy Stepney, drums), Europe (Germany), 1963

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Recording (with Otis Spann, piano; Robert Jr. Lockwood & Luther Tucker, guitars; Willie Dixon, bass; Odie Payne, drums), Chess Records, Chicago, 12/14/60

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Recording (with Elmore James, guitar; Willie Love, piano; Cliff Givens, bass; Joe Dyson, drums), Trumpet Records, Jackson, Mississippi, 12/4/51

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Three Below Zero?

Seven Below Zero?

Ten Below Zero?

Sonny Boy nailed it with nine.

Monday, 2/7/11

You weren’t there Saturday (neither was I); but, hey, we’re here now.

North Mississippi Allstars (Luther [guitar] & Cody [drums] Dickinson [sons of the wonderful Jim Dickinson]), “Let It Roll,” “Ain’t No Grave,” live, Atlanta (Criminal Records), 2/5/11

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lagniappe

Keys to the Kingdom (new album)

Vodpod videos no longer available.

*****

reading table

Country Fair

If you didn’t see the six-legged dog,
It doesn’t matter.
We did, and he mostly lay in the corner.
As for the extra legs,

One got used to them quickly
And thought of other things.
Like, what a cold, dark night
To be out at the fair.

Then the keeper threw a stick
And the dog went after it
On four legs, the other two flapping behind,
Which made one girl shriek with laughter.

She was drunk and so was the man
Who kept kissing her neck.
The dog got the stick and looked back at us.
And that was the whole show.

—Charles Simic

Simic reads this here, beginning at 2:08:

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