music clip of the day

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Category: bass

Tuesday, 1/10/12

What you want, sometimes, is to lose yourself, even if only briefly, in beauty.

Leo Janacek (1854-1928), String Quartet No. 1, “The Kreutzer Sonata,” excerpt (arr. Tognetti), Australian Chamber Orchestra

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lagniappe

random thoughts

When you’re young you want to find yourself; when you’re old you want to lose yourself.

*****

reading table

Variations for Two Pianos

for Thomas Higgins, pianist

by Donald Justice

There is no music now in all of Arkansas.
Higgins is gone, taking both his pianos.

Movers dismantled the instruments, away
Sped the vans. The first detour untuned the strings.

There is no music now in all of Arkansas.

Up Main Street, past the cold shopfronts of Conway,
The brash, self-important brick of the college,

Higgins is gone, taking both his pianos.

Warm evenings, the windows open, he would play
Something of Mozart’s for his pupils, the birds.

There is no music now in all of Arkansas.

How shall the mockingbird mend her trill, the jay
His eccentric attack, lacking a teacher?

Higgins is gone, taking both his pianos.
There is no music now in all of Arkansas.

Saturday, 1/7/12

Roy Hargrove Quintet,* “Strasbourg/Saint Denis,” live, Paris, 2008

What better way to begin the new year than with live music, which is what I did last Sunday (with my wife Suzanne and older son Alex), catching these guys at Chicago’s Jazz Showcase, where they played an ebullient set for the overflow crowd.

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lagniappe

reading table

In January baseball lives in the imagination.

Now he was stuck at this ramshackle ballpark between a junkyard and an adult bookstore on the interstate outside Peoria.

***

“The shortstop is a source of stillness at the center of the defense. He projects this stillness and his teammates respond.”

***

When your moment came, you had to be ready, because if you fucked up, everyone would know whose fault it was. What other sport not only kept a stat as cruel as the error but posted it on the scoreboard for everyone to see?

—Chad Harbach, The Art of Fielding (2011)

*****

*RH, trumpet; Justin Robinson, alto saxophone; Gerald Clayton, piano; Danton Boller, bass; Montez Coleman, drums

Tuesday, 1/3/12

the other night

Just a week after hearing vibist Jason Adasiewicz’s Sun Rooms trio there, my older son Alex (home for the holidays) and I went back to the Hideout, a small club on Chicago’s north side, to hear these guys.

DKV Trio (Hamid Drake, drums; Kent Kessler, bass; Ken Vandermark, reeds), live, Chicago (Hideout), 12/28/11

Tuesday, 12/27/11

more favorites from the past year

Wild Flag, live, SXSW (Austin, Texas), 3/11

“Romance” (Mellow Johnny’s Bike Shop)

***

“Future Crimes” (IFC Crossroads House)

Someday an all-female band will seem no more remarkable than an all-male one.

(Originally posted 10/24/11.)

*****

She’s going to be a big star someday.

Nneka, live

Vodpod videos no longer available.

(Originally posted 2/15/11.)

Saturday, 12/24/11

When I was little, I would go into Chicago to hear live music—Peter, Paul & Mary, Kingston Trio, Beach Boys—with my father. Then, as a teenager, I’d go into the city with my brother Don to hear the Velvet Underground and the MC5, the Who, Tim Hardin and Tim Buckley, Muddy Waters. Now I make these trips with my sons. The other night, for instance, my older son Alex (now 24 and home for the holidays) and I went to the Hideout, a small club on Chicago’s north side, not far from where I once went with my father (now gone) and my brother (now hundreds of miles away), to hear this guy.

Jason Adasiewicz’s Rolldown (JA, vibraphone; Josh Berman, cornet; Aram Shelton, alto saxophone; Jason Roebke, bass; Frank Rosaly, drums), “Hide,” live, c. 2008

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lagniappe

reading table

No, the human heart
Is unknowable.
But in my birthplace
The flowers still smell
The same as always.

—Ki no Tsurayuki (872-945; trans. Kenneth Rexroth)

Friday, 12/16/11

only rock ’n roll

Happy Refugees, “What’s Your Appeal”
Live, New York (Cake Shop), 12/10/11

More? These guys recently did a live studio performance at WFMU-FM (The Cherry Blossom Clinic with Terre T), which can be heard here.

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lagniappe

art beat: Tuesday at the Art Institute of Chicago (after a hearing at the nearby federal court building)

George Inness (1825-1894), Early Morning, Tarpon Springs (1892)

Tuesday, 12/13/11

two takes

Rock ’n roll, like blues, is for old folks too.

Dick Dale (guitar, 1937-), “Nitro”

Live (radio broadcast, KEXP-FM [Seattle]), 12/11/09

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Recording and Video, 1993

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lagniappe

I make my guitar scream with pain or pleasure or sensuality. It makes people move their feet and shake their bodies. That’s what music does.

Dick Dale

Friday, 12/9/11

Janis Joplin, “Get It While You Can” (J. Ragovoy)
Live, TV broadcast (The Dick Cavett Show), 1970

If she had lived, what would she sound like, at 68, today?

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lagniappe

reading table

We shall not ever meet them bearded in heaven,
Nor sunning themselves among the bald of hell;
If anywhere, in the deserted schoolyard at twilight,
Forming a ring, perhaps, or joining hands
In games whose very names we have forgotten.
Come, memory, let us seek them there in the shadows.

—Donald Justice, “On the Death of Friends in Childhood”

Sunday, 12/4/11

 funeral service and second line for Snooks Eaglin
9/27/09, New Orleans

Irma Thomas, “Singin’ Hallelujah”

*****

Charmaine Neville, Clarence “Frogman” Henry, Allen Toussaintet al.

“Swing Low, Sweet Chariot”

***

“Hush, Somebody’s Calling My Name”

Saturday, 12/3/11

three takes

“N’teri”

Habib Koité, live, c. 2007

*****

Regina Carter (violin), Yacouba Sissoko (kora), Will Holshouser (accordion)
Live, radio broadcast (KPLU-FM), 2011

Kora, violin, accordion—even the names of these instruments sound good together. You have, in succession, words of two, three, and four syllables. Consonants repeat (k/c, r, n), as do vowels (o, a). The last word (“accordion”) echoes both syllables of the first (“kora”), reversing them, as well as the end of the second (“violin”). What does any of this mean? Nothing—it’s simply, for me, a small source of additional pleasure.

*****

Habib Koité, recording, 2007